I have a deep fondness for Billy’s work. There is something comforting about her childlike naive style. Charming stuff, but there is often a low-level undercurrent of contemporary commentary – not in this piece though. This is straight and simple, it is a dog with funny hair.
Billy, Elton Street, Bristol, October 2023
I think that Billy would make a fantastic illustrator of children’s books, as the uncomplicated images contain a narrative, which could relate very easily to a story book story. This piece was painted as part of a paint jam alongside painting friends, Merny and Mr Penfold, among others.
I am in a conference all day today, so I wrote this one last night, not that it makes any difference to anything at all. As reported several times before on Natural Adventures, Dibz and Fade have been unstoppable this year, painting some incredible pieces week in, week out. This beauty was on the long wall under Brunel Way.
Fade, Brunel Way, Bristol, October 2023
As with many of their recent collaborations, it can be difficult to know where the individual work ends and the combined work begins, but broadly speaking the writing on the left is by Fade, and under his tight writing he has the words ‘From up above’.
Fade and Dibz, Brunel Way, Bristol, October 2023
The central character looks like something out of a Marvel or DC comic, but I am not sure that I can spend hours trying to find out who, although a quick Google search has led me to the door of Dark Phoenix from X-Men. Beautifully painted… these guys really are good. The banner spells out Tru Headz Kru (THK), which I assume is the two collaborating artists.
Dibz, Brunel Way, Bristol, October 2023
To the right, Dibz gives us another of his flawless pieces of graffiti writing, looking stunning in shades of green with a purple drop shadow. I can see several possible words in the letters, but most likely is DIBZ, although I can also see DARK, which would cross-reference nicely with the character. Still more to post from these two!
I have recently tried to veer away from politics, but today has been too momentous to pass without some comment. At last, we see the back (for now) of the racist agent provocateur Suella Braverman as Home Secretary, to be replaced by the inept and underwhelming James Cleverly. His post of Foreign Secretary has been filled by former PM, architect of austerity and the EU Exit referendum (who was heard to sing ‘tum te tum’ as he returned to the door of No 10 after his resignation speech). David Cameron isn’t even an elected member of parliament and is the subject of an ongoing serious fraud investigation – furthermore Sunak has had to make him a Baron so that he can sit in the House of Lords to take up his office (there were 350 Conservative MPs Sunak could have selected from, but not a single one of them met the bar presumably). You couldn’t make it up. Other ministers and Secretaries of State have been shuffled, one of which will have direct implications for my own work. Surely, surely the Conservative party is utterly washed-up and should give the country what it wants, a general election.
I remember, looking back, that a few years back I used to think of Haka as something of an ‘edgy’ graffiti writer and artist as there were sometimes quite hard-hitting narratives alongside his work, but I think I was wrong at the time, and in recent years his work has been gentle and humorous and a joy to witness.
Haka, Peel Street Green, Bristol, October 2023
This new piece in Peel Street Green is a reflection of his work over the last 20 years and features a wonderful Snoopy character sitting on a rocket alongside some cheery bright and colourful letters. His work is upbeat and fun and these days works especially well for younger viewers, as many of his references are children’s cartoon or picture book characters. I hope this one stays as long as his Garfield piece in the same location.
There are some artists who pause for a long time between pieces, and it reaches the stage where they become out of sight… out of mind. I had quite forgotten about Lokey and his outstanding anamorphic writing, so it was an extra special surprise to find this piece. The day was a good one with the thoroughly enjoyable company of Paul H who was able to get out for a few snaps.
Lokey, Cumberland Basin, Bristol, October 2023
Purple and orange always make great bedfellows in street art, and Lokey has woven the colours in the most incredible way to create the 3D depth that appears to lift the letters several inches off the wall. Such clever and skilled work. I would love to see more of Lokey’s work, but I suspect his pieces will continue to be a bit of a rarity.
Sled One, Karmone and Smak, M32 Cycle path, Bristol, October 2023
I think I have Paul H to thank for pointing out this piece. I don’t often venture to this area because usually is is littered with tags and throw ups that I have little interest in, but this outstanding collaboration by Sled One, Karmone and Smak, proves that it is always worth taking a look everywhere.
Sled One, M32 Cycle path, Bristol, October 2023
The piece is sited underneath the railway bridges on Stapleton Road, but cannot be seen from the road, which is probably why I missed it. To the left is something so incredible it is difficult to describe. The fire extinguisher character is Sled One at his most awesome, and it reminds me of a piece he painted way back. I’ll see if I can locate it and pop it in at the end of the post. Sled One’s complete mastery of his trade is something to admire and enjoy.
Karmone and Smak, M32 Cycle path, Bristol, October 2023
Fortunately, the accompanying writing by Karmone and Smak are of such high quality that they comfortably sit alongside Sled One’s work. Both pieces of writing are of the highest quality and ooze class. Overall, this is one of the best collaborations of the year, and there is some very stiff competition indeed. Once again it makes me feel very lucky to live in a city where such talent is on display, for free, for citizens, every day of the week.
Theartofsok is not an artist I am particularly familiar with, so when I first saw this unsigned piece I c was a little puzzled and had to do a bit of homework. I could be certain it wasn’t by a Bristol artist but by a visitor, beyond that I was stumped. It is an outstanding piece from the South Wales artist, and one of two in the area from a visit he made a couple of weeks back.
Theartofsok, M32 Spot, Bristol, Ocober 2023
The piece is very confidently painted, with strong, sharp black outlines and assured solid fills. There is a simplicity about it, but do not be fooled, behind the simplicity lies great technical skill and know how. The expression on the character’s face and movement around him is all rather special. Theartofsok is welcome to return anytime.
This classic burner on the long roundabout wall is one of two recent Mr Riks pieces to appear in Bristol. To the untrained eye, this might look like any other chrome throw up, but have a closer look and there are signs that this piece is by no ordinary artist.
Mr Riks, M32 roundabout, Bristol, October 2023
The letters spell out RIKS, with a couple of comedy eyes and fingers at the top of the ‘I’, and there is a little deliberate blurring on some of the edges of the letters. It is the drop shadow, however, that gives this piece away as having been painted by a craftsman. The shadow has a vanishing point somewhere beneath the piece, and its curves perfectly match the curves of the letters. The stripes, which add depth, and orange border are really nice and tight too. The whole thing may appear modest, but is at the same time classy and masterful.
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