4659. Dean Lane skate park (521)

Biers, Dean Lane, Bristol, August 2022
Biers, Dean Lane, Bristol, August 2022

Biers, has been doing some brilliant pieces recently, and this one in Dean Lane really tickled me. My mother and I often discuss Mr Magoo, and our own age-related comical mishaps, a conversation that I expect not many people have these days, as Mr Magoo is probably quite unknown to younger audiences. I can’t help thinking that he was central to the creation of Rowan Atkinson’s Mr Bean.

Biers, Dean Lane, Bristol, August 2022
Biers, Dean Lane, Bristol, August 2022

The piece has been really beautifully finished and it would seem that Biers put a lot of time and effort into this one. Some of his other ‘quicker’ pieces can look a little untidy.  The fills and colours have been done well, but it is the Mr Magoo character that steals the show for me, appearing in the 0 of the WD40 letters.

Biers, Dean Lane, Bristol, August 2022
Biers, Dean Lane, Bristol, August 2022

Swimmer’s tail

.

Sad dog out of sorts

tail all forlorn and drooping

back to bouncing self

.

by Scooj

4658. Upfest 2022 (45)

Diff, Upfest 22, Bristol, May 2022
Diff, Upfest 22, Bristol, May 2022

Diff is a Bristol street artist who is horribly under-represented on Natural Adventures, and although I have published a few of his pieces before, I still have several in my archives. I will have to dig them out. This most recent piece, for Upfest is a real winner in my view.

Diff, Upfest 22, Bristol, May 2022
Diff, Upfest 22, Bristol, May 2022

There is something rather tender and touching about the stencil piece, and the positioning and posture of the kissing characters is just about perfect. Young love beautifully captured in a contemporary way. Such a pity this piece was only on view for two days – perhaps he could recreate it somewhere else in Bristol… hint, hint.

4657. Upfest 2022 (44)

SoFreeSo, Upfest 22, Bristol, May 2022
SoFreeSo, Upfest 22, Bristol, May 2022

It is obvious from many of my posts on Natural Adventures, that I like butterflies, and this outstanding piece from SoFreeSo is an absolute beauty. The Swiss artist specialises in dreamy portraits and butterflies, and her pieces really come to life through the eyes of her subjects.

SoFreeSo, Upfest 22, Bristol, May 2022
SoFreeSo, Upfest 22, Bristol, May 2022

There is a lot to like about this piece, the overall composition and colours work very well, especially on sunny days, and those drips are to die for. Interestingly, the incorporation of eyes onto the wings of butterflies is an idea created by mother nature (or evolution if you prefer), where many species of butterfly have developed ‘eye spots’ on their wings to mimic a larger, more scary animal and deter would-be predators.

Peacock Butterfly, Haiku 1
Peacock Butterfly, Haiku 1

Elegant

Comma, Bristol, August 2022
Comma, Bristol, August 2022

.

A comma alights

enjoying late summer sun

perfect condition

.

by Scooj

4656. Upfest 2022 (43)

DJ Perks, Upfest 22, Bristol, May 2022
DJ Perks, Upfest 22, Bristol, May 2022

I managed to bump into DJ Perks several times over the two days of Upfest this year, which is always a pleasure, and we swapped notes about some of the pieces being painted at the festival. This Popeye piece was DJ Perks’ official Upfest piece, but he did another quick one on the afternoon of the second day (to come).

DJ Perks, Upfest 22, Bristol, May 2022
DJ Perks, Upfest 22, Bristol, May 2022

DJ Perks is making great progress with his writing and character pieces, and this one featuring the spinach-eating sailor standing in front of some chiselled rocks spelling PE(R)KS tells a lovely story, the letters and the character being directly related tom one another. More great fun from DJ Perks.

4655. Upfest 2022 (42)

Iain Macarthur, Upfest 22, Bristol, May 2022
Iain Macarthur, Upfest 22, Bristol, May 2022

Although Upfest was Highly populated with local artists this year, there were also at least twice as many who had travelled across Britain, Europe or the world to the city. Iain Macarthur is an illustrator from London whose work tends to focus around the deconstruction of faces/heads, of which this Upfest piece is a fine example.

Iain Macarthur, Upfest 22, Bristol, May 2022
Iain Macarthur, Upfest 22, Bristol, May 2022

This colourful piece explores what lies behind the face, and the answer here seems to be a tangled mass of blue and red organic tissue. Definitely an interesting study, and one that doesn’t present as gory or distasteful. A nice piece, well-designed for the tall, thin board.

Iain MacArthur, Upfest, Bristol, July 2018
Iain MacArthur, Upfest, Bristol, July 2018

Awake

.

Reclaim the label

I am woke and proud of it

an honour not slur

.

by Scooj

4654. Upfest 2022 (41)

Rosie Woods, Upfest 22, Bristol, May 2022
Rosie Woods, Upfest 22, Bristol, May 2022

This stunning piece, by Rosie Woods, is a little bit tucked away and perhaps overlooked by many, but in my view is one of the finest abstract pieces in Bristol at the moment. We were honoured to have Rosie Woods at Upfest, because although she grew up in London, she now lives in Australia, and that is one hell of a trip… perhaps she was over in Europe visiting relatives and painting at a variety of festivals/commissions.

Rosie Woods, Upfest 22, Bristol, May 2022
Rosie Woods, Upfest 22, Bristol, May 2022

The colours, depth and textures in this piece are seductive and compelling… it is really sumptuous. I have looked at a lot of Rosie Woods’ work on the Interweb, and am definitely a big fan. I very much hope that she will pay us a visit again, if ever she makes it over to the UK again.

4653. Greenbank (51)

Marckinetic, Greenbank, Bristol, August 2022
Marckinetic, Greenbank, Bristol, August 2022

It is amazing how quickly an artist can make an impression and become part of the norm. It really isn’t all that long ago that I posted the first piece by Marckinetic that I had been aware of, and now he is turning out quality piece after quality piece almost as if he has been painting in Bristol forever.

Marckinetic, Greenbank, Bristol, August 2022
Marckinetic, Greenbank, Bristol, August 2022

This is a nice solid piece, which deliberately or otherwise has a metallic feel about it. The main body of letters is filled with a kind of sky-scape on the top half and a black lower half, giving the impression of being a mirror, reflecting the scene behind the viewer. The writing is set on a dark pink cloudy/bubbly background. This is an exceptionally good piece, and might be my favourite from the artist so far. He seems to be a real specialist in atmospheric/cosmic/sky-scape backdrops/fills.