Tag: bird

5541. Dean Lane skate park (664)

Andy Council, Dean Lane, Bristol, September 2023
Andy Council, Dean Lane, Bristol, September 2023

I am posting this piece by Andy Council out of sequence, having posted a piece he painted after this one, a week ago. You didn’t necessarily need to know that, but I feel better for being transparent and accurate.

Andy Council, Dean Lane, Bristol, September 2023
Andy Council, Dean Lane, Bristol, September 2023

I am not going to try and guess what kind of bird this is because I will probably get it wrong – I’ll leave you to decide for yourself. Andy Council’s ‘thing’ for gratings (or radiators) has come to the fore in this piece, with the upper part of the birds wings being made up of them. There is a strong mechanical/metallic look to the bird almost as if it is clockwork – you might expect to see a wind up key embedded somewhere. This is a clever way to occupy this low wall and expertly done in my view.

5534. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, September 2023
Mr Crawls, Cumberland Basin, Bristol, September 2023

Demonstrating that he is not a one-trick pony, Mr Crawls has painted this ‘stripped back’ version of one of his bird characters. Painted on a pink background, the chrome and black piece is quite unlike his other work, and shows the artist playing around with his characters.

Mr Crawls, Cumberland Basin, Bristol, September 2023
Mr Crawls, Cumberland Basin, Bristol, September 2023

I am very much enjoying Mr Crawls birds cropping up all over the city, and likening the way that he is switching things up from time to time. It is interesting to see that he has started signing his work, and I wonder if that is something to do with his level of confidence, or maybe even starting to market his brans a little. Unusual and enjoyable.

5434. Brunel Way (224)

Mr Crawls, Brunel Way, Bristol, August 2023
Mr Crawls, Brunel Way, Bristol, August 2023

It turns out that Mr Crawls is much more than a one trick pony, as I suspected, and has been painting different variants of his bird portrait mega-tags. The first one to appear in Natural Adventures was a Gull called Gul, then a parrot. This fun bird is ‘The Goose’.

Mr Crawls, Brunel Way, Bristol, August 2023
Mr Crawls, Brunel Way, Bristol, August 2023

The Goose can be identified by the shape of his beak, his rather droopy eyes, and a distinctive winter hat with ear flaps. The cartoon character has been painted beautifully with clean lines and strong solid fills. I have the set of three birds so far, and plenty of unpublished gulls… I wonder what other designs Mr Crawls might have up his sleeve.

5413. Cheltenham 2023 (3)

Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023

There were an awful lot of beautiful birds painted at the Cheltenham Paint Festival this year, whether by coincidence or design I simply don’t know, but it feels like the nature theme is running strongly through street art these days, perhaps as a subliminal or conscious response to the global biodiversity crisis we face.

Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023

This enormous piece by Sophie Tuttle on the side of a building on Devonshire Street features two owls, one in good health, the other a skeleton, joined together by a red thread that each is holding in its beak. There is symbolism here I’m sure, and perhaps it is the delicate line we walk between life and death.

Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023

Both of the owls are perfectly painted, and each has a halo behind with a floral design in subtle blues. Perfectly proportioned and anatomically correct these owns are as much a study of form as they are paintings of birds.

Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023
Sophie Tuttle, Cheltenham Paint Festival 23. Cheltenham, July 2023

I don’t believe I have come across Sophie Tuttle before, but that is hardly surprising since she is Boston- based. Her commitment to free and accessible art is a great thing indeed, and what a privilege to see her amazing artwork at the Cheltenham Paint Festival. Perhaps we could entice her to visit Bristol some time.

5398. Cumberland Basin

Mote, Cumberland Basin, Bristol, July 2023
Mote, Cumberland Basin, Bristol, July 2023

Cumberland Basin is a bit of a generic area name that I use to describe quite a large space north of the bridge over the River Avon. This particular piece from Mote is on the Eastern edge of the Cumberland Basin area, adjacent to one of the very large warehouses that fringe this part of the river.

Mote, Cumberland Basin, Bristol, July 2023
Mote, Cumberland Basin, Bristol, July 2023

The large piece is another bird-monster character, this time double-ended and with a fluffy thing in the middle. I am not too sure the middle section works too well, as it interrupts the flow through the creature. Mote might have added it in to fill the space, but more conventional patterns and colours might have done the job. It is clear that the middle section is by Mote, but it looks like it could have been a creative addition by a different artist altogether. Still an immensely enjoyable piece though.

5381. St Werburghs tunnel (373)

Mr Crawls, St Werburghs, Bristol, May 2023
Mr Crawls, St Werburghs, Bristol, May 2023

This is the second piece I have published by Mr Crawls, and as I said in the last post, he tends to paint the same ‘mega tag’ each time he paints. The cartoon-style bird, looking slightly worse for wear, is difficult to identify and in my own mind I have it down as a gull of some kind, but it might simply be a generic bird. This one is actually a parrot.

Mr Crawls, St Werburghs, Bristol, May 2023
Mr Crawls, St Werburghs, Bristol, May 2023

In this version, the Parrot is once again wearing a bucket/tourist hat, but a slightly different style. It is with the hat design that Mr Crawls has most scope for varying the piece and making it distinct from other versions. There re several more gulls in my archive, but I think I will need to collect them together into a single post, in the same way that I have done for Asre, Bogat and Klashwhensober.

At the station

.

Immersed in birdsong

I’m awash with happiness

cleansed for a new day

.

by Scooj

5380. River Avon (46)

Mote, River Avon, Bristol, July 2023
Mote, River Avon, Bristol, July 2023

It is difficult to make it through a week without coming across something wild and wonderful from Mote. Not only is he becoming one of Bristol’s most prolific artists, but he is also improving and pushing his boundaries with incredible pace, and I am thoroughly enjoying the journey he is taking us on.

Mote, River Avon, Bristol, July 2023
Mote, River Avon, Bristol, July 2023

This magnificent bird beast is on the larger side for a Mote creation, but fills the space really well. The face and beak are picked out in red and pink colours, separating them from the rest of the head, in shades of blue and green. The monster has three eyes, each decorated with Mote’s unique take on pupil representation. The decorations are interesting and eradicate any danger of too much solid fill space. This is an attractive piece that adds to the artist’s growing and improving portfolio. Time to see him at a festival or two?

5346. Purdown (59)

Mote, Purdown, Bristol, June 2023
Mote, Purdown, Bristol, June 2023

More from Mote, who isn’t showing any signs of slowing down at the moment. This piece is another in his series of bird monsters and fits the square concrete slab perfectly. One of the aspects of Mote’s work that I really like is the clarity and crispness. The fills are solid, with nice patterns, and his black borders and details are always sharp. I imagine that there is a perfectionist in there somewhere.

Mote, Purdown, Bristol, June 2023
Mote, Purdown, Bristol, June 2023

This bird monster has a green bill and pink eyelids, which stand out against the blues and purples of the rest of the bird. Even though it is not so long ago that I published a gallery of his work, I have to keep on my toes with updating it. The production line of pieces continues.

5329. Brunel Way (211)

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

There is no doubt about it, Mote is in a very rich vein of form, not only with productivity, but also with his series of bird monsters, which appear to have inspired him greatly, and which I must say are rather appealing. I also like the way that Mote has grown the range of formats, from thin columns to squares to landscape orientation.

Mote, Brunel Way, Bristol, June 2023
Mote, Brunel Way, Bristol, June 2023

Mote has drawn on nature itself, recognising the delineation between a bird’s face and the rest of its plumage, more apparent in some species than in others, for example parrots and vultures. There is some interesting fill work in the two halves of green, reversing the drip colours, and some of the drips falling out of the monster’s face and on to the floor. I have loads more to post from Mote, just from June, let alone pieces that are loitering in my archive.