A massacre of
innocents. Difficult to
explain to a child.
by Scooj
A massacre of
innocents. Difficult to
explain to a child.
by Scooj
In a car park just off Raleigh Road, a double decker bus was given ‘the treatment’ at last year’s Upfest. This side of the bus was given over to Snub23, and he made a beautiful job.

Snub23 Uses his geometric patterning and shading to great effect, and then looming down from the left is one of his characters that seem to be inspired by the comic genre. Powerful stuff.


Now that I know what I am looking for, and recognise the signature I will be featuring more of Hire’s work as and when I come across it. He is the artist who sprays the large buck toothed bunnies, which appear from time to time.

This is a wildstyle piece which, if you look carefully spells out HIRE, although it takes some convincing to be sure. This is a nice quick piece which all forms part of the rich mix you can find down at Dean Lane.
I believe this to be the very last set of my images from Tian’s tour of Britain in April 2016. It was an exciting week, discovering all the gifts and surprises he had pasted up all around the Stokes Croft area, and it was great to see his work at Upfest in July too.

My knowledge of screen actresses from the fifties onwards is rather poor, and I am not sure who this is, but I am sure she is famous. I’m sure Southampton Old Lady would know. It is a pity that the wheatpaste is tagged, but in a strange way it adds to its ‘street’ credibility (not street credibility) (does that make sense?).

I dearly hope Tian will visit Bristol again soon.
Sweetest pair of wrens
disproportionate voices
lightening my heart.
by Scooj
This is not the first time that I have seen a collaboration wall between these two. Some time ago I posted a piece by Laic217 from Moon Street, but left the Cort piece out, which was on reflection a bit unnecessary. This time I have kept Cort’s half. I know little about Cort apart from these two pieces mentioned.

Laic217 again seems to be experimenting with his grayscale work, with just a touch of accent colour in his signature. I have noticed too that in shared walls like this one, Laic217 always seems to occupy the left hand side – is this a thing for street artists? is it like having a preferred side of the bed?

I like this collaboration a lot, and am pleased to have got a clean photograph of it, something that is getting more and more difficult to do in Bristol.
The missing Cort photos from March 2016 are below…


I have hung on to this picture for an absolute age. No particular reason. It is by DNT, and it resided in a little side lane off Stokes Croft. I just like it – it is a well crafted piece of writing, and it simply and joyfully says Bristolz.

I have nothing more to write – sometimes writing too much takes attention away from the graffiti. Enjoy.
.
Note to self…Hornby
trains worth so much more than I
was led to believe.
.
by Scooj
Clandestine wrapping
and signing of birthday cards,
the children and I.
by Scooj
There is a new artist in town (to me at least), and his works have entered my consciousness since March really. It is possible he has been here all the time, but if this is the case I can only apologise. The artist signs his work with the name J. Dior, and try as I might, I am unable to find out anything about him. I know he is a he, because I did spot him creating a piece around Easter time.

His artwork embraces a naive style and usually features people, colourfully represented often in unusual positions – a touch of Marc Chagall combined with children’s illustrations. This piece doesn’t perhaps portray what I’m saying as well as some of his others. I have a fondness for these works, not because of the quality of the paintwork, but more down to the human story telling that is going on. My father, my mother – what a fine tribute to his parents. I like it, so watch this space for more from J. Dior.