September 2024 – Page 8 – Natural adventures

6351. Dean Lane skate park (747)

Jevoissoul, Dean Lane, Bristol, August 2024

Jevoissoul told me when I first met him that he would be hitting the streets of Bristol hard, and he has lived up to his work. Barely a week goes by without another of his distinctive character pieces appearing at one of the hot spots around the city. His character is sometimes accompanied by the word SLOW in combination pieces like this one.

Sometimes Jevoissoul’s work can be a little ragged, but this combination piece is pretty tight and nicely filled and finished, indeed it might be one of his best to date. I have a whole raft of his work that I haven’t yet posted and think I might have to do a small collection post at some point, just to catch up, something I have said about many of our most prolific artists numerous times. Nice work from Jevoissoul

6350. Muriel Alleyway (13)

Bloem, Muriel Alleyway, Bristol, August 2024

A rising star in the Bristol street art scene, although she probably doesn’t realise it, is Bloem, who is gaining confidence in her work and growing from day to day and piece to piece. This one was painted during Bristol’s smallest street art festival organised by Rtiiika at the end of July this year, on a gorgeously warm and sunny day.

This shutter piece, painted in the colours of Spode Italian plate tableware, is a magnificent tribute to how far this artist has come in such a short space of time. (Note to self – Bloem to be my next gallery collection). Bloem had some fun painting this piece, and left the little white circle in the middle, which had a tag saying ‘TOY’ in it, as the last bit she painted.

There are all the elements that Bloem can be associated with incorporated within the piece; a hand with long fingernails clutching a spiky chain (a motif she uses a lot in her jewellery work) and a beautiful flower in full bloem (did you see what I did there?). Wonderful stuff.

6349. Dean Lane skate park (746)

This magnificent beast by Dibz is the perfect example of tight wildstyle graffiti writing. The piece will have been thought out carefully and probably sketched out in a black book before being painted. This is graffiti art at its absolute best, by one of the best writers in Bristol and probably the country.

The piece spells out YUKI and is a tribute for Goldie and his partner Mika and their baby Yuki. I had to do a little bit of detective work to find all that out, but got there in the end. I cannot think of a finer thing than to have a piece of art dedicated to you. Lovely piece.

6348. Purdown (78)

Mr Crawls, Purdown, Bristol, August 2024

When I first encountered Mr Crawls, it was his pieces of birds that first caught my eye, and although he has come on quite a way from his early Bristol pieces, with the encouragement of his painting partner Mote, this particular piece up at Purdown is a bit of a throwback.

The particular type of bird is a little difficult to nail down. The colour of the beak and head would suggest a gull, but the shape of the beak is far more raptor-like. I guess it doesn’t actually matter, because the joy of creative art is that you can conjure up imaginary things and situations. This is a fun piece from the productive Mr Crawls.

6347. St Werburghs tunnel (441)

Kid Crayon, St Werburghs, Bristol, August 2024

Following on from the last post, a wheatpaste by Abbie Laura Smith, it perhaps ought to be remembered that Kid Crayon began his foray into street art with magnificent wheatpastes dotted around central Bristol, before moving on to spray-painting, a transition he managed almost seamlessly.

This is a magnificent piece of composition writing from Kid Crayon, where each letter is telling its own story, with the ‘Y’ shaped like a catapult and the ‘N’ is a burning candle. Magnificent and creative stuff from Kid Crayon, nicely executed. It is so good to see the artist out there painting more this summer, as he has been a little quiet on the streets since Covid, being busy with his work.

6346. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, August 2024

In my view, wheatpasting is a much underrated branch of street art, perhaps because the artwork itself is usually created in a studio and the street art bit comes into the placement of the piece. I, however, embrace the art form because it is often quite meaningful or challenging, and the skill of placement is as significant as the art itself.

Abbie Laura Smith is Bristol’s only active wheatpaster at present, so when she releases a batch of her work, it is always an exciting time trying to track them down. This is classic Abbie Laura Smith… a black and white portrait of a woman (slightly moody) with long, flowing hair. The piece almost looks like a woodcut, although I think it is an ink drawing. I’ll need to find out more about her technique. I can comment on the composition, though, which I think is wonderful. More from this batch to come.

Admiration

My admiration

for those in the great north run

my wife included

by Scooj

6345. Cumberland Basin

Foksymoron, Cumberland Basin, Bristol, August 2024

Having been largely overlooked but not unnoticed by me over the last few years, Foksymoron has been ‘going large’ recently, growing his fox character from a small mega-tag to a fully fledged adult adorning walls that wouldn’t have been conceivable only a short time ago.

This piece has the rather laid back cool fox reclining and accompanied by a speech bubble with the unromantic words “Straight in, no kissin”. Foksymoron’s foxes have long been a part of the furniture in the Bristol hot spots, but now they are moving centre stage, and deservedly so. Who doesn’t love a fox?

And here is another little extra from Foksymoron with one of his mega-tag foxes.

6344. St Werburghs tunnel (440)

Mr Klue, St Werburghs, Bristol, August 2024

It is fortunate that I am a big fan of Mr Klue’s abstract pieces, because if I were not, then it is unlikely that I would share much of his work, or at least not in anything like the quantity that I do. Mr Klue is another of those artists who represents the consistency and beating heart of the Bristol street art scene, never looking to be the star of the show, but rather, modestly getting on with what he loves doing.

This KLUE writing has a rather nice emerald tint to it, contrasting well with the darker shadows of the piece. To the untrained eye, it might be difficult to make out the letters, but I think that this is one of the easier ones to read, especially if you know the letters you are looking for. Fine work from the very busy Mr Klue.

6343. Brunel Way (286)

Sait Bare, Brunel Way, Bristol, August 2024

Sait Bare appears to be painting more often, or maybe I am simply seeing his pieces more often, either way, it is great to find his work. This piece took a couple of trips to record, because the first time I saw it, it was incomplete, and I had to return a few days later to see the final rendition.

It is interesing to see, from the work in progress, the layering and sequencing that Sait Bare undertakes in producing his work. This is not the first time that Sait Bare has used this particular design idea of presenting two entirely different colour schemes mashed up together in sections, and thee final effect is stunning, if not a little confusing.

The letters spell SAIT, and while the font is consistent through the piece, the background and fills most definitely are not. So the overall appearance is that one piece has been painted over the other and then half of it ripped down. You need to ask yourself which one was painted over the other? An interesting illusion.

	China Dream on Thursday doors – 12 Febr…
	bushboy on Thursday doors – 19 Febr…
	skat on Mozart balls
	Suzette Benjamin on Thursday doors – 19 Febr…
	Dan Antion on Thursday doors – 19 Febr…

	China Dream on Thursday doors – 12 Febr…
	bushboy on Thursday doors – 19 Febr…
	skat on Mozart balls
	Suzette Benjamin on Thursday doors – 19 Febr…
	Dan Antion on Thursday doors – 19 Febr…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: