4950. Leonard Lane (39)

Rtiiika, Leonard Lane, Bristol, May 2022
Rtiiika, Leonard Lane, Bristol, May 2022

Although Rtiiika has moved away from Bristol for the time being, her work remains very much in our memories. It was a pleasure reacquainting myself with these pictures of a piece that she painted in Leonard Lane back in May 2022. Many pieces that were painted in May were bumped because of Upfest, which always impacts on the number of posts I can write. This moment of reflection at the start of 2023 has enabled me to share some great pieces that got left behind.

Rtiiika, Leonard Lane, Bristol, May 2022
Rtiiika, Leonard Lane, Bristol, May 2022

Rtiiika’s work is pretty much unique in Bristol, although this piece leans heavily on the cubists and artists like Picasso. It is an absolute beauty of a musician playing a cello or double-bass. The musician is female, as denoted by the ‘W’ representing breasts, a motif that Rtiiika has used in her work before. This is a really classy piece and I do hope that she decides to return to Bristol.

Out and about

.

On the road again

more correctly, on the rails

Workshop in Worcester

.

by Scooj

* for my American friends Worcester is pronounced Wooster… two syllables.

4949. Various locations

Klashwhensober, Bristol, May 2022
Klashwhensober, Bristol, May 2022

As with other prolific artists, I have had to group a bunch of pieces by Klashwhensober together to make sure that they get to see the light of day. This selection of pieces were all photographed in May 2022, although some may have been painted some time before then. It looks like I photographed the first ‘Sober’ piece before it was completed, and then again once finished (see Feature image). This was entirely accidental, and I only noticed they were different when I was putting this post together.

Klashwhensober, M32 roundabout, Bristol, May 2022
Klashwhensober, M32 roundabout, Bristol, May 2022

This red Klash writing, with squishy green bubbles, lasted rather a log time in this tunnel of the M32 roundabout as I recall.

Klashwhensober, St Werburghs, Bristol, May 2022
Klashwhensober, St Werburghs, Bristol, May 2022

Another Klash piece, this time in the tunnel, with some nice blue transitions and decorations in the fills. I think that I would like to see Klashwhensober start to buff his walls first, because it would give his talent more of an opportunity to shine through, but this is kind of hard core writing and that is OK.

Klashwhensober, M32 spot, Bristol, May 2022
Klashwhensober, M32 spot, Bristol, May 2022

This piece presents us with a feast of colour and explosive elements, something that Klashwhensober excels at.

Klashwhensober, St Werburghs, Bristol, May 2022
Klashwhensober, St Werburghs, Bristol, May 2022

Another Sober piece, again with a blue fill, but rather less frenetic than some of his work. Calm and concentrated.

Klashwhensober, St Werburghs, Bristol, May 2022
Klashwhensober, St Werburghs, Bristol, May 2022

Finally, another burst of energy in the tunnel, this time with the added bonus of a curious red figure peeping over the SOBER letters. I don’t know how Klashwhensober finds the energy or affords the paint for his work, but I am only glad that he does.

4948. Upper York Street (28)

Hazard, Upper York Street, Bristol, May 2022
Hazard, Upper York Street, Bristol, May 2022

It is extraordinary and quite unforgivable that this isn’t the only Hazard piece that hasn’t made it onto Natural Adventures over the last year, and I will have to go back and find the others, because no self-respecting chronicler of Bristol street art, would have allowed this to happen. I can’t explain myself. Perhaps this appalling situation arose because the first time I photographed the piece, there were railings up against it. Who knows?

Hazard, Upper York Street, Bristol, May 2022
Hazard, Upper York Street, Bristol, May 2022

The portrait piece is superbly painted, especially when you consider the heavily textured stonework on the wall, and is a tribute to the late Skibadee who died at the very young age of 47 last February. The portrait is a great one and hints back at some of her earlier works in which the two sides of the face are bathed in different colours. This is just one of so many outstanding pieces by Hazard.

Thursday doors – 12 January 2023

Doors 205 – Croatia doors (part 2)

I am leading and facilitating a workshop inWorcester today, so have prepared this Thursday doors post a little in advance. This post is the second instalment of Croatian doors from our family summer holiday last August. The photographs were taken in Zaton, where we were based, Nin, a little town nearby and Zadar, a larger and historic town on the coast. Enjoy:

Three doors, Zaton, Croatia, August 2022
Three doors, Zaton, Croatia, August 2022

Gate, ballustrade and old door, Zaton, Croatia, August 2022
Gate, ballustrade and old door, Zaton, Croatia, August 2022

A modern door on a modern building, Zaton, Croatia, August 2022
A modern door on a modern building, Zaton, Croatia, August 2022

You might be able to spot the unintended doorfie…

Gateway to Nin, Croatia, August 2022
Gateway to Nin, Croatia, August 2022

Museum entrance and door, Zadar, Croatia, August 2022
Museum entrance and door, Zadar, Croatia, August 2022

A modern door on an older building, Zadar, Croatia, August 2022
A modern door on an older building, Zadar, Croatia, August 2022

Church door with a pediment over it, Zadar, Croatia, August 2022
Church door with a pediment over it, Zadar, Croatia, August 2022

There will be more to come from this trip soon, but I might be pausing from posting Thursday doors for a couple of weeks, so make the most of these. May I wish you a very happy weekend.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

4947. Frome side (21)

Maesyhook, Frome Side, Bristol, May 2022
Maesyhook, Frome Side, Bristol, May 2022

This is another piece I have salvaged from the archives, mainly because I love Maesyhook’s work and always try to post it when I find it. This one fell through the net. The column piece is under the M32, next to the channelled River Frome, and has had a little bit of augmentation performed to the eyes, which is a pity. Why do people do things like that? If they want to bugger up someone else’s work, at least go over the whole thing, or better paint something equally good or superior over it.

Maesyhook, Frome Side, Bristol, May 2022
Maesyhook, Frome Side, Bristol, May 2022

Maesyhook’s Kawaii style works brilliantly with this character from The Mandalorian Star Wars offshoot. A mini Yoda type character causing mischief, I am sure. The force is strong in this one, make no mistake.

4946. Various locations

Asre, Dean Lane, Bristol, April 2022
Asre, Dean Lane, Bristol, April 2022

There was a period early last year, when it felt like every available space in multiple spots was being filled with a portrait mega-tag by Asre, aka Runaway Joey. These distinctive characters are based on the same central core elements, but they are ‘pimped’, so that each has a distinctive look and theme. This is a mini-gallery of pieces by Asre from April last year. At another point in time, I will have to do another of these galleries to sweep up a bunch of other Asre pieces in the first half of 2022.

Asre, Jamaica Street, Bristol, April 2022
Asre, Jamaica Street, Bristol, April 2022

This was a small piece in Jamaica Street that reflects the basic character template.

Asre, Moon Street, Bristol, April 2022
Asre, Moon Street, Bristol, April 2022

A Moon Street cheeky character wearing a red hat, beautifully picked out with the customary three layered thick border.

Asre, M32 Spot, Bristol, April 2022
Asre, M32 Spot, Bristol, April 2022

Asre shows his versatility with this quick column piece under the M32.

Asre, Dean Lane, Bristol, April 2022
Asre, Dean Lane, Bristol, April 2022

Rounding off this mini-gallery with a piece behind the fence in Dean Lane, this time the character is wearing a blue hat.

One of the curious things is that Asre’s prolific activity simply dropped off a cliff later in the year, so I guess there might have been a lifestyle change at some point. It would be nice to think that he will return to our streets in due course.

Sixtieth year

.

“No fuss this birthday”

be careful what you wish for

just another day

.

by Scooj

4945. Stokes Croft

Gage Graphics, Stokes Croft, Bristol, April 2022
Gage Graphics, Stokes Croft, Bristol, April 2022

I’m glad I took this photograph when I did, back in April 2022, because much of this magnificent piece by Gage Graphics is now obscured with bins and advertising hoardings. The commission for Stokes Croft Takeaway is an outstanding scene featuring Disney’s Goofy character.

Gage Graphics, Stokes Croft, Bristol, April 2022
Gage Graphics, Stokes Croft, Bristol, April 2022

Goofy is faithfully recreated in this piece, but it isn’t just the character or the writing that makes this piece a great one, but also the magnificent tree rising high into a sunset sky. I also love the detail of the little bird sitting on the roof.  Gage Graphics is one of the most versatile artists in Bristol, and one who receives some significant commissions about the place.

4944. Greenbank (65)

Vozie, Greenbank, Bristol, April 2022
Vozie, Greenbank, Bristol, April 2022

The primary reason for pieces being left behind in my archive is that I couldn’t identify the artist at the time of taking the photographs, and then the moment passes and that is that. I am sure that my archives are full of gems, and if I had more time I would mine them out on a regular basis, but at the moment that is not possible. And while I am spending time digging out archive images, I am not posting the New Year pieces, which makes life difficult. Anyhow, this is an absolute beauty from Vozie back in April last year.

Vozie, Greenbank, Bristol, April 2022
Vozie, Greenbank, Bristol, April 2022

Vozie has a great eye for her colour combinations, and has chosen some great letters for writing. The ‘V’ at the start is a strong letter and allows for all sorts of variations, and the ‘O’ and ‘Z’ also allow a certain amount of play. Vozie is clearly very accomplished and her fades, highlights and borders are always on-point. This is a lovely piece painted pre-Truss (remember her?).