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Reclaim the label
I am woke and proud of it
an honour not slur
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by Scooj
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Reclaim the label
I am woke and proud of it
an honour not slur
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by Scooj

This stunning piece, by Rosie Woods, is a little bit tucked away and perhaps overlooked by many, but in my view is one of the finest abstract pieces in Bristol at the moment. We were honoured to have Rosie Woods at Upfest, because although she grew up in London, she now lives in Australia, and that is one hell of a trip… perhaps she was over in Europe visiting relatives and painting at a variety of festivals/commissions.

The colours, depth and textures in this piece are seductive and compelling… it is really sumptuous. I have looked at a lot of Rosie Woods’ work on the Interweb, and am definitely a big fan. I very much hope that she will pay us a visit again, if ever she makes it over to the UK again.

It is amazing how quickly an artist can make an impression and become part of the norm. It really isn’t all that long ago that I posted the first piece by Marckinetic that I had been aware of, and now he is turning out quality piece after quality piece almost as if he has been painting in Bristol forever.

This is a nice solid piece, which deliberately or otherwise has a metallic feel about it. The main body of letters is filled with a kind of sky-scape on the top half and a black lower half, giving the impression of being a mirror, reflecting the scene behind the viewer. The writing is set on a dark pink cloudy/bubbly background. This is an exceptionally good piece, and might be my favourite from the artist so far. He seems to be a real specialist in atmospheric/cosmic/sky-scape backdrops/fills.
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Domestic crisis
cost of living off the scale
and no government.
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by Scooj

John D’oh has had another recent session in St George skate park, and I was able to get up there just before going off on my holiday. This fine stencil is one of several painted on the side of a skate ramp.

The artwork is deliberately retro, which seems at odds with the gentleman looking down at a mobile phone, a clever juxtaposition. It is the message that I love, and similar to one I often repeat here on Natural Adventures, encouraging people to look up and see the world around them, absorb it and enjoy the experience. A lovely stencil piece from John D’oh.

Tanith Gould, Jamaica Street, Bristol, August 2022This piece by Tanith Gould, from the Bristol Womxn Mural Collective (now seemingly the Bristol Mural Collective), is direct and straight to the point. It is one of several pieces on the Jamaica Street gallery highlighting reproductive rights.

The political piece is nicely done, and is a sentiment I happen to agree with. The message is assertive, but not aggressive. The use of scissors in a piece like this could be construed as threatening, but somehow feels more illustrative. I am a fan of political statements in street art, and this one from Tanith Gould ticks my boxes.

Stivs has painted another tribute piece to Sear, and it is an absolute belter. In this piece, Stivs has used his skills at calligraffiti to great effect, creating an astounding backdrop of the word Sear written in patterns. I can’t think how long this would have taken to paint, but it is clearly a labour of love.

The decorative calligraffiti patterns serve as ‘host’ for the magnificent multicoloured ‘SEAR’ in the centre of the piece. The letters stand out proud from the rest of the wall and are a welcome feast for the eyes. It is touching to see how artists have marked the loss of one of their friends. What a great gift a tribute can be.

Often a photograph simply doesn’t do a piece justice, and this wonderful tiger portrait by Tack Jucker is an example of this. The light conditions on the day I went were a little tricky, and the dappled shade on the piece takes away some of the detail.

Tack Jucker seems to improve with each piece I see and is growing in confidence. This is a superb piece, and he has incorporated his trademark Smokey wisps into the piece, which act almost like a signature. The expression on the tiger’s face has been well observed and captured. Evidence of yet more great work from the artist.
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Downloading pictures
from camera to PC
holiday relived
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by Scooj

Hemper does seem to love his collaborative walls, and has partnered so many Bristol graffiti writers over the years. In this piece in the tunnel he has paired up with Benjimagnetic, who has been a little quiet of late.

To the left is a superb piece of organic writing, so organic in fact that it is sprouting shoots and leaves, from Hemper. Spelling out HEMS, this is an utterly awesome piece of writing and shows off his talents to the maximum. I cannot really express how this piece is close to technical perfection and incredibly beautiful to boot, which is not always the case with technically great pieces. A masterclass in writing from Hemper.

To the right of the collaborative space is a bright and colourful piece that really brings out the best in Benjimagnetic. The letter fills, using straight lines, create a wonderful structural effect that gives the writing so much depth and texture. It is always a great pleasure to see any new pieces from Benjimagnetic.
Today I might get a chance to investigate a spot or two for the first time in 11 days. I wonder how much new stuff there is out there…