.
Batesian mimic
abundant green foliage
spring awakening
.
by Scooj
I can’t really praise Raid’s work highly enough, and his level of consistency is admirable. I recently posted a gallery of his work and have updated it just now, because I wanted to include the link in this post just to demonstrate how good his work is.
Raid is a neat and tidy writer whose edges and borders are always on point, but it is in his creative and interesting fills where he excels, as this piece demonstrates. His skill is in not overcomplicating things or being too fussy, but doing enough and creating new ideas to keep the fill exciting. Pinks and blues always work well together, and in my book, this is an outstanding piece of its type.
Some outstanding writing from Kosc underneath the M32, which amply demonstrates his versatility and comfort with both graffiti writing and photorealistic characters and scenes. This particular stretch of wall is up a bank, and all photographs, unless photographed from the opposite back, are prone to slight distortion due to looking upwards at the piece.
The colour selection reminds me of a packet of boiled sweets that you might take with you on a long car journey – I can see lots of flavours there. Kosc has incorporated one of his trademark features in the writing that gives it an industrial feel, which is the inclusion of ‘rivets’ holding the ‘sheets’ of writing in place. Great stuff from a brilliant artist.
.
White flower carpet
under ancient canopy
wood anemone
.
by Scooj
Bogat has been lying low for a while, so it was rather nice to stumble across this vibrant piece on one of the subway entrances on the north side of the M32 Roundabout. He says that he hopes to be a little more active this summer, which is great news.
The colour selection for this character piece is exceptional, and the green has an amazing glowing quality – the colours are what you might expect in a spooky disco or ghost train, if you know what I mean. Bogat has made great use of light and shade to accentuate features, something I have spoken a lot about in Zake’s character work. A more than decent piece and first of many to come this year I hope.
I mentioned yesterday that you’d be seeing more of Noise today, and true to my promise, here is another fabulous piece from the artist. Noise has a very distinctive style, but I find it quite difficult to describe. His letters tend to be quite thick and nicely proportioned, and which work equally well in upper or lower case. His fills are dynamic, with plenty of interest.
Although this piece from Noise was completed, the wall opposite was being painted by other artists, and some of their kit was strewn around this wall, which I think adds a little to the overall ambience of Dean Lane. The fills in this piece are outstanding, and it is lifted (rather unsubtly) by the red drop shadow on a black background. Still more to come from Noise in what has been a busy month or so.
Noise has had a rich spell of form recently, painting at least three pieces and probably a few more too that I don’t know about. This fabulous writing/character combination piece was painted during an LRS paint jam in Sparke Evans Park.
This lively piece, full of vibrancy and colour, has a very strong Noise vibe about it, but is a little different from his usual work with the inclusion of a cat character making up the ‘O’ of NOISE. The cat is really well crafted and it would be great to see him do more of this kind of thing. Combination pieces allow artists to showcase their artistic skills beyond writing or characters alone. Watch this space (like tomorrow) for more from Noise.
Ryder organised a brilliantly well attended paint jam in St Werburghs tunnel back in February this year and this is his outstanding contribution to it. While I am used to seeing writing from Ryder, I am less familiar with his character work, so this combination piece was a joy to behold.
It is a pity that Ryder doesn’t get out to paint more often, because he is a real class act, and his writing is always out of the top drawer. These beautifully designed letters contained within a yellow outline and small drop shadow are immaculately crafted and contain a nice four-colour horizontal fill. Straightforward, not too fussy and easy on the eye.
The character is Splinter from Teenage Mutant Ninja Turtles, a franchise that passed me by, but one that regularly crops up in street/graffiti art. Ryder demonstrates his skills as not only an exceptional writer, but character artist too. Great work and a great paint jam to celebrate his exhibition in the Farm pub around the corner.
One of the strong themes of Bristol street art in 2023 was the continuing presence of the PWA crew as a major force in the city’s graffiti scene. That presence has seamlessly continued into 2024. This February triptych from Chill, Face 1st and Zake in Dean Lane is part of that contiuity.
I feel that I rather take Chill for granted a little, simply expecting every piece he paints to be as brilliant as the last, and in this respect he never disappoints. He has been introducing more colour into his pieces and adding more points of interest in beautiful doodle formats around his characters, such as the flower and little bird here. I feel that Chill has or desires to have a strong connection with nature, which I applaud.
Face 1st is a hero of Bristol street art, and an ever-present throughout the nine years I have been writing about it. In this piece, a girl with big FACE hair, Face 1st has chosen some bright and striking colours that scream out very loudly from the wall behind the fence. There is some revisiting his brain theme and lots of splodges and drippy bits. Lots of fun here, although this girl doesn’t seem to be too happy.
Rounding off the triptych is an unusual piece by Zake, who has incorporated a couple of ideas I haven’t seen from him before. I love it that artists often choose to push the boundaries of their craft. The orange lenses of the glasses the character is wearing work very nicely, the challenge here being to keep the face intact and seamless behind the orange colour. The other weirdness is the eye in the mouth, for which I have no explanation, it is just a bit odd and unsettling. The three PWA boys have smashed it once again.
The artist formerly known as j9449j is obviously a person who enjoys anonymity, and has been incredibly hard to track down. I still know nothing about the artist, and just to add to the confusion, j9449j has changed their Instagram handle to @dr3amcore, this leaves me with the dilemma I have faced before which is do I stick with the first name I was familiar with or change to the new name. The convention on Natural Adventures is to stick with the first name unless the artist requests otherwise, so that is what I will do.
This piece was photographed back in January (I was doing a bit of archive-hopping), and features writing that I have struggled to read, but to me, it looks like “L I ? A T E R”, but I can’t make sense of that, so I must be wrong. Whatever the letters, the fill patterns are full of the wonderful plant shapes that typify work by j9449j. The colour palette is not my favourite, but in my view saved by the vibrant green/yellow flashes through the piece. I have many other pieces by the artist and hope to unearth them as the months and years go by.
Natural adventures 