I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
Adjacent to the M32 roundabout is a little side road where I like to park when I photograph street art in the area. There are always one or two caravans parked up here too, generally occupied by homeless people. Actually this is becoming quite a big issue in Bristol at the moment, as there are an awful lot of these old caravans appearing all over the city being used as temporary homes. The homeless suituation in the UK is reaching crisis point and austerity continues to hit the marginalised hardest.
Ryder and T-Rex, M32, Bristol, May 2018
On the upside, the caravans are used as canvases for many of the street artists as the ‘owners’ really don’t seem to mind the decoration. On this one we have a rather nice quick collaboration from T-Rex and Ryder. There is real movement in that dinosaur.
Oooh, I love this one from Face 1st, tucked around a corner in City Road, where I only periodically take a squint at the walls there that don’t change all that often. I’m glad I made the effort as this is Face 1st just how I like him.
Face 1st, City Road, Bristol, May 2018
Great colour selection, and I will never tire of his basic easy-on-the-eye premise of spelling out FACE with his swirls and a white face incorporated somewhere along the way. One of Bristol’s most prolific street artists.
I originally had this piece down as ‘unknown’ artist, but managed to find out a bit from the signature ‘Pekoe’, which at first I thought was an unrelated tag. Pekoe is a Bristol-based artist originally from Wolverhampton, who describes herself as a self-employed illustrator and painter. In her linked-in profile she reveals:
I regularly paint walls around Bristol, usually with fellow crew members, as well as doodle constantly to keep honing my skills. I’m influenced by a wide range of artists, whether graffiti or modern, and also take inspiration from the worlds of pin up, tattoos, sneakers and hiphop.
Pekoe, M32 roundabout, Bristol, May 2018
It seems strange that she has only just entered my consciousness, but having found this, I have since found another and realise that one of my ‘Upfest unknowns’ is by her…both to follow soon.
Her interisting illustrative style really stands out from the crowd of burners and character pieces and feels like a spray sketch. It reminds me in style a little of Ant Carver who uses similar squiggle shadings in his portraits. Really looking forward to seeing more of her work about the place.
This is a not-quite-finished piece from the magnificent Sled One, and it was his contribution to the ASK paint jam at the M32 roundabout. He was actually a day late, because he had had a hangover the day of the paint jam and didn’t feel like painting – so these guys are human after all.
Sled One, M32 roundabout, Bristol, May 2018
I am always completely amazed at how Sled One seems to be so at ease with his cans, he seems to create his work with the minimum of fuss and is able to put ehat is in hes head onto a wall. He is comfortable with both writing and creating fantastical characters, and is a real asset to The Paintsmiths, who he works for.
Sled One, M32 roundabout, Bristol, May 2018
This piece, even incomplete, looks stunning and I will have to go back to get a finished picture.
Last week I was cutting the lower branches and shoots off a lime tree that lines the road where I live – the council used to do it but have no money for such things any more – so that I could park the car without smearing it with aphids and get out of it without walking into a jungle. Anyhow, I digress, while I was pruning, I looked up and saw Sled One. We stopped for a chat, and it turns out he lives only a few doors up from me…I can’t believe that we haven’t bumped into each other before.
Object…is tireless in his campaigning to keep The Bearpit open as an available space for all…including artists. It seems that Bristol City Council are determined to clamp down on the amount of spraying that goes on in the Bearpit, and new graffiti is routinely painted over, leaving an ugly landscape of patchwork walls where the paint doesn’t quite match. Also, by painting blank walls, the Council are simply inviting the less savoury elements of the graffiti scene to make their mark with tags and throw ups.
Object…,The Bearpit, Bristol, May 2018
This piece contains a quote from Tom Flemming Creative Consultancy, who I assume have been doing some work for BCC. It is a nice quote and one that I can relate to. The messy and the marginal – it works for me. The artwork from Object… is actually really good and contains many things I associate with the artist – feathers and wings joined to slightly contorted hand and of course the strong political message. I like the #BearpitIsBeautiful too. I doff my cap to Object… whose passion drive him and others forward.
Once again I am introducing an artist new to these pages…I don’t know how I’m going to keep up with only two posts a day. Some good work may never see the light of day. This fine abstract piece is by Bristol-based artist Run Z, and it is one of two that I hve spotted in Bristol. I have not been aware of his work before and I think he is reasonably new to the scene.
Run Z, The Bearpit, Bristol, May 2018
There aren’t too many abstract artists on the streets of Bristol, so Run Z is among the elite group that includes Mr Klue and Decay, both of whose work I admire. This piece uses complementary colours in organic swirls, creating an overall effect that is rather pleasing to the eye. If you look close up, it is all a bit raw, but step back and it makes sense. Nice to see something a bit different.
For the second week running I am stretching slightly the definition of doors, but in my view these do qualify.
Bristol has been a significant port in the development of European and world trade through the centuries and brought great wealth to the nation. As shipping traffic increased there were significant challanges to be faced, the most important of which was navigation and berthing in a port with the second largest tidal range in the world. At Avonmouth in the Severn Estuary the tidal range is 14m and in Bristol itself it is 12m.
This meant that the larger vessels navigating the river Avon would have to wait for spring tides, causing congestion. Additionally, any vessels in the harbour would be left high and dry every day, some would tilt and some would get stuck. What I’m trying to say is that although a significant trading centre, Bristol was not an easy place to sail to.
The solution was to dam off the city stretch of water, creating a ‘floating’ harbour and to divert the course of the tidal river around the city in what is called the New Cut. This all happened in the early 19th century and at the time was the largest civil engineering project of its type anywhere in the world. The impoundment allowed ships to tie up alongside the docks and keys without the hassle of rising or falling tides. Entry into the harbour was via one of two locks in what is known as the Cumberland Basin.
The doors (lock gates) are huge and very impressive, and although they don’t see much use these days (the port closed as a commercial venture in 1975) they are still operational.
The Beady eyed among you will notice Brunel’s Clifton Suspension Bridge spanning the Avon Gorge
Colliter’s Brook inlet into the New Cut, Bristol
More doors, this time managing the flow of one of Bristol’s brooks into the New Cut.
Bristol’s floating harbour and SS Great Britain
This is one part of the extensive (28.3 hectares) floating harbour which is now a major leisure attraction and waterside housing asset in Bristol. Another of Brunel’s astounding achievements, the SS Great Britain permanently rests here.
Maybe back to some rather more conventional doors next week.
Right up there with my favourite Bristol artists is 3Dom. This dream-like piece was created during the recent ASK paint jam at the M32 roundabout and is just so typical of his weird and wonderful creative mind.
3Dom, M32 roundabout, Bristol, May 2018
For those who know his work, there are several familiar themes going on here in this piece, including the purple striped trousers the character is wearing and the birdcage for a head. 3Dom often uses inanimate objects to create the face of his characters, bringing those inanimate objects to life and personality to the whole piece. I think a psychiatrist would probably have a field day with 3Dom’s work.
3Dom, M32 roundabout, Bristol, May 2018
I love the little details like the fly, the lock on the birdcage and especially the upwards drips on the bicycle. I love this piece to bits.
Natural adventures 