A collection of fabulous street art by Bristol artist Object…
All photographs taken by Scooj
Object…
Author: scooj
I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
1835. Prince Street
Mystery solved. Regular readers will know that I am really quite uncomfortable with posting pieces if I don’t know who created them. Occasionally I post them anyway because I don’t think I’ll ever find out who did them. In this case, I have held on in with the firm conviction that I would find the artist. And I have.
I recently bought John D’oh’s excellent book ‘Street Art and Graffiti‘ and there on pages 40 and 41 is this wonderful stencil piece. These photographs were taken this October, but I have some much older ones somewhere in my archive. The original installation had a little red word ‘why’ to the left of the piece and it was placed on 16 November 2015 as a tribute to those who lost their lives in the Paris terror attacks of 13 November that same month.
There is a little shelf beneath the piece which had little battery operated flickering candle lights to give the piece a shrine appearance. Beautifully conceived and executed. This is a poignant and touching piece from a great Bristol artist who puts a lot of thought, time, energy, passion and effort in to his work.
I was thrilled to find out it was by John D’oh. Good things come to those who wait (and buy books).
1834. Dean Lane skate park (174)
The master of pink, slightly grotesque body parts strikes again, this time in Dean Lane. Yes, its Stupid Stupid Meathole, the artist with the best name and some of the most unusual creations on the streets of Bristol.
This appears to be an assemblage of faces with rather phallic noses and some stitches thrown in for good measure. I think SSM has an extraordinarily creative mind, I mean these things are slightly odd aren’t they? I really love finding his work, which can be difficult because he doesn’t paint all that often and tends to spread his work about the place a bit. All good in my book though.
More than twenty four
Static in traffic
my attention is drawn to
a bush filled with birds
more sparrows than I can count
clustered in a tiny space.
1833. West Street (4)
Another fabulous Halloween treat, this time from Kin Dose just a stone’s throw away from Dean Lane skate park, where I left Rusk who had tipped me off about this fresh piece.
I have seen better pictures of this wall from people who were lucky enough to be here when the sun wasn’t casting shadows all over the place. I seem to be making lots of excuses about poor quality pictures at the moment, but I have to take the shots when I can as I never know when I am going to be back, and tagging and turnover are the enemies of archivists.
Kin Dose is an extraordinarily talented artist whose work is always of the highest standard. He doesn’t do an awful lot of street work, but whenever he does it is always beautifully executed. Comfortable with stencils as well as free hand work he really sets a very high bar.
This piece faithfully reproduces characters from Tim Burton’s ‘A Nightmare Before Christmas’. It is so crisp and clean and although in partial shade I felt lucky to see it in its first full day of being on this wall. A real beauty.
1832. Dean Lane skate park (173)
I got really lucky just before Halloween when I took my lunchtime constitutional down to Dean Lane. I always expect to see something new and occasionally expect to see an artist at work, but when that artist is Rusk it is a real treat and make no mistake.
Halloween I have observed is a time when street artists seem to enjoy hitting the streets and stretching their repertoire with a seasonal theme, which is always fun for people like me. This witty piece conflates Rusk with Count Duckula, the vegetarian duck vampire…who ever dreamed up that cartoon series?
Rusk always has time for a chat, and as he does so he makes fine adjustments to his work, always seeking perfection. Much of what I have learned about the Bristol street art scene and culture I have gathered from our conversations. I love the way he works so hard to get his pieces just right. It is a privilege to see him painting.
Unfortunately light conditions were a bit tricky – that autumnal sunshine is a real bugger, but at least I got some shots of the piece before it got tagged the following day. The day carried on being amazing with the arrival of Jee See just as Rusk was finishing off. My lunch break took a little longer than expected!
Wheel of death
The spinning circle
something is ‘not responding’
frustration sets in.
by Scooj
1831. The Bearpit (168)
This is the third piece that I have found in The Bearpit by ‘out-of-towner’ Tommy Fiendish. It is quite different from the other work of his that I have seen, both of which are quite edgy and slightly odd, and is a rather curious domestic living room scene.
I love the perspective and the old TV, the Nike shoe box and the plants. I can’t quite make out what is going on with the walls…is it a tagged wall exposed or is is something that has been stuck to the wall? There is probably a story here, although I’m not too sure what. Maybe there are some memories the artist has from his childhood. An interesting and unusual piece.
1830. Barcelona
There are so many shutters in Barcelona. Shutters on shops and shutters on the entrances to apartment parking lots. There is also a huge graffiti/street art culture. Put the two things together and you get an awful lot of sprayed shutters…some much better-looking than others. This is one I took a bit of a shine to.
It is by Joel Aroyo, who I think sprays rather a lot of shutters and I would guess many of them commissions. The Beetle car is iconic and this piece reflects that status. Overall a nice shutter.
1829. Jardins de les Tres Xemeneies, Barcelona (4)
The joy of going through archives is unearthing old pictures and this is especially pleasurable when they are from trips away. I took this picture in the Jardins de les Tres Xemeneies, Barcelona last March, on a short break with my daughter. I am indebted to No Grey Walls for telling me about the spot, which I’m not sure I would have found without his advice.
All I know about the piece is that it is by Kram, and that it is in the middle of what looked like a collaboration wall. In my view, I think this was the best bit of the wall and the only artist I could identify. No Grey Walls may be able to add more. One of the luxuries of posting holiday street art is that you aren’t expected to know anything about the artists, and guess what…
Natural adventures 