6128. Cumberland Basin

Marckinetic, Cumberland Basin, Bristol, May 2024
Marckinetic, Cumberland Basin, Bristol, May 2024

Marckinetic has been out a fair bit this year, painting alongside his mate Kid Krishna, and he hasn’t yet appeared to run out of inspiration for his FFS designs – this one being a cracking example. There is a real sense of clarity and purpose in this piece.

Marckinetic, Cumberland Basin, Bristol, May 2024
Marckinetic, Cumberland Basin, Bristol, May 2024

You have to have some insider knowledge or a great imagination to know that the letters spell FFS. There is a lovely symmetry and flow in this piece created by the curves of the letters, and the deep black shadow gives the whole thing a monolithic appearance. The fills are very nicely worked and I love the cracks in the blue fills. The piece has been nicely finished and is clean and crisp – an excellent and unusual piece of graffiti writing from Marckinetic.

6127. Peel Street Green (32)

Acesartworld, Peel Street Green, Bristol, May 2024
Acesartworld, Peel Street Green, Bristol, May 2024

Acesartworld, who appears to have recently changed his moniker to Ace has recently taken a significant change in direction in his work towards painting Transformer-influenced masks. Having painted several of these in Bristol this year, I don’t think he needs to sign them any more as they are quite unique.

Acesartworld, Peel Street Green, Bristol, May 2024
Acesartworld, Peel Street Green, Bristol, May 2024

I think that this piece speaks of a tidy and regimented mind, paying attention to the symmetry and detail set on a buffed wall, creating clarity – there is no ambiguity or subtlety here – what you see is what you get. These mask pieces have created quite a nice ‘collectable’ series, and I fully expect to see more as the summer unfolds.

6126. Greville Smyth Park (3)

Stewy, Grevile Smyth Park, Bristol, May 2024
Stewy, Grevile Smyth Park, Bristol, May 2024

Stewy Stencils (to give him his full handle) is one of a handful of talented stencil artists in the Bristol area, and many of his iconic pieces can be found dotted around the city. His style is almost always black and white single layer stencil portraits of well known or influential people, or sometimes animals. In this piece, which is rather annoyingly behind a gate, Stewy depicts Tricky, a British record producer and rapper.

Stewy, Grevile Smyth Park, Bristol, May 2024
Stewy, Grevile Smyth Park, Bristol, May 2024

One of the features of many stencils by Stewy is that they can be a bit rough at the edges, and there is sometimes a bit of blurring, but in my view, that adds to the authenticity of these street pieces. I have a few Stewy pieces in my archive and need to do better to post them – something for a quiet moment perhaps (huh!).

Cellophane bee – 30 Days Wild (24/30)

Cellophane bee, Genus Colletes, Ley, Cornwall, June 2024
Cellophane bee, Genus Colletes, Ley, Cornwall, June 2024

.

Wee cellophane bee

so tiny on a daisy

the ground is your home.

.

by Scooj

  • 30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one ‘wild’ thing a day throughout the month of June. I will try to write a nature haiku every day if I can, as my contribution to this celebration of wildlife and biodiversity. I did this back in 2015 and thoroughly enjoyed the challenge.

6125. Dean Lane skate park (724)

Werm and Noise, Dean Lane, Bristol, May 2024
Werm and Noise, Dean Lane, Bristol, May 2024

Werm and Noise are no strangers to collaborating with one another and in May, painted this wonderful collaboration in Dean Lane. Both artists have a distinctive style, and although they use different colour palettes in this collaboration, they are joined together with some connecting background characters.

Werm, Dean Lane, Bristol, May 2024
Werm, Dean Lane, Bristol, May 2024

The writing from Werm is busy and electrifying, with brilliant use of contrasting colours and some highly technical skills used to spell out WERM. There is a lot of depth in the piece, with layers sitting on layers. The bright star spots on some of the letters add a twinkle – classy work.

Noise, Dean Lane, Bristol, May 2024
Noise, Dean Lane, Bristol, May 2024

Noise, has been smashing it lately with a host of new pieces during the spring, and does it again with this piece and his characteristic fat letters spelling out NOISE. The two-colour fill transitions nicely using some symbols and patterns where the two colours meet . Both pieces are bookended with little grey characters painted in a cartoon style, but I am not too sure who painted them. All in all a fine collaborative wall from the pair.

6124. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024

Abbie Laura Smith has been doing herself proud with a new series of wheatpastes in the Cumberland Basin area. I have picked up a few, but still have some others to find. Unfortunately, this one has already been dogged, so I am pleased that I got to see it in pristine condition.

Abbie Laura Smith, Cumberland Basin, Bristol, May 2024
Abbie Laura Smith, Cumberland Basin, Bristol, May 2024

There is a common theme to Abbie Laura Smith’s work, which includes black and white portraits composed in part by lettering and words. The words in this paste-up are as follows (I think):

You will stumble, you may fall

Persevere through it all

And where do I go from here, despair

But you will get there some day

I am not sure whether the words are original or a quote from a song or poem, or whether they are autobiographical, but they carry some emotional power. The piece is one of her larger ones and is truly a beautiful combination of words and illustration. Watch this space for more from Bristol’s best wheatpaster.

 

6123. Cumberland Basin

Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024
Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024

Some more jolly capers from Mr Crawls and Mote, who have been smashing it for months now, and continue to turn out some great and fun character pieces dotted all over the place. This pair of characters were painted on the warehouse wall in Cumberland Basin, and command a majestic view over the river.

Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024
Mote and Mr Crawls, Cumberland Basin, Bristol, June 2024

To the left is a friendly, toothy monster by Mote whose eyes (in common with the adjacent Mr Crawls character) are simply holes in the head, creating a mask-like effect. There are some nice squiggles and doodles in the fill, something of a trademark of Mote’s work. On the right Mr Crawls has recreated one of his hatted birds, although in a stylised cartoon form that is more angular than some of his earlier work. The pair look magnificent on the white background, and are unusually large, due to the big wall they have chosen to paint.

Noble False Widow – 30 Days Wild (23/30)

Noble false widow, Streatoda nobilis, Liskeard, Bristol, June 2024

.

Captured in a glass

an unholy eviction

carefully released

.

by Scooj

30 Days Wild is an initiative organised by the Wildlife Trusts. It is an annual challenge event, for those who choose to participate, to do one ‘wild’ thing a day throughout the month of June. I will try to write a nature haiku every day if I can, as my contribution to this celebration of wildlife and biodiversity. I did this back in 2015 and thoroughly enjoyed the challenge.

6122. Greenbank (123)

Mr Draws, Greenbank, Bristol, June 2024
Mr Draws, Greenbank, Bristol, June 2024

I find myself sounding like a stuck record all too often when it comes to posting about Mr Draws’ work, in part because he has been an ever-present on Natural Adventures and continues to paint his unique style of writing and his diverse street art pieces, and I have found myself repeating myself a little, which in no way detracts from his wonderful work.

Mr Draws, Greenbank, Bristol, June 2024
Mr Draws, Greenbank, Bristol, June 2024

There is a freedom and joy in Mr Draws’ graffiti writing in which he concentrates on his fills, usually with hard edges between colours rather than blended transitions. He has used his customary deep drop shadow, and the whole thing is bordered with a clean white line. A fine archetypal Mr Draws piece that is a key part of the continuing culture of the whole Bristol street art and graffiti writing scene.

 

 

6121. Frome Side (36)

DFC1848, Frome Side, Bristol, June 2024
DFC1848, Frome Side, Bristol, June 2024

The day after the wedding party before… Actually I was a designated driver last night and am feeling good, apart from suffering with a sore throat from competing with some rather loud music. I feel my age on these occasions. I am pressed for time this morning, so a couple of quick posts for you.

DFC1848, Frome Side, Bristol, June 2024
DFC1848, Frome Side, Bristol, June 2024

DFC1848 paid one of his occasional visits to Bristol in May, and left a few of his hallmark character pieces behind, including this cutie under the M32. As ever it is always great to see his characters, which he has been developing over the last few years. I fully expect to see him painting at the Cheltenham Paint Festival next month.