1872. Upfest 2018 (91)

Whoops! a slightly wonkey picture of a beautiful shutter piece by Vanesa Longchamp on North Street. This was one of two Upfest pieces by the artist that I had not come across before the festival. Looking at digital social media, you can see how popular her work is and it is easy to understand why.

Vanesa Longchamp, Upfest, Bristol, July 2018
Vanesa Longchamp, Upfest, Bristol, July 2018

I love it when artists do more than one piece at the festival, especially when one of them is likely to have some permanence. Like her other piece, this is a beauty which oozes class. While the lines and concept are straightforward, the execution and USP are stamped all over it. We wwere lucky to see two of her works this year.

Vanesa Longchamp, Upfest, Bristol, July 2018
Vanesa Longchamp, Upfest, Bristol, July 2018

1870. M32 Spot (34)

Sadly I didn’t get to this lovely piece by Tasha Bee quickly enough before it had been tagged. Hers was not the only piece on this column that had been tagged, but that doesn’t make it any less annoying. I really do wonder what goes on in some people’s heads that they think it is ok to spoil deliberately other people’s work. I guess I’ll never really fully understand.

Tasha Bee, M32 Spot, Bristol, November 2018
Tasha Bee, M32 Spot, Bristol, November 2018

Here we have two of her serene characters, one atop the other, almost as if they are in a moment of meditation. A decent column piece from this prolific artist.

Recycling quartet

 

A clatter of cans

bottles clink, plastic crackles

and the food waste hums.

 

by Scooj

1869. M32 roundabout J3 (107)

Sometimes words aren’t really enough to describe how good a piece of graffiti writing is, and this is a case in point. This is Deamze’s contribution to the recent paint jam by ASK and friends on the M32 roundabout, and it really leaves me speechless.

Deamze, M32 roundabout, Bristol, November 2018
Deamze, M32 roundabout, Bristol, November 2018

There is so much to like about this piece over and above the technical execution, for example the exquisite colour selections that match the other works on this wall, but not only that, the way Deamze uses the colours, especially the greens, lifts the piece from the wall. The leafy design within his letters is also really beautiful. In all this is a masterful piece.

1868. Star and Garter (2)

A new wall (for me) and a new artist (for me) is a rare and pleasurable thing in documenting the spectrum of opportunity and talent in Bristol’s street/graffiti art community. This unusual and interesting piece (there is a story unfolding here) is, I think, by Rosalita of PWA (Pirate Wall Art). The reason I believe this, is because Rosalita was tagged in an Instagram post by Soap (also PWA) who had been painting the wall on the same day and which I posted a few days ago.

Rosalita, Star and Garter, Bristol, November 2018
Rosalita, Star and Garter, Bristol, November 2018

I love the Russian doll idea and the two halves exposing a heart. The doll’s lips are stitched together suggesting some frustration perhaps. Like I said before, there is a story here…perhaps one of heartbreak. For sure though it is an unusual piece.

Heavy shower

 

A stair-rod downpour

gutters momentarily

fast flowing torrents.

 

by Scooj

1867. Brighton Street (2)

This is another piece that is a little old now, but only recently found during one of my not-so-regular walks through St Pauls. It was sprayed by Mr Sleven as part of the celebrations for the St Pauls carnival which was resurrected in 2018 after a few years off.

Mr Sleven, Brighton Street, Bristol, November 2018
Mr Sleven, Brighton Street, Bristol, November 2018

The piece is an interesting one, with themed colours peculiar to the carnival and a naive style that almost looks like the whole thing has been coloured in with felt-tips. This work reminds me a little of Pekoe’s style which is interesting as I believe the two have worked together in the past.

1866. M32 roundabout J3 (106)

Consistency. A word that comes to mind when I think about graffiti writing by Soker. His work is always immaculate, beautifully conceived and generally just brilliant in every way.

Soker, M32 roundabout, Bristol, November 2018
Soker, M32 roundabout, Bristol, November 2018

This piece is the third that I have posted from this magnificent paint jam earlier in the month, featuring mainly artists from ASK plus one or two guests…more on them later. The crew have really raised the bar this time.

Job done

.

Climate data launched

hoping it gains some traction

will watch tonight’s news.

.

by Scooj

1865. M32 Spot (33)

Silent Hobo has absolutely mastered these columns under the M32. His characters lend themselves really well to the tall thin format of the concrete pillars and there is now rather a gathering of these gentle giants seeking refuge from the roaring motorway above.

Silent Hobo, M32 Spot, Bristol, November 2018
Silent Hobo, M32 Spot, Bristol, November 2018

I have said before that Silent Hobo portrays these youths with such empathy, really getting under the skin of what it is like to be a young person in a modern world. I feel at times that his characters come across as rather sombre or sad, and I think that has something to do with the closed eyes. There is a kind of visual tautology going on here of a piece of street art portraying a street/graff artist. A common and enjoyable theme.