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Tuneful gusts and squalls
in the midst of Storm Isha
whistling chimney
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by Scooj
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Tuneful gusts and squalls
in the midst of Storm Isha
whistling chimney
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by Scooj

My rummage through my graffiti archives continues with this beauty from Lupa, painted last February. I have said before that I am attracted to her slightly crude style, which is definitely not to detract from it, but to distinguish it from some of the other writers who paint with knife-edge precision. There is room for all styles on the walls of Bristol.

Lupa’s letters are large and chunky, giving plenty of scope for creating interesting fills. In this case, she has used some lovely shades of purple and lilac which are carefully blended in several different ways, overlayed with some symbol decorations. Her trademark face in the ‘U’ is looking a little sad, and is joined with a simple smiley on top of the ‘A’. An attractive piece from a graffiti writer whose work definitely appeals to me.

I did another bit of digging through my archives, something I like to do from time to unearth some overlooked or ‘left behind’ pieces, and found this beauty by Zaenone, which I photographed in St Werburghs tunnel a year ago before I had clocked the artist.

The large, bold letters spell ZANE, but in this one are not accompanied by character bookends, unlike the other pieces I have posted by the artist. The fill is simply magnificent, incorporating a range of blue and green colours that drift into one another, and decorated with dozens of little symbols and marks. The whole thing is a really beautiful piece of graffiti writing, and I am so pleased to have found it in my archive and put a name to it too.

At around the time that this piece is published, my beloved Arsenal FC will be a few minutes into their first league match in a couple of weeks, against Crystal Palace, and I will be at the Emirates Stadium cheering them on. The result of the game could determine my mood for the next few days, so I am keeping my fingers very firmly crossed. Naturally, I have had to plan my day carefully, and I wrote this post last night, to provide continuity of publishing my daily two street/graffiti art posts at around 11.55 and 12.55 UK time.

Raid is another artist who has been regularly hitting the walls of Bristol throughout last year, constantly adjusting and refining his letters to great effect. This one in the tunnel is a little bit more like some of the first pieces I saw of his, back in March last year, with an ornate lower case ‘a’. There is a very nice colourful fill with a cosmic feel to it, and enough of a background to help the letters pop. Definitely time for a gallery, even though I have less than one year’s worth of photographs of Raid’s work. Watch this space.
Come on you Gunners!

I am rather fond of Jevoissoul’s work. It doesn’t have the sharpness or precision of writers like Dibz or Smak, nor does it create extraordinary characters in the way that Sled One or 3Dom can, for example, but it has a charm and authenticity that underpins the vast spectrum of art and graffiti that we see in Bristol. On such solid foundations great things are built.

Jevoissoul has painted two of his characters with ‘Popeye’ smiles. The fills and shading is basic and effective, creating some contrast and depth in its simplest form. No Jevoissoul piece is complete without the word ‘slow’ in attendance, although I don’t know why he writes it, nor why it is pointed at the character on the left. One for the next conversation I have with the artist.
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Break the winter break
my adrenaline pumping
gun down the eagles
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by Scooj
* after a bit of a pause, my beloved Arsenal resume their season, having had a run of bad results before the winter break. For those not familiar with the English Premier football league, the nicknames for Arsenal and Palace respectively are The Gunners and The Eagles.
Also, Arsenal are the only team in the English football league who are not named after a place (although they were originally called the Woolwich Arsenal). The area of Arsenal in North London and the underground station are named after the football club after it relocated from Woolwich and dropped that part of the name.

I recognised the style, but couldn’t put a name to it when I first saw and photographed this classy piece up on Purdown. I had to do a google search when I got home and then the penny dropped that ‘Sentinel 793’ is the music moniker that is used by Benjimagnetic, so here is a piece using his graffiti writing skills to promote his music skills.

I guess this cross advertising worked to a degree as I have just been listening to some of his tracks, and although not really my cup of tea, they are nicely produced. The writing and the dancing character in particular, are, on reflection, easy to spot as Benjimagnetic pieces in retrospect. The blue and gold colours work really nicely together in this unusual piece.

It has taken me an eternity to stop and photograph this stunning nature mural by Carla James, something that has been on my ‘to do’ list for a couple of years at least. I managed to walk up to the spot just before Christmas whilst seeking out some presents for my family. I have only seen Carla James’ work once before, and that was at Upfest 21. Curiously enough, one of the presents that I bought for my son was a beautiful fish print by another Upfest artist, Rosie McLay.

Carla James has created a beautiful vision in which there is a seamless transition from a tropical reef below to forest foliage and airborne creatures. There is a calmness and huge sense of the balance of nature in the piece, with some lovely illustrations of turtles, fish, plants and butterflies. The central hummingbird is the link between this piece and her outstanding Upfest mural. Carla James’ website is a treasure trove, and her biography explains the connection with tropical and exotic scenes. At last, one I can tick off my list.


Vigorously waving the banner for paste-ups in Bristol, pretty much single-handedly, is Abbey Laura Smith with her intriguing black and white portraits. Regular readers of Natural Adventures will know that I am an admirer of paste-ups or wheatpastes, and will drone on about how we just don’t see many in the city these days. This niche art form must not be confused with bill posters, which in my view are a plague, driven by the selfish interests of advertising for a product or a cause – they (in my very humble view) are not art in themselves despite being illustrated in most cases by graphic designers or artists, but are tomorrow’s litter, and today’s eyesore. Well we all have opinions, and that is mine, so there!

Wheatpasting is as much about the siting of the piece as the art itself, and Abbie Laura Smith has done a great job in thinking about the placement of this portrait on a utility box in Cumberland Basin. The artwork itself is a clean and crisp line drawing of a pretty lady, with some nice ‘graffiti drips’ at the base. I hope that Abbie’s efforts encourage a revival of this lost art in Bristol.
As the leaves die and fall on the hedge that skirts the railings between the skate park and the swimming pool wall in Dean Lane, it becomes easier to see what has been painted on the wall behind, although once revealed, it is difficult to know how long the pieces have been there. I like to think I am reasonably on the ball with this kind of thing, but I really don’t know how old this piece by Trafficity is.

Trafficity is a rolling constant in the Bristol street art scene. Painting the same ZIOM letters in the same way, with only the colour palette and some small details to distinguish between pieces. I particularly like the colours he has used in this piece, especially as they blend well with the few dangly leaves from the hedge. Always consistent, always classy.