Angie Jerez, North Street, Upfest 24, Bristol, May 2024
With the sheer number and quality of large murals at this year’s Upfest, it was easy to become complacent, and I nearly missed this wonderful piece, by Angie Jerez, above Kask, which when you stroll on the ‘wrong’ side of the road in North Street, is quite easy to do, which I why I always walk up one side and back the other side.
Angie Jerez, North Street, Upfest 24, Bristol, May 2024
This mural, featuring two birds and plant seed heads, way above the clouds has been beautifully designed around the stacked windows above the wine bar. The limited number of colours draws attention to the fine detail of the design itself, and the stylised birds are glorious. I don’t know anything about Angie Jerez other than what appears in her Upfest Biography, and that she is originally from Bogotá in Colombia, but now lives in Atlanta. What a brilliant thing that she came to Bristol to paint at Upfest.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
I think that it is fair to say that at Upfest 2024 we have seen the painting of more large scale ‘marquee’ murals than ever before, some replacing previous artwork and others appearing on new walls. The team at Upfest have done a remarkable job on negotiating with property owners, and presumably the council too, to free up so many new and wonderful spaces.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
This outstanding portrait piece is by Lionel David and was painted on a new wall, a little walk away from the main centre of Upfest activity, and as a result may not have been seen by as many visitors as some of the other pieces on the main drag. Lionel David has not only painted a beauty, but he has been clever too by incorporating the wall that runs alongside the house, and as a result the piece needs to be viewed from a particular spot in the adjacent plot, which the artist has marked out on the ground. Not only did he paint the low wall, but on the main wall he has painted the girl’s body and arm in full, so there is some repetition.
Lionel David, Parson Street, Upfest 24, Bristol, May 2024
There is no doubting Lionel David’s incredible skills, and it is clear to see that he has been schooled in art. Lionel David has a great website, but it is in German, so I have used Google Translate to give you his biography, as follows:
Lionel David is a visual artist from Switzerland who discovered his love for painting in 2017. He specializes in spray can murals.
Studying fine arts at the Lucerne University of Applied Sciences from 2019 to 2022 broadened Lionel David’s horizons and emphasized the importance of context in his work. His style combines photorealism with graphic elements and is often inspired by nature.
The artist is currently concentrating on portrait painting and experimenting with compositions to further explore artistic boundaries. With dedication and innovation, he succeeds in inspiring people with his lively and gentle works.
Further to this incredible portrait piece, which he finished earlier than expected, Lionel David had time to paint an ‘extra’ in Dean Lane, which although unfinished looked amazing. Dibz and Fade were in the process of contacting the artist to see if he would mind if they ‘augmented’ the portrait piece, but before they could send their message, another artist had started painting over it, so this ‘extra’ lasted less than 24 hours.
Lionel David, Dean Lane , Upfest 24, Bristol, May 2024Lionel David, Dean Lane , Upfest 24, Bristol, May 2024Lionel David, Dean Lane , Upfest 24, Bristol, May 2024
30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one ‘wild’ thing a day throughout the month of June. I will try to write a nature haiku every day if I can, as my contribution to this celebration of wildlife and biodiversity. I did this back in 2015 and thoroughly enjoyed the challenge.
3rdeye, Raleigh Road, Upfest 24, Bristol, May 2024
A little bit out of the way, but well worth the extra walk is this wonderful piece by 3rdeye, a Bristol artist whose work crops up from time to time around the city. The fact that this is a new wall for Upfest 2024, gives us an element of certainty that it will remain intact for some while, unlike some of his street pieces that exist for all too short a time.
3rdeye, Raleigh Road, Upfest 24, Bristol, May 2024
This is a beautifully clean and well designed piece featuring one of his monster characters, set in a woodland landscape (a tree and a toadstool) with a blazing sun beating down (if only). There are lots of eyes (I guess the artist’s name betrays his obsession with eyes) surrounding the character, and a couple of abstract triangle things, of which the one on the left looks a little bit like a traffic sign, which once seen in that way can’t be unseen (sorry). This is a lovely piece, typical of 3rdeye’s quirky ideas.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Upfest really is an extraordinary opportunity to see street art form all corners of the globe, and with it a huge variety of cultural styles, to add to the broad ‘school of Bristol’ street art and graffiti. This is a wonderful piece from Audrey Kawasaki, a Japanese-American artist who lives and works in Los Angeles.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
There is a strong mix of eastern and western cultures coming together in this beautiful piece, where the tiger represents the east and the girl the west, perhaps. Audrey Kawasaki (who has a fabulous website) appears to use this styling in a lot of her work and also I detect some Art Nouveau influences in her work that makes it super-interesting.
Audrey Kawasaki, Raleigh Road, Upfest 24, Bristol, May 2024
Audrey Kawasaki’s composition in this mural is outstanding with the two central characters surrounded by crows and feathers and framed in a red ‘cloudy’ border. There is definitely a story in this piece, and it compels the viewer to want more. Clever and beautiful work from the visitor this year’s Upfest.
I haven’t yet seen Mind 49’s piece for Upfest yet, but his preparation has been on an ever-upwards trajectory. With each new piece that he paints, he seems to grow, not only in confidence but in comfort with and command of his style. This piece on the hoardings at Greenbank is a great example of his soft photorealism work.
Mind 49, Greenbank, Bristol, May 2024
In nearly all of Mind 49’s pieces the eyes of his subject are obscured often with sunglasses, and I wonder if that is a signature kind of thing or whether he struggles with painting eyes. I guess I’ll have to meet him to find out. Mind 49 has a fantastic tone with his artwork, which often looks like it might be painted with brushes rather than spray cans – the mark of a great artist. Now, I must hunt down his Upfest piece, from what I have seen on social media, it looks quite remarkable.
Tree planting, Manifold valley, Peak District, April 2024
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On a steep hillside
volunteers planting saplings
ash dieback replaced
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by Scooj
30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one ‘wild’ thing a day throughout the month of June. I will try to write a nature haiku every day if I can, as my contribution to this celebration of wildlife and biodiversity. I did this back in 2015 and thoroughly enjoyed the challenge.
Acer One, Andy Council and Paul Monsters, Greville Smyth Park, Bristol, May 2024
Although this outstanding collaboration piece from Andy Council, Acer One and Paul Monsters was painted a little while ago, I only got to photograph it during Upfest 2024, however it is not an Upfest piece (although many visitors won’t know that). This is what I call a true collaboration, where the distinct styles of the three artists are combined into one story, and they have achieved this fusion expertly.
Acer One, Andy Council and Paul Monsters, Greville Smyth Park, Bristol, May 2024
The three components are a wonderful geometric background design from Paul Monsters, which creates a colourful backdrop and tone, while also providing some depth with light and shadow tricks. The writing ‘New Story’ and circle are beautifully created by Acer One, whose precision and accuracy are unsurpassed. Note the subtle shadow to the lower and left sides of the letters, lifting them ever so gently from the wall. Finally, the greyscale monster in thee middle is painted by Andy Council and stands out against the colour of the background and is framed by the circle. Brilliant composition from the three of them. The piece was painted on the Spring Equinox on 24 March 2024 and a film and full explanation of the collaboration is given on Andy Council’s Instagram feed.
Rather annoyingly, I keep missing pieces by Sait Bare, either finding them prior to completion or that they have been overpainted, so it was a relief to find this one finished and intact. This letter/character combination piece is painted in a metallic gold colour, that is strong, and the background decor reflects the general messiness of the wall.
Sait Bare, Cumberland Bain, Bristol, May 2024
The letters spell SAIT with the character taking the pace of the letter ‘i’, and there is a deep red and black striped drop shadow. The character is painted in a carton style, with the eyes and mouth standing out in white against the gold. There is a lot to like about this piece and I look forward to finding more from Sait Bare.
Groyne pillar, Bracklesham Bay, West Sussex, June 2024
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Clinging for dear life
rough barnacles and seaweed
a giver of life
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by Scooj
30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one ‘wild’ thing a day throughout the month of June. I will try to write a nature haiku every day if I can, as my contribution to this celebration of wildlife and biodiversity. I did this back in 2015 and thoroughly enjoyed the challenge.
Natural adventures 