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Ministers resign
shut the door on your way out
not long to wait now
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by Scooj
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Ministers resign
shut the door on your way out
not long to wait now
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by Scooj
The most consistently prolific artist over the last seven years is without doubt Face 1st. His tireless drive to keep producing wonderful pieces is enviable and really rather awesome. I don’t know where he gets the energy, or the cash for paint from. I guess I don’t need to know, but simply enjoy the benefits of his heroic efforts.

This is a rather nice FACE piece with a girl’s face in place of the ‘A’. The letters are large and bold, as if carved out of stone, and the grey of the letters contrasts wonderfully well with the Orange hair of the smiling girl. When the world grinds to a halt, Face 1st will still be out there painting letters and smiling girls on walls. It is just what he does.
I was going to run this post as an extra one yesterday for our American friends and use the cheesy pun “Happy Phourth of July”. I’m rather pleased I didn’t though, although quite happy to run with it today.

Phour continues to plug away at his aesthetically pleasing letters (and the sound they make as a word), leaving them at numerous spots around the city. There are some letters that work really well with graffiti writing, and Phour pretty much hits the jackpot. This piece has some great colours and is neatly finished with strong, clean black boundaries. This is a nice one to add to the collection.
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Some civil servants
says Attorney General
are responsible
for undermining Brexit
because they are remainers
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by Scooj
Oh Dear, where do I start?
Our Attorney General is thick as two short planks, in that she is driven by doctrine/ideology and not truth, not a very good starting place for a lawyer really. This week, to deflect from more allegations of sleeze in the Tory party, she tried to create a dead cat story, saying:
‘Some civil servants are resisting post-Brexit reforms because they cannot imagine “life outside of the EU”.’
I’m not sure that she understands how the civil service works, but if you do not do your job as directed or do not do it well, then you are moved on or out, unlike the politicians who make the laws that civil servants deliver on. If Brexit is a complete catastrophe, pointing the finger at civil servants is utterly misguided.
Suella Benjamin’s unprovoked attack is also unbelievably cowardly as she knows Civil Servants are bound to remain silent on such matters and are unable to answer back, so the assertion is uncontested and pedalled as truth by the right wing media.
Michael Rosen’s (a British author, poet and political columnist) response to this despicable claim was:
Suella Braverman’s attack on Civil Servants: hands up who can think of any govt anywhere anytime attacking its own bureaucracy and/or professionals in order to appeal ‘over’ them in order to win allegiance from ‘the public’ or the ‘people’…
And he is right. What is happening in our country right now is madness. The current far right Tory government, propped up and facilitated by Rupert Murdoch, and Viscount Rothermere, is leading us down a very dangerous path. I only hope that the British people come to their senses and realise they have been duped and conned on a wave of false patriotism, orchestrated by a self-serving elite who care only about money and power.
History will see this period of Tory rule as one of the darkest periods of modern times, in which we have witnessed our own decline and fall.
I had to include this piece by Jody, even though it is only a half-piece, because it is absolutely fantastic. It was painted during the 50th birthday paint jam for Turoe a few weeks ago, which generated some outstanding writing and character pieces. Unfortunately, as I have found out to my cost, you snooze, you lose, and I just didn’t get down to the wall in time to photograph Jody’s portrait in full. The left-hand side had been sliced off (neatly, at least) by a newer piece by Cort.

I feel I ought to know who the character is in this piece, but I don’t. It is remarkable to think that Jody can create something so brilliant in only four hours, and it is humbling to see the amazing work that these artists produce. A half beauty from Jody.
I have an unwritten rule about taking pictures of street art, and it that one should always take a picture when you have the opportunity, even if the light is bad, or there are obstructions, because when you return to the spot, for a cleaner shot, it might have been overpainted. These photographs of a recent Stiff piece in Dean Lane have dappled sunlight across them, but they are the only pictures I have, it didn’t last long and wasn’t there when I went back.

I was lucky enough to meet Stiff for the first time just over a week ago, while he was painting with the Bristol Womxn Mural Collective in Cumberland Basin, and he confirmed to me that he enjoys painting monsters and using the colour green. Stiff doesn’t paint very often, so the chances of meeting him are rather slight. This piece, like his others, is creative, fun and monsterish, and painted with a lightness of touch that is without pretension. Another one for the collection of beasts.
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Mindful. Noticing
the subtlest breeze’s caress
cool my fevered skin
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by Scooj
Not only is Upfest great for the people of Bristol and surrounding area, introducing them to the magnificent world of street art, but it is also a massive pull for artists too. Artists are drawn from all over the globe to attend this important event on the calendar, but many artists are local to Bristol who rarely paint walls, but have the opportunity to transfer their studio skills to a more accessible format. Some even get a taste for it.

Rosie Mclay is a Bristol artist who has painted at Upfest before, but in between festivals she continues with her studio artwork, which I have seen her selling in the Tobacco Factory market once or twice, and fine stuff it is too. This piece is really rather beautiful, and she has used the larger format to great advantage. The ‘study’ has two feet joined by a piece of string which is wrapped around the big toes of each foot. The string is fraying in the middle. Colour and tone is added with the yellow circle and red triangle, although I am not quite sure what the whole thing is about. I am a fan of her work, and perhaps I ought to buy something next time I see her selling sketches.

This is a fine piece of graphic writing from Acer for Upfest on a permanent wall, although the permanence of the wall is no guarantee for the permanence of the piece and sadly this has already been dogged, which is a pity, because it is a classy piece that commands this spot overlooking Greville Smyth Park.

It is something of a joy to watch Acer’s work and how it progresses from month to month and year to year. His theme these days seems to be based on a highly stylised font or series of fonts that incorporate black base-lettering with transitioning rainbow colour outlines, creating both high design and depth. The sentiment is a good one… PARTY, which is what Upfest 2022 turned out to be, and a great one at that.
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Opportunity
afforded me by illness
to binge-watch some shows
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by Scooj