Category: 5. Street Art

524. North Street, Standard (3)

It would appear that the wonderful Hannah Adamaszek recently paid a visit to Bristol and left us with this beautiful portrait on North Street. The colours and earthy tones are typical of her amazing work, and the face is calmness itself.

Hannah Adamaszek, North Street, Bristol, November 2016
Hannah Adamaszek, North Street, Bristol, November 2016
All of Hannah’s work has this peaceful quality…perhaps if there was more of her work out there the world would be a more peaceful place. I know it sounds cheesy, but that’s how I feel about a lot of street art.

Hannah Adamaszek, North Street, Bristol, November 2016
Hannah Adamaszek, North Street, Bristol, November 2016
Come back soon Hannah, you are always welcome.

523. Raleigh Road (4)

The second of two recent works by Voyder, following on from my previous post. This is a highly accomplished piece that on first inspection looks like a giant sticker that has a couple of kinks and tears in it, but take a closer look and it is just an illusion, the whole piece is sprayed.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I love this amazing attention to detail and deception, this really is a very clever piece, and demonstrates the versatility of Voyder. The work sits comfortably alongside Deamze on one side and a Beastie and Decay collaboration on the other. Both to follow soon.

Voyder, Raleigh Road, Bristol, November 2016
Voyder, Raleigh Road, Bristol, November 2016

I have to keep checking this piece to look at how Voyder has sprayed the crease. It really is masterful and creative. One of the best.

522. M32 Roundabout, J3 (24)

This is the first of two recent works by Voyder that mark him out as one of the truly outstanding graffiti writers in Bristol. This piece of writing, set to his typical hand-writing style, shows off his incredible use of colours, providing an effect that makes the whole thing look like it is illuminated.

Voyder, M32, Bristol, December 2016
Voyder, M32, Bristol, December 2016

I have said before when writing about Voyder that it is great to see his work in an accessible setting, as many of his grand pieces are sprayed in derelict buildings where one requires more guts than I have to enter such places. I love this work.

521. Wapping Wharf (1)

Wapping Wharf is a new Harbourside development in Bristol that includes residential flats and some rather upmarket restaurants and food outlets. At one end there is a rather unusual block of ‘container’ shops and cafes called @cargo.  It would appear that at one end of this block there is a public art space, and the first piece to be displayed there is this beautiful work by Gemma Compton.

Gemma Compton, Wapping Wharf, Bristol, November 2016
Gemma Compton, Wapping Wharf, Bristol, November 2016
Gemma is no stranger to the street art scene in Bristol and indeed her artworks were the promotional face of Upfest 2016. You may recall the post I wrote about her lovely work on the front of the Upfest shop in North Street. This work carries the same characteristic blue colours (reminiscent of spode pottery) she uses and is adorned with flowers and butterflies. A lovely piece, and just look at those drips.

520. Partition Street (2)

It has been a long while since I saw anything new from Silent Hobo, and this one is mercifully close to where I work, so taking a look is a daily occurrence. This will actually be the first of two posts on this piece, as it is unfinished in these pictures, and was completed about a week later.

Silent Hobo, Partition Street, Bristol, November 2016
Silent Hobo, Partition Street, Bristol, November 2016
I have to say that it feels a little incongruous being so close to the Zesk piece next to it as the styles are quite different, but considering it on its own, it is a lovely piece.

https://scooj.org/2016/01/12/101-partition-street-2/
https://scooj.org/2016/01/12/101-partition-street-2/
The hashtag #standwithscotty is a reference to Scotty Cranmer, a BMX professional cyclist who earlier on this year had a very bad accident. He is making a slow recovery, and for all updates on his progress, you can look at the link.

Look out for the update when this character will be joined by his posse.

519. Dean Lane skate park (27)

It would appear that Mr Draws has recently had an epiphany. The master of drawing mountains has started to do some writing, which is all rather exciting really. I have seen several of his new pieces in the Stokes Croft area, and this one in Dean Lane is rather good.

Mr Draws, Dean Lane, Bristol, November 2016
Mr Draws, Dean Lane, Bristol, November 2016

I enjoy his selection of colours and the block capitals. Turning the A upside down seems to work really well. Adding this new dimension to his portfolio can only be a really good thing. I wonder where this adventure will take him. I note it has recently taken him to Leake Street in London.

518. Moon Street (15)

Off the beaten track, DinDin left this little treat behind in Moon Street while she was over for Upfest this year. Unfortunately, even though I found the piece quite soon after it was completed, it was already slightly damaged.

DinDin, Moon Street, Bristol, August 2016
DinDin, Moon Street, Bristol, August 2016

I love it nonetheless. It is a swanky, stylish wheatpaste that somehow blends in really well with the brick wall it is pasted to. It is very close to another of her pieces I posted about a little while back. DinDin is my favourite discovery from Upfest this year, and I dearly hope she returns next year. Always welcome.

517. Hoxton Square, Shoreditch (2)

Alongside some lovely work by Fanakapan and Mr Cenz, Unify has painted this lovely spray can. Representing a spray can as the main subject or as a ‘bit part’ is one of the recurring themes that I have noticed in street art. Acknowledging the tools of the trade.

Unify, Hoxton Square, London, August 2016
Unify, Hoxton Square, London, August 2016
Unify’s work has a charming quality about it, although it is often accompanied by a social or political message, which adds to the depth of his pieces. An accomplished and productive artist, who would be very welcome to come again to Bristol anytime.

516. Grimsby Street, Shoreditch (1)

Stik is probably the most instantly recognisable street artist in the world. His simple stick figures hide a sophistication that is quite baffling really. They appear to convey such strong feelings and emotions, often compassionate. How does he do that?

Stik, Grimsby Street, London, August 2016
Stik, Grimsby Street, London, August 2016
This piece however is slightly different. Lurking in a backstreet that is a favourite for street artists are these two rather unfortunate characters puking up in the street. I don’t know what the story here is, but it is not like it isn’t something we all haven’t done, either through illness or over indulgence. Perhaps just a commentary on the human condition.

Stik, Grimsby Street, London, August 2016
Stik, Grimsby Street, London, August 2016
I absolutely love his work and have posted about the large piece in Bristol and charming wall in Chichester previously. More to come.

515. The Bearpit (29)

This is a cheeky little ‘left-over’ from Upfest 2016 by Feoflip when he was in town in July. He has playfully animated a plug and wire, giving it a little personality. He sprayed several of these around the place, and I will try to post about them all. This one is on the wooden panels that create a terraced lawn (a bit of a fancy word for some grass) on the northern side of The Bearpit.

Feoflip, The Bearpit, Bristol, August 2016
Feoflip, The Bearpit, Bristol, August 2016

You can tell that Feoflip is not from these parts – we don’t use plugs like that in the UK, we have much more chunky square-pin jobbies that would look more like bull dogs than this rather cute ‘terrier’.