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Sunny seaside scene
quintessentially English
Morris dancing troupe
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by Scooj
- On a recent trip to Lyme Regis, we were treated to a Morris dancing jamboree, with some eight troupes strutting their stuff. Utterly brilliant and slightly odd.
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Sunny seaside scene
quintessentially English
Morris dancing troupe
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by Scooj
Ain’t no stoppin us now is a fabulous piece by Upfest favourite Oli T And if ever there was an ear worm in the making, this is it – McFadden and Whitehead have a lot to answer for. Oli T uses his big bright and precise lettering style to create these memorable images and somehow seems to capture the mood of Upfest events so well.

This was another piece that was vandalised before I had a chance to photograph it, and to say I was miffed was a bit of an understatement. However, it had been repaired the day after it was tagged and I had had nothing to worry about. Somehow Upfest wouldn’t feel like Upfest without one of these pieces appearing somewhere.
It is always great to see pieces in Bristol by DFC1848, whose work over the last three years has just gone from strength to strength. His cartoon character pieces have developed from two rather basic forms into a wide portfolio of different animals and monsters, all with a element of goodness about them.

This is a particularly creative monster on one of the concrete walls of the Purdown Battery. DFC1848 tends to do solid fills in hie pieces, but the incorporation of details is adding sophistication. I am really enjoying the progress of this artist whose footsteps I’d like to follow.
One of the most dazzling pieces of Upfest 2021 is this magnificent Little Miss Sunshine with a touch of the Insane51 treatment, by Will Blood. I haven’t come across the artist before but it would seem that his USP is drawing/painting pictures/walls with a visible skeleton lurking beneath a superimposed character, you can find out much more on his excellent website The Book of Bare Bones.

This particular wall outside The Spotted Cow is among the best walls to photograph in Bedminster because there is no parking in front of it. This piece is definitely one of the most popular of the festival so far, and the bar is very high indeed. So good to be able to welcome Will Blood to Bristol, I hope he will find the time to visit again.
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Uncomplicated
a life lived in the slow lane
minimum effort
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by Scooj
This is a rather nice little three-way collaboration from Mr Sleven, The cat came back and Pekoe, down in the tunnel, which I think was a celebration of Mr Sleven’s birthday. I love it that in the street/graffiti art world it is common to mark people’s birthdays with a paint jam – what a great way to celebrate.

On the left is a rather tidy little chrome throwie by Mr Sleven spelling out SLEV. While I like hie writing, I think I prefer his rather weird and wonderful character pieces, which makes me wonder whether I have enough to do a gallery of his work… I might just have.

To the right is yet another lovely portrait from the queen of portraits, Pekoe. The yellow face is perfectly offset by the red cheeks, lips and hair. A real stunner. Hitching a ride on the big hair is a little cat protesting for peace from The cat came back. All in all a lovely little celebratory collaboration.
I am well acquainted with the work of Cheba whose intergalactic spacescapes have become something of a speciality for him and which adorn several buildings around Bristol. However, in this piece for Upfest’s 75×75 event, Cheba has gone all Day-Glo on us, and it certainly has made an impact.

I must confess to not being a big fan of Day-Glo colour schemes, because they remind me of some of the dodgier aspects of 1980s design and fashion that are probably best left behind. Having said that, I do think that this is an energetic and interesting mural and has already become something of a landmark in the area. Great to see a new piece from Cheba, who has been fairly quiet over the last year or so.
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Inconspicuous
beauty beyond all measure
small emerald moth
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by Scooj
Inkie has been back in town, mainly, I think, to paint his contribution to Upfest 75×75, but he has also painted at least one commission and had some fun in the tunnel with this piece during Sunday Funday from mid-July.

Inkie is inextricably linked with everything that is good about the street art scene in Bristol, and here is another wonderful piece to add to his collection. It looks like there is a bit of a birthday celebration going on with this too. I love the contrast in writing style with the inclusion of ‘BIZ in the top left of the piece.
Laic217 – or old faithful as he should be called, has turned out yet another outstanding piece to add to his vast collection. Just to get a feel for his talent, it would be worth taking a quick look at this newly revised gallery to refresh your memory.

In this piece, we see Laic217 return to his trippy, psychedelic facial disruption theme, with doubling eyes vertically and mouth furnished with an additional row of teeth, not forgetting the duplication of smoking joints. I don’t think we have to look too far to understand where Laic217 gets his inspiration from.

The character looks a little worse for wear, his bloodshot eyes adding to the overall look, and the pink gunge dripping from his bucket hat rather neatly spells out Laic217 before settling on his shoulder. For Laic217 connoisseurs, this is a gem.