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From Bristol rooftops
carrion crow cannon caws
reverberating
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by Scooj
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From Bristol rooftops
carrion crow cannon caws
reverberating
.
by Scooj
Microsoft

Mr Crawls and Kool Hand have been painting together more regularly of late, and it is good to see. Their character styles, although quite different do complement one another rather well.

Mr Crawls has painted one of his ‘skeleton’ bird characters, which look slightly creepy if I am honest, but are very much part of his repertoire. He has shown another side to his talent here though, with some very nicely presented writing, spelling out JIM. I expect that this is a shout out to a friend/family member.

Kool Hand presents his orangutan character, who over the years has developed and become ever so slightly more sophisticated. The solid fills haven’t changed much, but the clean lines have improved and the overall shape of the head has softened. Some nice white flashes add to the 3D appearance of the character. A rather nice collaboration.

I believe that Mote might have been one of the first, if not the first, artist to start colonising this long blue-bordered black hoarding in Greenway Bush Lane. As a pioneer, he may well be pleased to see that others have descended on the spot to decorate it.

In this piece, Mote has painted two bird-like monsters for the price of one. They look like distant relatives, sharing colours, but evolution has separated them. The top and bottom halves are reversed, and one has only a head, while the other has a neck and body. These monsters are so uniquely by Mote, and there is no need for a signature. A fine duo.

Mr Crawls has been having a productive and creative winter, turning out a suite of stylised cartoon character birds. This one is accompanied by some monolithic letters ‘NS’? I don’t know what the letters are all about, but he has incorporated them skilfully.

The skeleton bird design is one that Mr Crawls has used before and to be honest is a little bit sinister, not his usual cheery bird representation. There is a lot to like about mr crawls’ work at the moment, and his expanding repertoire keeps things interesting.

This is something of a rarity, a character collaboration. Often you get combinations of characters and graffiti writing in small or large collaborative efforts, but exclusively character pieces is unusual and just how brilliant is this collection from Mr Crawls, Kool Hand and Daz Cat?

Mr Crawls has hit the ground running this year with some outstanding pieces and a slight change in direction or modification of his characters. He is always looking to move things forward and adding new ideas around his central theme of a bird wearing a hat. This most recent phase I would describe as stylised cartoon work.

Another artist who has been busy over the winter is Kool Hand, and what a good artist he is, I have just updated his gallery and there are some really fine pieces to enjoy there. This piece features a three-quarter profile of his famous orangutan character, this time in green. Crisp and clean and really well presented.

An artist whose work has become more sophisticated and complex over the last few years is Daz Cat. In the early days his cat pieces were fairly two-dimensional, and although fun to find, had plenty of headroom for improvement. Now Daz Cat is operating at an entirely different level, turning out first class portrait pieces (mostly of cats) with every outing. This smiling cat is a perfect example of his work, so full of character and detail and a enjoy to behold. Below is an example of his early work to give you an idea of what I am talking about. This is a very fine character collaboration.


Every now and again, I like to delve into my archives to see if there are any pieces that somehow were overlooked at the time, and I am always surprised by what I find. The next few posts are from 2016 and include this beautiful magpie by Aspire.

Aspire was one of my favourite Bristol artists in Bristol, and his depictions of birds in particular struck a chord with me as a trained naturalist. For a few short years, his work brightened up our streets before he packed his bags and moved to London, where I am told the streets are paved with gold. Fortunately, Aspire does return from time to time, but I miss his portfolio of stunning birds and their surroundings. As well as being a superb portrayal of a magpie, we also see evidence of his pixel clusters, something of a trademark for the artist. Those were the days!

Slightly coincidentally, I published a gallery of Mr Crawls’ work this morning, which included this wonderful bird character as the most recent picture in the gallery. Scroll back eighteen months or so, and this piece feels like it is a modernised version of one of the first pieces I saw by Mr Crawls. Something that both he and his painting partner Mote have done exceptionally well is gently upgrade their styles, and this one may be setting the scene for Mr Crawls for the year to come.

The bird portrait is highly stylised, rather than caricature, and the boxy look creates a completely different sensation for the viewer. Even though the lines are straight, for the most part, Mr Crawls has managed to squeeze out some expression and emotion in the bird’s face. There is a lot to like about this style, and I’ll be interested to see if he takes us in a new direction.

A gallery of fabulous character birds and monster pieces from the talented Mr Crawls
Instagram: @mr.crawls
All photographs by Scooj













































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Sparrow family
cheeky opportunism
full of character
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by Scooj

Although they appear to have slowed down ever so slightly, Mote and Mr Crawls continue to keep us entertained with their creative monster collaborations. This one on the swimming pool wall has quite a festive feel about it, although it is a little early for Christmas, not that anyone told the supermarkets!

Set on a gold background, which is a progression from their recent penchant for chrome, Mr Crawls has painted one of his bird characters, it might be a penguin, looking mighty cold, wearing a woolly hat and with icicles dangling from its bill. The coloured blobs dotted around the character work incredibly well, adding a dimension our feathered friend.

Mote has created a monster unlike any other, but which holds a certain fascination in its unusualness. Some aspects of the character resemble ET, but I think that this is coincidental rather than planned. There is something a little haunting about this monster, which I guess is appropriate for the Halloween period.