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Occasionally
there is nothing to be done
we can only weep.
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by Scooj
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Occasionally
there is nothing to be done
we can only weep.
.
by Scooj
Without question this is the most iconic graffiti view in Bristol. These two have been side by side at the top of the Carriageworks building for as long as I can remember. Any street art fan that has visited Bristol is more than likely to have this shot.

The crocodile on the left is by Rowdy, many of whose works can be found in nearby Montpelier and which I have featured on this blog before. Remember this cat for example? The skull on the right is by the very famous Sweet Toof who along with Rowdy is one of the original Bristol street/graffiti artists. It is incredible, but I think this is the first piece by Sweet Toof I have featured here on the blog – I am losing my touch. I will dig out some other of his pieces. If you cannot wait for that, I recommend his very active Instagram account @thesweettoof or take a look at his rather nice website.

When you pull back from the closeups, you can see how high and large these pieces are, and for the observant among you, you will also notice the FOIS letters by Kleiner Shames on the bottom right. Welcome to Bristol.
Taking a quick look back to Haloween last year and a gathering of several street artists from the ASK crew, who produced several pieces with ghoulish themes. This one is from Epok and unusually for him included a rather good character of Frankenstein’s monster.

The colour selections are up to his usual high standards and the letters mistily disguised, which is a bit of a departure from his trademark strong shapes and sharp lines. I like this piece very much as it demonstrates the range of Epok’s work. I am just sorry that I didn’t have time to post it last year.

I have said enough about how great Sled One is, so I’ll not dwell on repeating myself, but simply show you some pictures I took earlier in the Summer of one of his awesome pieces.

As with many of his murals, there is a story to be told here, but his stories always seem to be a little obscure, and I’ll be damned if I can figure them out.

His cartoon style of creating animals has a dream-like quality to it. Always beautifully sprayed, but something slightly weird in their looks or mannerisms.

In this piece we see a cat and a mouse, the latter of which bears a resemblance to the character Scrat from the Ice Age films. The mouse is running off with cheese, but the cat looks like he’s having none of it.

This is a fun piece from Bristol’s best.
Farmer driven off;
animals rule! Some are more
equal than others.
by Scooj
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Last train journey home
the London experience
has come to an end.
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by Scooj
On completing a six month assignment working two days a week in London. Ahhh, Bristol 24/7.
The Bearpit has not had very much new work since it was taken over by the Mexican exhibition in the early Autumn, which feels strange as I am used to such a high turn over of ‘quickies’ there. This one has slipped through the net though. Another nice simple stencil from RIP, who might as well just come and live in Bristol, as it would save a lot on travel.

There are rewards to be had when making the effort to walk just that little bit further, or turn down a street you’ve not been down before. My reward recently for doing this was to come across this beautiful mural on the front of a small terraced house in Montpelier.



Another fine example of wildstyle writing down at the M32 roundabout by the inexhaustible Sled One. This piece has a metallic look to it, not only in the colour palette but also in the angular nature of the lettering and embellishment.

I have probably said as much as I need to in previous posts about how much I admire the work of Sled One. Always beautifully executed, never ever disappointing.

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Blue, gold and silver,
the heavenly hues of a
frosty winter dawn.
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by Scooj