Very close to where we were staying in New York was this large and imposing piece by the fabulous Shepard Fairey. The style is austere and seems to bear a resemblance to totalitarian state propaganda branding or dystopian future movie motifs such as in ‘the hunger games. The sentiment though is for the people.
Shepard Fairey, Bowery, New York, October 2018
I rather like this highly designed corporate look, and it certainly is a striking piece that yells out at passers by.
I returned from a short break to Barcelona with my daughter last night, and my memory card is heavily laden with doors. Barcelona must surely be one of the great capitals of interesting doors.
In the older part of the city, and indeed throughout much of the rest of the city doors appear to be fair targets for graffiti, and what a lot of it there is. This first set of three doors gives you a feel for what is commonplace in Barcelona…ordinary city doors, covered from top to bottom in graffiti.
Barcelona door, March 2018Barcelona door, March 2018
I will post more doors from Barcelona over the coming weeks.
Getting back into the groove with some more contemporary work. This is a recent piece by Laic217 on the curved wall in Dean Lane skate park. He did a similar black and white piece here in July last year, just before Upfest.
Laic217, Dean Lane, Bristol, March 2018
This time his skeleton character, rather than holding a spray can is shouldering a ghetto blaster (which I recently called a boogie box in a previous post) – booming out the lyrics ‘ice ice baby’ by Vanilla Ice. Seeing this, I just had to go onto YouTube to remind myself of the video, which features a lot of graffiti in it. The video is terribly dated (already) and the song itself so incredibly reliant on a great riff from Queen underpinning the whole thing. It is a catchy tune though.
Laic217, Dean Lane, Bristol, March 2018
I don’t think I will ever tire of Laic217’s work – it somehow feels representative of the whole Bristol scene – an overseas artist who has settled here and is really becoming part of Bristol’s new wave which is vibrant and exciting, but sits comfortably alongside the longer established street/graffiti artists. There is room for everyone here.
Photograps taken in St Werburghs tunnel are a real challenge. The colours are yellowed out if you don’t use a flash, and when you do use a flash (a non-sophisticated one like I use) you get horrible reflections obscuring the art. This piece by Fiver (Fiva) looks a bit dreary, but it was far from that in the flesh.
Fiva, St Werburghs tunnel, Bristol, June 2016
Fiver is an artist I have featured a couple of times this winter, having not seen much from him for quite a long while. This is an old one, full of charm. I believe the character is Donkey Kong of Nintendo fame. A fun piece.
Back to the more recent stuff now. I am not used to seeing writing from NEVERGIVEUP, who is better known for his bunnies and monsters, so this one in Dean Lane comes as a bit of a surprise.
NEVERGIVEUP, Dean Lane, Bristol, March 2018
I can’t really make out what the letters say, probably because I haven’t seen much of his writing before and the style is typically unique. He does like to do things his way and is fast establishing himself into the Bristol street art scene.
A native of Argentina, this parakeet is quite at home in Barcelona which boasts the largest European population. Probably not entirely welcome, but suitably exotic.
I write my posts in batches, getting a few done in advance, when I have a moment to do them. This can be tricky while juggling a full-time job, two teenage children, a cat, a dog, a chameleon, an extremely hard-working wife, housework, an allotment, decorating and so on. Life is full, and it would be impossible to find the time to write two posts a day every day. Doing them in batches also carries economies of scale, where I can process a batch of photographs in one go and writing tends to come more freely once you are on a roll.
Why am I mentioning this? Well, by the time I publish this post on a fabulous piece by Kleiner Shames, I will be on a special short break trip in Barcelona with my daughter, and I wanted to say ‘hello from Barcelona’, but to say this I have had to think ahead and I am saying ‘hello from Barcelona’ from the comfort of my study which all feels a bit artificial really, but is helping me to get very excited about our trip.
Kleiner Shames, Upper York Street, Bristol, May 2016
This is a fine piece of writing from one of my favourite Bristol artists who now lives in London. I have posted many of his works on this blog, and each of them is a winner. Concealed in this splash of colour is the word ‘FOIS’…time in French. Most of his pieces have this word, and at first I thought his street art name was Fois.
Kleiner Shames, Upper York Street, Bristol, May 2016
This is another one that I have dug out of my archive, because it is simply just too good not to share.
Oh and ‘Hi from Barcelona’ I think I’m having a wonderful time.
I took this picture on election day a couple of years back. The result of this photograph was great, the election result rather less so. I remember it was a gorgeous day, and I had been tipped-off about a whole load of great street art in Devon Road, Easton. I was not disappointed. Then at the top of the road was this beautiful wall piece by Deamze. A really classy piece it is too.
Deamze, Co-Operation Road, Bristol, May 2016
I haven’t been back there for a while now, and don’t know if this is still there. I guess I ought to get myself over to Easton soon to take a look. Deamze at his creative best.