July 2025 – Page 2 – Natural adventures

7060. St Werburghs tunnel (517)

Kid Crayon, St Werburghs, Bristol, July 2025

There seems to be a direct correlation between the days and locations that Kid Crayon paints, and the longevity of his pieces. More than any other artist I can think of, his work gets painted over really quickly, and I have missed several of his pieces this year, arriving a day late.

Most recently, a piece in Cumberland Basin lasted a day maybe, and worse still it was only half painted over, which is rude, and not in the spirit of the unwritten graffiti code of etiquette. I rushed to photograph this one, and of course, it has bucked the trend and lasted a while, and was still intact yesterday.

This is a superb example of Kid Crayon’s playful style, with a great combination of letters and characters throughout the piece. The piece formed a part of a Frazzled Magazine paint jam, which included the artists Mind 49, Ejits, and Smak amongst others. There is so much to enjoy in this piece with so many little details to admire, for example, the munching maggot carving pieces out of the letter ‘C’at the start of the piece. Fabulous work.

7059. Brunel Way (322)

This is the middle piece of a Zinso-fest from earlier in the month underneath Brunel Way. The white buffed wall was the perfect opportunity for Zinso to practice his writing, and practice he did, turning out six pieces, three large and three small.

The bubble writing in the larger piece is beautifully decorated, each letter having its own colour scheme and one or two with spots as well. The ‘O’ at the end has a cheeky face for good measure. Similarly, the smaller signature piece in red also has a cheeky face, but appears to have a letter (S) missing. The full wall is shown below.

7058. Cumberland Basin

Mr Draws, Cumberland Basin, Bristol, July 2025

Mr Draws has had a very good spell of painting, both in terms of productivity and quality of his work. I have always admired his unpretentious approach to finding the joy in his graffiti writing.

This colourful piece is notable perhaps for its enormous black drop shadow, which gets a little lost without reference lines to the protruding points of the letters DRAWS. The fills have great colours and are nicely sone, and he has added a smily face, which he seems to be rather fond of at the moment. An uplifting piece.

7057. Brunel Way (321)

Unknown artist, Brunel Way, Bristol, July 2025

One of the great pleasures of walking around town seeking out street art is that you get to find things that are remarkable and mysterious. It can be like finding treasure, and perhaps that is why I enjoy it so much. I found this magnificent frog (unfortunately a bit scuffed by bike tyre marks) under Brunel Way, just minding its own business.

I don’t know who painted the piece, and can’t think of any artist I know who would paint such a beauty and not sign it (reminds me a little of Hazard’s work). The perspective and depth that has been achieved points towards a very talented and experienced artist. Creatures of the natural world are always going to get great praise from me, and this one is an absolute peach, which left me very happy.

Corruption

Mr President

obfuscation fools nobody

plenty to see here

by Scooj

7056. St Werburghs tunnel (516)

Mind 49, St Werburghs, Bristol, July 2025

Mind 49 has always been an activist, and although his art has mellowed in recent years, his principles are still very much intact. This anti-war piece is striking, poignant and beautifully presented.

Skulls are a common motif/subject in street art and this is one of the very best examples I have ever seen. Mind 49 has captured the tones, shading and depth perfectly. Strangely, the helmet almost seems as though it is painted by a completely different artist. It is lacking in detail, the perspective is slightly out and the flags a bit untidy. I don’t know why this is, whether it is a deliberate device or that Mind 49 has absolutely cracked the skull and needs to work on helmets. It is a mystery.

The message to take home is clear. ‘Destroy the war machine’, which is directed at the UK, the USA and Israel. I could go into a long and thoughtful essay about the war in Palestine, and the impotence of voices that want an end to the killing and suffering. History will not look favourably on the genocide and the parallels with WWII concentration camps and justifications for extermination. Can’t people see the paradox? I’ll stop there. It upsets me too much.

7055. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, July 2024

Every once in a while I take a trip through my archives and spot pieces that I failed to post first time round, and give them a second chance. This is a piece by Totosoapcity from a year ago, July 2024, before I knew his name, which is why I probably didn’t post it then.

All of Totosoapcity’s pieces are instantly recognisable, because of the shape of his letters, which is quite unique, and doesn’t seem to deviate too much from piece to piece. I think the letters spell ARSA, with the ‘S’ reversed. In this piece he has gone form the trusty pink and blue combination with a cream and red striped drop shadow and red border with decorations. Decent, unusual and distinctive writing. Watch this space for more of his work from my archives.

7054. Dean Lane skate park (851)

Dibz and Fade, Dean Lane, Bristol, July 2025

I can’t think how many times Dibz and Fade have teamed up in the last couple of years, but it must be into dozens, and this piece shows the true nature of total collaboration, where both artists created this incredible work together, and it isn’t possible to know who painted what. Lots of crew shout-outs are scattered around the outside of the piece in pink. Wildstyle writing at its best.

The piece spells out, rather appropriately, ‘Wild Style Addicts’ which probably sums up these two rather well. The gold and purple colours complement one another well, and it all looks very neat and tidy on the black wall.

7053. Dean Lane skate park (850)

I will have mentioned that Zinso has been rather busy of late, and also that he appears to be relatively new to Bristol. How wrong am I? I was looking through archives and noticed that I have posted pieces by the artist way back in 2019 and 2020, but those were character pieces and not writing. I can’t believe that in the intervening years I haven’t noticed his work, so have to assume that he has found a new burst of energy and time recently

This is a rather neat piece of bubble writing with a really deep 3D drop shadow, lifting the piece nicely off the wall. The piece is really nicely finished and greatly superior to most bubble writing that I see, that is usually associated with quick throw ups. Loads more to come soon, and below are a couple of his pieces from a few years ago.

Zinso, Brunel Way bridge, Bristol, January 2020

7052. M32 Spot (205)

Silent Hobo, M32 Spot, Bristol, June 2025

I wish I had photographed this piece before it got tagged up at the base, because it is another truly classy column piece by Silent Hobo underneath the M32. I have noticed that many of Silent Hobo’s recent pieces have a rather melancholic tone, and I wonder if he is expressing himself through his art and the stories it tells.

In this piece, a young man is looking rather sad, and has a wooden stake piercing his heart. I would interpret this as being heartbroken, but perhaps I am reading too much into it. What I can say is that Silent Hobo’s portrayal of Bristol youth and their preoccupations and joys is unparalleled.

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

	paulh121 on 7352. Cumberland Basin
	Sheree on 7352. Cumberland Basin
	paulh121 on 7350. Hillgrove Street (9…
	Bill Bisgood on Thursday doors – 11 Dece…
	scooj on Thursday doors – 11 Dece…

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