7031. Dean Lane skate park (847)

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

I think I was about five or six years old when I was given my first Asterix book. My mother was having her hair done and bought me ‘Asterix the Gaul’, to keep me occupied for the very boring two hour hair appointment. Not only did the distraction technique work, but it began a love affair I have had with these cartoon adventure books ever since. I still buy (in hardback) every new edition that is published, even though both the original author and illustrator (Goscinny and Uderzo) have now died. Imagine my excitement when I came across Dibz and Fade while they were painting this epic piece in Dean Lane.

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

I can’t really add much commentary about the artists that is new, and I have run out of superlatives to describe their work. The writing on the left, by Dibz is about as tight and sharp as you can get with wildstyle graffiti writing. The orange letters with a deep 3D drop shadow, which has a metallic sheen to it, spell DIBZ.

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

To the right hand side of the collaboration, Fade has adopted the colour selection for his piece, but, although subtle, his letters and style are a tad softer than Dibz’. A notable change in this collaboration is that the artists have swapped sides from their usual preference, which must feel a little bit like sleeping on the wrong side of bed. Maybe?

Fade and Dibz, Dean Lane, Bristol, June 2025
Fade and Dibz, Dean Lane, Bristol, June 2025

The centrepiece of this production is a near-perfect rendition of the druid Getafix, who makes the secret magic potion that gives our protagonists, Asterix and Obelix, their strength. The artists have been so true to the original artwork, Uderzo himself would have been impressed. This really is a remarkable collaboration and shows off Dibz and Fade at their very best. I’ll forgive them for the ‘Geta-graf-fix pun.

6200. Dean Lane skate park (732)

Fade and Dibz, Dean Lane, Bristol, July 2024
Fade and Dibz, Dean Lane, Bristol, July 2024

This is the second piece (the first was by Deamze) I have seen in Bristol featuring Asterix and Obelix from the children’s comic book series written by Goscinny and illustrated by Uderzo, both, regrettably no longer with us, but their legacy lives on through apprentices who have carried on the series of books. I am something of an expert on Asterix, I was brought up on the books, and in my youth they were the only thing I would read (much to my family’s dismay), so I judge this remarkable piece by Fade and Dibz through critical lens.

Fade, Dean Lane, Bristol, July 2024
Fade, Dean Lane, Bristol, July 2024

Starting with Fade, the strong and on-point letters in black with orange drop shadows, are nothing more than I would expect. For me, though the writing is eclipsed with the appearance of Dogmatix, Obelix’s dog, at the bottom left.

Fade and Dibz, Dean Lane, Bristol, July 2024
Fade and Dibz, Dean Lane, Bristol, July 2024

Dogmatix, obviously had a non-speaking part in the books, other than the odd growl or woof, and Fade’s rendition of the little character is perfect, picking up on his personality faithfully.

Fade and Dibz, Dean Lane, Bristol, July 2024
Fade and Dibz, Dean Lane, Bristol, July 2024

The centrepiece, probably painted by both Fade and Dibz features the heroes of the piece, Asterix and Obelix. The large sidekick, Obelix is 100% spot on, everything about his is brilliant. Getting on to Asterix though, my hypercritical eye isn’t quite happy with the warrior’s face, which feels slightly elongated… there is something not right about the proportions. I’ll let it go though, because they have tapped in to something that is deeply rooted in my childhood.

Dibz, Dean Lane, Bristol, July 2024
Dibz, Dean Lane, Bristol, July 2024

Dibz rounds off the production piece by mirroring Fade’s style and colours to provide balance to the whole collaboration. Remarkable stuff really and a red-letter day for me on finding it. Below is the Deamze piece from 2018 before he emigrated to Tasmania.

Deamze, Waterloo Street, Bristol, October 2018
Deamze, Waterloo Street, Bristol, October 2018

Parsley in my ears

.

Waiting for the boy

to watch the match together

the joy of playback

.

shut out all noises or clues

I’ll put parsley in my ears

.

by Scooj

This is a rather cryptic Tanka which I am composing while waiting for my son to get home from his late shift so that we can watch the England v Scotland match together on playback. I have to guard against hearing the neighbours shouting or turning on the radio or even using my phone in case I see or hear anything that might give away the score.

Putting parsley in my ears is an oblique reference to an Asterix cartoon book ‘Asterix the Gladiator’ in which the Roman soldiers put parsley in their ears so that they wouldn’t hear Cacofonix the bard singing, such was the dreadful noise he made.

Asterix and the Chieftan’s Daughter

.

A long life defined

by birthday Asterix books

I’m a happy man

.

by Scooj

2841. Waterloo Street (1)

I cannot begin to explain why it has taken me so long to post this outstanding piece by Deamze, especially as I am a lifelong fan of Goscinny and Uderzo’s Asterix the Gaul books. I guess that part of the reason is that my words simply can’t do justice to the genius of this piece, and so I left it, always meaning to come back to it.

Deamze, Waterloo Street, Bristol, October 2018
Deamze, Waterloo Street, Bristol, October 2018

I rarely use the word genius, but I atcually think that Deamze is the absolute master of his craft and in this work, he has mashed up characters in the correct colour palette from Uderzo’s illustrations to draft out his name in his own style and it is all utterly commensurate with the ethos of the comic books. This is interpretive art at its very, very best.

Deamze, Waterloo Street, Bristol, October 2018
Deamze, Waterloo Street, Bristol, October 2018

Deamze leaving Bristol for Hobart is surely one of the greatest creative losses for the city, and I am full of jealousy when I see his work from the other side of the world on Instagram. Maybe sometime he’ll pay us all a visit and drop a few pieces while he’s at it. One of my all-time pieces of Bristol street art.