1815. Upfest 2018 (75)

Another South American artist at Upfest 2018, this time a Peruvian who is based in Barcelona, Bronik. The hat is the clue to the origin of the artist, but as I mentioned in the Dinho Bento piece two posts ago, there is something about the continent of South America that seems to have its own style.

Bronik, Upfest, Bristol, July 2018
Bronik, Upfest, Bristol, July 2018

In this lovely piece, we see again a story of connection between people and nature. This appears to be an inescapable component of our lives and yet one that we seem to be  ambivalent towards if it gets in the way of our lifestyles. Only today (I wrote this two days ago) the WWF announced that since 1970 we have lost 60% of vertebrate species. Shameful. That is in my lifetime. Art like this may be all we have to remember our beautiful planet by.

Bronik, Upfest, Bristol, July 2018
Bronik, Upfest, Bristol, July 2018

This piece sings to me. It gives me what I need to redouble my efforts to make a real difference in this world and to act at whatever levels I can to slow the rate of biodiversity loss. A while back I wrote a haiku about our self-destruction. It was called Ants and is as follows:

 

When we are long gone

you shall inherit the earth

take good care of it.

 

I hope it is not prophetic.

1814. Upfest 2018 (74)

I am not entirely certain that this is an official Upfest piece, but failure to include it would not be in the spirit of my Upfest write ups. It is a cheeky shutter piece by T-Rex a local artist whose ‘graffiti partner’ Ryder sprayed his trademark tag on the left hand wall of the shop in the feature image.

T-Rex, Upfest, Bristol, July 2018
T-Rex, Upfest, Bristol, July 2018

T-Rex’s dinosaurs are a familiar site in Bristol and at Upfest too and add humour and a lighthearted touch. One of the things I love about these three characters is how the eyes give them each completely different personalities/emotions. Looking left to right, the first looks wary, the second fed up and the third agressive. A bit of fun.

Thursday doors

Door 51

Bamba Bazaar, Gloucester Road, Bristol.

This is an unlikely piece of door art next door to what I guess is my local pub, The Prince of Wales, which incidentally was painted by one of my favourite Bristol artists Andrew Burns Colwill…but that is another story.

Door, Bamba Bazaar, Gloucester Road, Bristol
Door, Bamba Bazaar, Gloucester Road, Bristol

I wasn’t looking for this door, which I think has been there for some time, but kind of noticed it while I was waiting at the pedestrian lights to cross the road earlier this summer. Actually it is more of a gate than a door, but it is utterly magnificent.

Door, Bamba Bazaar, Gloucester Road, Bristol
Door, Bamba Bazaar, Gloucester Road, Bristol

The gate actually guards the entrance to two further doors (so you get three for the price of one). I would think it was commissioned by Bamba Bazaar, a shop that specialises in beads (I bought some beads there once) and was constructed by Scroller Metal Work.

Scroller Metalwork, Bamba Bazaar, Gloucester Road, Bristol
Scroller Metalwork, Bamba Bazaar, Gloucester Road, Bristol

It would be nice if more businesses put in the effort to commission something beautiful and practical like this, but it is really rather un-British. I would expect to see something like this in Barcelona or Paris and perhaps take it for granted, but here in Bristol it is a hidden gem. It pays to look around.

by Scooj

More amazing doors at: Thursday Doors – Norm 2.0

Statue

 

Queen Victoria

ghostly white, still, stony gaze

commands her subjects.

 

by Scooj

 

On noticing that the statue of Queen Victoria on the edge of College Green in Bristol has been cleaned up, but the dirt that gave the statue details some relief, has gone and she now resembles a ghost. Happy Halloween.

1812. Upfest 2018 (72)

Damn those parked cars!

Caro Pepe, Upfest, Bristol, July 2018
Caro Pepe, Upfest, Bristol, July 2018

Although this extraordinary piece is signed by Caro Pepe, I think she had some support from her frequent painting partner Age Age. This wall was another one themed with Bristol Women’s Voice (along with the Nomad Clan Lisa Simpson). Commemorating one hundred years of the Women’s vote.

Caro Pepe, Upfest, Bristol, July 2018
Caro Pepe, Upfest, Bristol, July 2018

I really like these rather surreal pieces that Caro Pepe is producing at the moment, with the cut-away pieces of head exposing thoughts, emotions and ideas – very powerful stuff and a further dimension to the covered eye that distinguishes her work.

Caro Pepe, Upfest, Bristol, July 2018
Caro Pepe, Upfest, Bristol, July 2018

So, another great wall and another great artist at Upfest 2018 – I think this is another one that makes it into my top 10.

Curiouser and curiouser

 

As if by magic

a green rabbit emerges

my ears and whiskers!

 

by Scooj

1811. Upfest 2018 (71)

Well this is an absolute stunner, make no mistake. A few days in the making, and the scaffolding hiding the true genius of both the piece and subject, this must be one of the highlights of Upfest 2018.

Arcy, Upfest, Bristol, July 2018
Arcy, Upfest, Bristol, July 2018

It is a strange thing as a writer and observer of street art, that I am really only familiar with Bristol street artists or artists who frequently visit Bristol. I really don’t know very much about the world circuit of famous artists that travel the globe for festivals and commissions – this leaves me looking a bit daft when writing up pieces like this one because I simply don’t know the artist Arcy at all.

Arcy, Upfest, Bristol, July 2018
Arcy, Upfest, Bristol, July 2018Arcy, Upfest, Bristol, July 2018

One thing is for sure though I will certainly be looking out for his stuff on the Interweb from now on, as this is such an outstanding work by a truly gifted artist. His website is well worth a look, and his biography is here. Also check out his gallery of walls…this guy is good.

Arcy, Upfest, Bristol, July 2018
Arcy, Upfest, Bristol, July 2018

Of course, the picture is of one of the greatest and most influential people of our time, Stephen Hawking, who sadly died in March this year aged 76. I think that this piece really captures the spirit of Stephen Hawking brilliantly, the bright and slightly cheeky personality. This is photorealistic art at its best. Bravo!

Arcy, Upfest, Bristol, July 2018
Arcy, Upfest, Bristol, July 2018

1810. M32 roundabout J3 (99)

Smak has really been smashing it lately with some magnificent writing all over Bristol. His colour combinations, lettering and feature details are just getting better and better. This is a fine recent piece from the M32 Roundabout.

Smak, M32 roundabout, Bristol, October 2018
Smak, M32 roundabout, Bristol, October 2018

I love the colour progression from left to right, and the letters while slightly disguised are clearly legible. It is the temple facade in the middle of the piece that really lifts it up to another level and columns and stone too. This is a great piece.

Smak, M32 roundabout, Bristol, October 2018
Smak, M32 roundabout, Bristol, October 2018

Heavy hand

 

Writing on the wall

says ‘nobody wins the war’;

graffiti plays out.

 

by Scooj

 

The words were scrawled up on a wall of The Bearpit, walls which Bristol City Council keep on painting only to be tagged moments later. The City Council in their zeal to tidy up The Bearpit (for whatever reason) are not bringing people with them. Their ‘ban it’ mentality is leading to a degradation of a space that only two years ago was vibrant, colourful and tidy. In trying to tackle problems such as addiction and violence and homelessness and graffiti and skateboarding, the clampdown is using the ‘clean up’ of The Bearpit as a deflection of its own failings and those of the Government in these years of austerity, and is wrongly conflating these issues.

Homeless people are not necessarily addicts. Addicts are not necessarily graffiti artists. Graffiti artists are not necessarily skateboarders. Skateboarders are not necessarily violent. Violence is not necessarily practiced by homeless people. And so on…

Work with the people who use this space.

Nobody wins the war.

1809. St Werburghs tunnel (49)

I have always had a massive soft spot for Mr Klue’s work – I love to examine it and unravel all the different abstract elements that combine to such great effect. As is always the case in this tunnel, the lighting has played havoc with the true colours of the piece, but the form is there for all to see.

Mr Klue, St Werburghs, Bristol, October 2018
Mr Klue, St Werburghs, Bristol, October 2018

After what feels like a bit of a lull in his work, it appears that he is becoming a little more active on the streets, which is a good thing. I first became aware of his work in the Stokes Croft area of Bristol, but it is telling that the decline in decent walls there and the Council’s stance on The Bearpit has driven artists like Mr Klue away (I am guessing). This is a fine piece indeed.