7405. M32 roundabout J3 (736)

Scrapy and Daz Cat, M32 roundabout, Bristol, January 2026
Scrapy and Daz Cat, M32 roundabout, Bristol, January 2026

I have said before on Natural Adventures that there are several different kinds of collaborations, ranging from light-touch painting together to hardcore total assimilation of two or more artists into a single piece. This collaboration by Scrapyardspec (who prefers to be referred to as Scrapy) and Daz Cat sits somewhere in the middle of the spectrum. Their styles are distinct, but the colour scheme is common, and the outcome is a single piece.

Scrapy and Daz Cat, M32 roundabout, Bristol, January 2026
Scrapy and Daz Cat, M32 roundabout, Bristol, January 2026

The fusion, has a Scrapy character with googly eyes nestled atop a Daz Cat cat. Although the styles are so different, the collaboration works well, and from a viewers perspective it is always great to see artists adapting and working together. By the time I got to the piece, some idiot had tried to slap a poster or two over it, but these had been ripped off, leaving a bit of a mess in the middle. Nice combination.

7404. Cumberland Basin

Ware, Cumberland Basin, Bristol, January 2026
Ware, Cumberland Basin, Bristol, January 2026

One of the nice things about birthday paint jams is that they tend to encourage artists who don’t paint all that often to come out of the woodwork. One of those artists is Ware from the RAW crew. I have only ever seen his work a few times in Bristol, and it is possible that he lives and paints elsewhere, which may be why I don’t see his stuff all that often.

Ware, Cumberland Basin, Bristol, January 2026
Ware, Cumberland Basin, Bristol, January 2026

This is a wonderful and technical piece of wildstyle writing. Each of the letters is assigned a colour, from green to light grey to dark grey and pink. The design of the letters is verging on a kind of Gothic or calligraphy font, but not quite. This is very nice writing, beautifully presented, and a great way to celebrate Shade One’s birthday.

7403. Dean Lane skate park (894)

Benjimagnetic and Zake, Dean Lane, Bristol, January 2026
Benjimagnetic and Zake, Dean Lane, Bristol, January 2026

This is a rather unusual collaboration, and I can’t quite make up my mind whether it is a collaboration or two independent pieces that are sitting adjacent to each other I’ve not seen Benjimagnetic and Zake paint together before. My guess is that they both turned up at the same spot on the same day, and decided to paint alongside one another, which makes sense on this wall, because both artists tend to occupy squarish spaces, and this wall is a long rectangle.

Benjimagnetic, Dean Lane, Bristol, January 2026
Benjimagnetic, Dean Lane, Bristol, January 2026

To the left, Benjomagnetic has painted one of his customary GRO pieces in his distinctive cryptic style. The colours are a bit compromised because the wall was in shade with a bright sky behind. The shapes and colours that make up the whole are once again perfect.

Zake, Dean Lane, Bristol, January 2026
Zake, Dean Lane, Bristol, January 2026

The character by Zake is rather more elaborate than many of his pieces, and with more than a hint of Chinese dragon about it. There is a rather unsettling third eye in the forehead, and wispy smoke ‘bleeding’ from the main pair of eyes. Definitely curious and slightly odd, but very nicely painted. The long forked tongue rounds off things nicely. An unusual collaborative wall.

7402. Stapleton Road

Nice One, Stapleton Road, Bristol, January 2026
Nice One, Stapleton Road, Bristol, January 2026

Nice One is one of the most dynamic artists in Bristol, switching up his font writing with his portraits and landscapes. This hoarding, which he has kind of made his own, is currently hosting this magnificent winter scene, the sort of composition so rarely painted in Bristol or anywhere else for that matter.

Nice One, Stapleton Road, Bristol, January 2026
Nice One, Stapleton Road, Bristol, January 2026

The snow, the church, the bare trees and the milky sky offer a taste of a classic English winter landscape. The trees are particularly evocative of a cold winter’s day. The artist has included his letters Nice One in orange and only partially present, a trademark mechanism he uses. I am rather pleased that the colours of the sky in his piece are mirrored by the sky in the photograph, demonstrating the relevance and accuracy of his artwork. A winter wonderland.

7401. Jamaica Street (32)

Hugo Flores, Jamaica Street, Bristol, December 2025
Hugo Flores, Jamaica Street, Bristol, December 2025

Some pieces are notable for their rarity and others for their presentation, this wheatpaste by Hugo Flores is a combination of both. I know little of the artist, but know that he is from Madrid, and he even states as much in this piece. He has obviously made a visit to Bristol, and created this bespoke wheatpaste to celebrate the event.

Hugo Flores, Jamaica Street, Bristol, December 2025
Hugo Flores, Jamaica Street, Bristol, December 2025

When first I saw this piece from a distance, I thought it might be a piece by our very own Creamylines, because it is cluttered and busy. As I got closer, I could see who it was by and all the wonderful fusion of letters, flowers, characters and buildings. Closer still and I could see it was a paste up which had been beautifully stuck to the wall. A vibrant piece, great location and welcome addition to the Bristol street art scene from Hugo Flores. I hope he returns and gifts us more of his lovely art.

7400. St Werburghs tunnel (557)

Nips, St Werburghs, Bristol, December 2025
Nips, St Werburghs, Bristol, December 2025

I am particularly fond of graffiti writers who present clean, clear letters conforming to a rough ‘house style’ where the differences from one piece to the next is in the creativity of the fills. None more so than Nips, whose excellence in this genre just keeps on improving.

Nips, St Werburghs, Bristol, December 2025
Nips, St Werburghs, Bristol, December 2025

The letters lend themselves rather well to graffiti writing, with perhaps the exception of the ‘N’ which can be a bit clunky. Nips has provided a nice clean red ‘canvass’ on which to present her letters, which are filled with some delightful blended pastel colours and a few decorative squiggles and spots. Nips has had a very strong end of 2025, and unlike other artists hasn’t been put off too much by the inclement weather. Great work.

Winter afternoon


.

Sunset, West Wittering, West Sussex, January 2026
Sunset, West Wittering, West Sussex, January 2026

Milky winter sun

drops beyond the Isle of Wight

container vessel

.

by Scooj

7399. M32 roundabout J3 (735)

Mage, M32 roundabout, Bristol, December 2025
Mage, M32 roundabout, Bristol, December 2025

Mage has, as I said a few days ago, been incredibly productive this year, turning out quick and dirty pieces as well as some rather classy pieces along the way, of which this is one.

Mage, M32 roundabout, Bristol, December 2025
Mage, M32 roundabout, Bristol, December 2025

I still think that the letters MAGE are quite clunky, but he manages to turn out some great pieces with these tricky letters. The greyscale pixelated pattern works brilliantly inside the pink drop shadow, an amazing colour combination. The lines are crisp and tight, suggesting some care and time were spent on this piece. I have noticed that Mage likes to set his pieces on a kind of diamond-shaped background, and have to remember to include it in the frame for the photographs I take of his work. Greta stuff from Mage.

7398. Peel Street Green (59)

Bloem, Peel Street Green, Bristol, December 2025
Bloem, Peel Street Green, Bristol, December 2025

I can think of few artists I would rather post on my birthday than Bloem. I have enjoyed her emergence and development so much over the last couple of years and I genuinely can’t think of a much better birthday present.

Bloem, Peel Street Green, Bristol, December 2025
Bloem, Peel Street Green, Bristol, December 2025

This is a stunning mural piece, beautifully crafted, full of all the things you’d expect from Bloem… hands with long nails, chains and flowers. I suspect there is loads of conscious or unconscious symbolism here, but I’ll not attempt to analyse it. The split between the two colour schemes of pink and blue is expertly worked. All in all this is a stunner. Bravo!

Sands

.

Just another day

and another year older

inevitable

.

by Scooj