A nice quick one from Mr Draws, which was to mark the arrival of storm Emma, one of a couple of snow events that hit the UK and Bristol during March this year.
Mr Draws, M32, Bristol, March 2018
I like this piece, it is modest and unassuming, but contains some lovely little details inside the dull chrome letters. As ever, always good to see Mr Draws’ work.
A few weeks back there was a bit of an informal paint jam at the M32, with artists from Swansea, Cardiff, Tiverton and Taunton all represented. I managed to be there at the right time and photograph the artists at work. The interesting thing for me was that most of these artists/graff writers were completely new to me.
Amoe, M32, Bristol, February 2018
This is a lovely piece by Karm Amoe from Cardiff. He has a website, but it doesn’t say too much and appears to be incomplete, so I really don’t have too much information on the artist.
Amoe, M32, Bristol, March 2018
There is something very pleasing about the form of his letters, and the colours he has selected are outstanding. The swirly pattern at the base of the piece and white at the top adds some real class. Nice to be able to see something new (to me).
On the recent news that the water vole is Britain’s fastest declining mammal species mainly due to loss of suitable habitat and predation by mink. Thank heavens they are captured so beautifully in the form of Ratty in Kenneth Grahame’s ‘the Wind in the Willows’.
Another Laic217 piece, this time on the long wall at Dean Lane which was sprayed at the same time as the NEVERGIVEUP piece just to the left. Both artists are part of the vibrant community of Polish street artists in Bristol, which also includes Hire and Skor85. It is nice when they work together.
Laic217, Dean Lane, Bristol, March 2018
This is only a small piece, but what a fabulous piece it is. I particularly like the folds in the leather (PVC?) jacket the skeleton is wearing. Laic217 has been improving so much over the last couple of years, but it is his understanding of materials that has really developed…his skeletons parading an extensive wardrobe. I look forward to seeing one wearing a fur coat…a challenge.
Laic217, Dean Lane, Bristol, March 2018
Laic217 has been busy lately, which is always a good thing in my book.
Going back just a little, I found this unusual collaboration between Decay and Dirtystreetart. QI know a lot about the former and have posted a lot of his work here, the latter though is new to me, and I am guessing that he was visiting Bristol.
Decay and Dirtystreetart, The Bearpit, Bristol, November 2017
I think this collaboration works really well, Decay adding some green to his usual red white and black abstract work fusing brilliantly with the photorealistic ant in the middle of the piece by Dirtystreetart.
Decay and Dirtystreetart, The Bearpit, Bristol, November 2017
I was pleased to get this shot of the piece, because it didn’t get to hang around for too long before getting sprayed over. I’m not sure if these two have collaborated before, but I think this works well, and I would certainly like to see more from the pair.
Decay and Dirtystreetart, The Bearpit, Bristol, November 2017
Having just checked out Dirtystreetart on the Interweb, it turns out he comes from Cheltenham, as does Decay, before he made his home in Bristol, which would go some way to explaining this collaboration.
Perching high above the bustle and noise of Allen Street is this magnificent and regal lion by Sonny. It really is an outstanding piece and one of my favourites from my trip to New York.
Sonny, Allen Street, New York, October 2017
This is the second piece by Sonny I have featured from this trip, the first was a tiger in SoHo. His work in both these pieces has woven in patterns and colour to a quarter of the portrait that looks so natural and part of the animal itself.
Sonny, Allen Street, New York, October 2017
This piece, and indeed this street, should be on any street art hunter’s wish list.
Oooh, I love New York, and so it seems does Invader. Deep in the heart of Little Italy in SoHo this magnificent pixelated mosaic by the great French artist resides above a clam restaurant. The piece was given a helping hand by the LISA (Little Italy Street Art) project.
Invader, Mulberry Street, New York, October 2017
I have only ever seen a handful of Invader pieces in the flesh, and this one is quite the largest. A magnificent present for those who like to keep their eyes open.