2815. Brunel Way bridge (29)

In the rather damp environment under Brunel Way and immediately next to the River Avon, Subtle has painted another splendid piece in one of his favourite spots. There is no need ever to wonder who the artist is with his pieces, because his letters are always legible, clear and bold.

Subtle, Brunel Way, Bristol, March 2020
Subtle, Brunel Way, Bristol, March 2020

I like his colours used here and the alternation of outline from black to white on each of the letters. I am not too sure what OPEX refers to… time for a quick Google search… OK it is operational expenditure, but I don’t think that is what Subtle is referring to here. I think it is definitely time for a Subtle gallery, don’t you?

Crown

 

A relentless march

into our collective minds

there is no escape

 

by Scooj

2814. Dean Lane skate park (291)

Rusk is so, so busy just at the moment as you will notice on Natural Adventures in coming days/weeks. This piece was painted on a very special day last week when there was a gathering of some of the best Bristol graffiti writers including Rusk, Soker, Inkie and Hemper. I got extraordinarily lucky as I had decided to take the dog for a walk in Dean Lane at the exact right time (more on the others coming soon).

Rusk, Dean Lane, Bristol, March 2020
Rusk, Dean Lane, Bristol, March 2020

Rusk is a friendly guy and when I arrived he made time for a quick chat and even posed for a picture. I have said it so many times before, but I’ll say it again, his work is always tight and he takes a lot of care in keeping it tidy. In this piece the colour fills are merged vertically, which is quite unusual and which looks rather nice.

Rusk, Dean Lane, Bristol, March 2020
Rusk, Dean Lane, Bristol, March 2020

I have separated out his piece from the others that were painting at the same time, because this end of the wall is somewhat separated from the rest of the wall in terms of photography due to a wall opposite it and being in a narrow space.

2813. Stoney Lane

I have known about this piece behind St Werburghs City Farm for quite some time, but because the wall is in a narrow lane it is virtually impossible to photograph, and the wall, hedge and trees behind it make long-distance shots pretty tricky too. Winter does have some upsides and I managed to take these pictures through the leafless trees while perching on a wall (a difficult task as I am not as young as I like to think I am).

Rowdy, Stoney Lane, Bristol, March 2020
Rowdy, Stoney Lane, Bristol, March 2020

This large piece is by Rowdy and might be a collaboration although I am not sure about that. It features some toothy animal-like characters typical of the artist, looking pretty busy, and some mischievous laundry clips. It is a bright and colourful piece which I think might have been here for some time and which probably doesn’t get the exposure and appreciation it deserves.

Wet, wet, wet

.

I always wanted

a pond in the back garden

well now I’ve got one

.

by Scooj

2812. St Werburghs tunnel (158)

Castles and spired towers decorate the letters of this medieval piece from Fiva, complete with a cartoon character knight. Thie last pece from Fiva in St Werburghs tunnel was an epic piece with massive letters, this is altogether much more the typical kind of piece we get from this brilliant Bristol artist.

Fiva, St Werburghs, Bristol, March 2020
Fiva, St Werburghs, Bristol, March 2020

In spraying my own letters last year, the artist I studied the most was Fiva and on one occasion I tried to copy one of his letters, but without much success. I am definitely inspired by Fiva and really enjoy finding his pieces.

Scooj, H in the style of Fiva, Bristol, June 2019
Scooj, H in the style of Fiva, Bristol, June 2019

2811. Cooperage Lane

This was a completely accidental find (often the most fulfilling ones). I was trying to find a cut-through in Southville, because I was sick of the traffic, and ended up turning into this cul-de-sac (I thought it was a through road) that I have passed many times before but never noticed this brilliant sheep stencil before.

Stewy, Cooperage Lane, Bristol, March 2020
Stewy, Cooperage Lane, Bristol, March 2020

I think the Stencil by Bristol’s Stewy might be reasonably new, because when I parked up and got out of my car to photograph it, I struck up a conversation with a man who was with the owner of the building, and they hadn’t seen the piece before. I told them that it was a great privilege to have such a lovely stencil on their wall, and they seemed to be in agreement. Much of Stewy’s work is one layer stencils like this one, and because of this focus and intensity they really stand out. It is such a great feeling finding something like this. It pays to go down streets you don’t normally go down, you just never know what you’ll find.

Unusual times

.

On highest alert

listening for constant cough

Kings Weston Café

.

by Scooj

2810. Dean Lane skate park (290)

The original Bristol bunny has woken up after a winter slumber. Hire has been painting these rabbits for a while and before his compatriot Nevergiveup (@followmyrabbits) turned up in Bristol. Who’d have thought we’d get one, let alone two bunny specialists in the city?

Hire, Dean Lane, Bristol, March 2020
Hire, Dean Lane, Bristol, March 2020

Hire’s rabbits are edgy and have an element of menace about them… I suspect I’d cross the road if I saw one approaching on a dark night. I think the first one I ever saw was in The Bearpit, but at that time I didn’t know who had painted it.

Hire, Dean Lane, Bristol, March 2020
Hire, Dean Lane, Bristol, March 2020

On this occasion we are fortunate enough to get a double helping of rabbits, a green spiky one and a white smooth one, both based on the same basic formula. I guess this is what you call a glorified tag that has been perfected after many years of use. Great to see Hire back on the streets – now to look out for some more.

2809. St Werburghs tunnel (157)

After a reasonably quiet winter, Sirens is out and about again which is good to see. I managed to catch up with him just as he was finishing off this piece and he seems to be enjoying himself having been through a fairly dynamic period recently.

Sirens, St Werburghs, Bristol, March 2020
Sirens, St Werburghs, Bristol, March 2020

I asked why he had chosen this spot for his SIRENS writing, because it had been the site of an interesting Tom Miller piece that had not been there long, and he said it was because it had been covered with a throw up (a rough and ready quick piece of writing) and so he painted over that. It’s a jungle out there. I have noticed that Sirens’ work often looks rather different from most pieces you see and this is down to the absence of hard outlines and his work is closer to fine art than street art. Looking forward to seeing more over the coming months.