Committee

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After ten great years

my term comes to a swift end

feeling quite empty.

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by Scooj

3550. The Bearpit (190)

Taking a trip through my archives is a bitter-sweet experience, and nothing sums that feeling up better than this wonderful old rabbit piece from Nevergiveup (Followmyrabbits). Bitter, because it was taken in The Bearpit in its prime, when artists had the freedom to paint the boards there without reproach and there was an atmosphere and creative buzz about the place. Two years ago, Bristol City Council turned this vibrant space into a sterile, utilitarian, CCTVd void… exactly what they wanted.

Nevergiveup, The Bearpit, Bristol, June 2017
Nevergiveup, The Bearpit, Bristol, June 2017

This is one of Nevergiveup’s early rabbits, and by looking at this you can see just how much his work has evolved since 2017, when he had only recently arrived in Bristol. He has certainly left his mark in the city since that time with literally hundreds of these little characters populating the city.

 

3549. King Street (3)

It doesn’t seem to matter how far back in time you go, those wheelie bins are a real nuisance. In another blast from the past, I have dug out this Mr Penfold piece from 2017, in a spot that the artist has made his home. I have at least three versions of his work in this archway and I am sure there may be others.

Mr Penfold, King Street, Bristol, May 2017

If you can ignore the bins for a moment you will see a beautifully designed piece incorporating a cocktail glass and some random abstract shapes. This is so unmistakably the work of Mr Penfold and forms a part of Bristol’s artistic DNA, along with artists like Andy Council, Alex Lucas and Tom Miller, whose murals around the city remind us of who we are. I’m so pleased to have liberated this one from my archive.

Mr Penfold, King Street, Bristol, August 2019
Mr Penfold, King Street, Bristol, August 2019

Mr Penfold, King Street, Bristol, September 2020
Mr Penfold, King Street, Bristol, September 2020

Things you don’t see every day

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I’ll get to the point

an Indian running duck

in a parked white van

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by Scooj

3548. Dean Lane skate park (400)

Another one from the archives and one that I am so pleased to have re-found. It is a lovely collaboration from Turoe and I think Veks, although I might have that wrong. I think I never posted it at the time because I was uncertain about the artists, and it disappeared, quite neglected.

Veks and Turow, Dean Lane, April 2017
Veks and Turow, Dean Lane, April 2017

Dating from way back in April 2017, the writing in dark brown colours is clearly by Turoe, who definitely wasn’t on my radar back then (what kind of blind was I?). The character I believe to be by Veks and is masterfully painted, so crisp and clean and vibrant. I feel I should have done more homework at the time, but I don’t think I even had an Instagram account back then and was still learning (that never ends). A fine and once forgotten, until now, collaboration.

3547. St Werburghs tunnel (230)

I was looking in my archives for something specific a few days ago and within moments was absorbed, sucked in, to folders from years ago. There are so many good and interesting pieces I have photographed over the years that have never made it into the blog. The next few posts are an attempt to adjust that imbalance, just a tiny amount.

Conrico, St Werburghs, Bristol, October 2018
Conrico, St Werburghs, Bristol, October 2018

Starting with this one from Conrico in the tunnel back in 2018, which I think might even pre-date the first piece of his that I posted. I’m not too sure what this character is or represents, but he seems to be enjoying his smoke. Colourful and tidy work from Conrico, whose style while being quite unconventional is most compelling.

The circle of life

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Once mighty flowers

felled by cruel winter storms

provide for new shoots

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by Scooj

3546. Dean Lane skate park (399)

There are some artists in Bristol whose style is recognisable from the slightest glance. It might be the shape of the letters, the colours, the form or any number of common themes or motifs. Every now and again though they let their hair down and do something quite different. This is something different from Dibz.

Dibz, Dean Lane, Bristol, February 2021
Dibz, Dean Lane, Bristol, February 2021

This is a fun and rather small burner from Dibz, which if it weren’t for the letters might be difficult to attribute to him. What you can always be assured of though from Dibz is outstanding clean lines and finishing and this piece is no different. I caught up with him while he was painting another more Dibzy sort of thing on an adjacent wall and asked why he had painted something so different here and he indicated that he was just having a bit of laid back fun. Great to see.

3545. Dean Lane skate park (398)

It was while he was completing this piece that I met Slakarts for the first time, and then the following week in the same place I met him again, both while he was painting collaborations with Nugmoose and Mudra. There three appear to have formed a tight group, and I look forward to many more collaborative walls from them.

Slakarts, Dean Lane, Bristol, February 2021
Slakarts, Dean Lane, Bristol, February 2021

Slakarts is developing and evolving this character all the time with each iteration bringing together themes he has been working on, such as the doubling of some features and the addition of glasses with reflective stripes on them. Thoroughly fun to observe and Slakarts seems to derive a lot of happiness from his work. All good.

An audience

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Sweetest serenade

blackbirds swap variations

taking turns to sing

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by Scooj