Not many Christmas pieces, and then (on January 9) two come along at once. This Christmas cheer was brought to you from Sparke Evans Park in the form of this graffiti writing from Biers. I call Biers ‘Biers’ because they were the letters he used when I first started seeing his work. Since then, he has moved through ‘OhYeah’ to his current preferred set of letters ‘WD40’. I still call him Biers though.
Biers, Sparke Evans Park, Bristol, December 2021
The letters can be difficult to pick out, but once you know what they are, you can start to pick them out. As well as the Christmas theme, Biers has also contextualised the piece with a lateral flow Coronavirus test, showing a positive result. It is funny to think that a little over two years ago none of us had ever heard of such a thing, and now it dominates our every waking moment. I guess the ‘Merry Shitmas’ message is linked to the Covid-19 situation. A nicely done piece. Expect to see a whole lot more from Biers as he has been hitting walls with gusto in recent weeks.
I posted a piece by Biers last week, that was actually painted after this one in Dean Lane, both representing a bit of a come back from this No Frills artist. Thanks to Paul H, I now know that Biers is writing WD40, it would have taken me a long time to work that out on my own.
Biers, Dean Lane, Bristol, October 2021
This piece comes with a little bit of text saying: “I can’t wait to feel the weight of nothing on my shoulders” – a message that certainly chimes for me. The letters/character combination is tight as always, and the ‘0’ lends itself to all sorts of character opportunities which Biers has grabbed in this instance. It is so good to see his work appearing again.
To use urban slang, this piece is sick (metaphorically and literally) and is a long awaited resumption to spraying walls by Biers (who goes by several other names, but Biers is the one I use).
Biers, River Avon, Bristol, November 2021
I find it hard to read exactly these letters, but I am confident that Paul H might be able to enlighten me. This is a tight piece; the letters are bold and clean, the fills nicely horizontally graded, the white accents neat and tidy and the character clean and simple. Overall this is the work of a talented and experienced graffiti writer and it is great to see him getting busy again.
There are a great many artists in Bristol that I could label ‘old faithful’ and Biers is definitely one of them. His style is very recognisable with irregular letter sizes, but a ‘house-style’ font that is very much his own.
Biers, M32 Cycle path, Bristol, January 2021
I was pleased to see this piece appear and the others with it because this wall had remained stagnant for far too long. In my view it is one of the best walls in Bristol, but the turnover tends to be quite low, and so anything new is always welcome. This is Biers at his best, clean and crisp with decent fills and nice white accents to create a 3D feel. classic Biers.
Biers, Bags and a bed! Dean Lane sometimes plays host to the occasional fly-tipper, which I have to confess is a pet hate of mine. The kind of person who thinks that it is OK to simply throw their waste away in the street or on other people’s property are the scum of the earth. Inconsiderate and stupid, I have no time for them – rant over.
Biers, Dean Lane, Bristol, December 2020
This is a rather colourful collaboration from No Frills stable mates Biers and Bags. On the left is a really beautifully worked BIERS split into three distinct horizontal frills with serrated edges, which must have taken a bit of time to do. The whole thing is bounded by a bright yellow 3D shadow.
Bags, Dean Lane, Bristol, December 2020
The other half of the collaboration is by Bags who is completely under-represented on Natural Adventures. I don’t really know why that is, I have plenty of his pieces in my archives, but rarely post them – I might have to remedy that. Bags has gone for a diagonal split across his letters. The yellow half works really well, but the red half looks like he ran out of paint and the fill resembles that of a throw up, which is a pity. A nice collaboration on one of the best walls in Bristol.
I think this is my favourite wall in Dean Lane and it has hosted so many outstanding pieces over the years. Some occupy the whole height and width of the wall, some just the lower or upper portions, some are solo pieces and some collaborations like this one from Slim Pickings and Biers.
Biers, Dean Lane, Bristol, January 2021
On the left is some superb writing from Biers, which appears to spell out BIERY, which is a nice variant of his letters. I like the unruly nature of his writing where uniformity of letters goes out of the window. This is one of those collaborations that share a wall and colour convention.
Slim Pickings, Dean Lane, Bristol, January 2021
To the right is the contribution from Slim Pickings whose TES doesn’t quite fit on the wall. The letters are big and bold and the black fill dominant. This is one of those collaborations that you cal look at and say ‘yes’!
It says Biers and that makes me happy. Biers went through a phase over the last 18 months or so of writing OhYeah, but reverted to Biers at some point during lockdown. His Instagram handle is Jimothy_Cool_Aid, but Biers will do.
Biers, M32 roundabout, Bristol, November 2020
This is a nice little piece tucked around the corner on the M32 roundabout and includes a little ghost for good measure. The piece has the heading high spirits, which is a word play on the ghost smoking a spliff. The letter shapes are great and the fills ‘to die for’. A nice modest one from Biers.
There is a thing at this time of year in the street/graffiti art world and that is to do a Halloween piece. I haven’t seen too many this year, although I have just been out to walk the dog and photographed a whole bunch more. This one is by Biers, who I am pleased to report is writing Biers again having spent the last year or two writing OhYeah.
Biers, M32 cycle path, Bristol, October 2020
This piece is a classic writing/character combination with a rather friendly looking grim reaper popping up to the right hand side of the writing. Biers has been reasonably dormant this year, so it is great to see him getting out and about.
It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.
Biers, M32 cycle path, Bristol, August 2020
This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.
Natural adventures 