5762. Brunel Way (251)

Dibz, Shade One and Rusk, Brunel Way, Bristol, December 2023
Dibz, Shade One and Rusk, Brunel Way, Bristol, December 2023

This is one of the last pieces I photographed in 2023, and what a belter of a collaboration it is, bringing together the outstanding skills of Dibz, Shade One and Rusk. As always, the light under Brunel Way rarely allows photographs to do the street/grafitti art pieces justice, but I think that it is possible to see what a classy collaboration this one is.

Dibz, Brunel Way, Bristol, December 2023
Dibz, Brunel Way, Bristol, December 2023

On the left is some superb writing from Dibz, which is a tribute piece to a supporter of his work, ‘Marie’. What this piece of graffiti writing shows is that you can give Dibz any number or combination of letters, and he will be able to create something beautiful with them. The pink and black drop shadow against the gold letters works so very well.

Shade One, Brunel Way, Bristol, December 2023
Shade One, Brunel Way, Bristol, December 2023

Shade One’s work is really something special, and this portrait piece of a young person wearing a hoodie and baseball cap set against the moon and silhouetted buildings, is exceptional. The portrait is painted in greyscale, and although there is a lack of colour, it doesn’t matter one jot, because the shade and shadows provide perfect depth and texture. A very fine piece indeed.

Rusk, Brunel Way, Bristol, December 2023
Rusk, Brunel Way, Bristol, December 2023

On the right, Rusk, who is often found painting alongside Shade One, has created some gorgeous letters spelling RUSK, reflecting the gold and pink colours seen in Dibz’ piece. By using two tones of gold  (bronze/brown) transitioning horizontally through the letters, it gives the illusion that the letters are a solid bar being tilted and catching the light in different ways. A tight and classy piece and collaboration.

5714. Brunel Way (250)

Sako, Brunel Way, Bristol, November 2023
Sako, Brunel Way, Bristol, November 2023

Although Sako has only painted a handful of pieces in Bristol, they have not gone unnoticed. His colour selection alone gives his work away, often opting for a magenta character, with blues and greens augmenting his work.

Sako, Brunel Way, Bristol, November 2023
Sako, Brunel Way, Bristol, November 2023

Originally from the Basque Country, it would seem that Sako has settled in Bristol for the last year or so. His mystical work seems to be centred around storytelling and mythology. In this piece, his female character appears to be bridging the space between the land and the sky. The urban landscape is represented with the blue circle, with a green mountain backdrop completing the scene. Although he painted this piece alone, Sako often paints alongside Zake and other PWA crew members. Great stuff, rather understated and modest. Time to hit a more prominent wall, I think.

5695. Brunel Way (249)

Zake, Brunel Way, Bristol, November 2023
Zake, Brunel Way, Bristol, November 2023

As we approach Christmas and the end of the year, I expect my posts to get slightly shorter, possibly a little bit more reflective, and maybe even a little bit rushed. I suffer from ‘ground rush’ before breaking up for a holiday period, when a whole bunch of work needs to be tied up and out of the door in an ever-diminishing time slot. Alright, I get it, I am getting my excuses in early, and that is the way I roll.

Zake, Brunel Way, Bristol, November 2023
Zake, Brunel Way, Bristol, November 2023

Zake has had an extraordinary 2023, where his work has not only been more frequent, but it has blossomed, and he is pushing all of his boundaries to develop his unique portrait style. I first became aware of his work through his column pieces under the M32 in May 2018, and they have been a regular feature ever since, as you can see in this updated gallery of his work. There is lots of depth created by light and shadow in this piece, and a fair amount of expression in those wild staring eyes.

5651. Brunel Way (247)

John D'oh, Brunel Way, Bristol, October 2023
John D’oh, Brunel Way, Bristol, October 2023

For many years, and more acutely this year, there has been a massive focus on the issue of compensation overflows in the UK. These overflows are essentially permitted activities of pumping raw sewage from water treatment plants, when heavy rainfall makes the processing of large quantities of sewage almost impossible. Some (and I include myself in this) point the finger at underinvestment in the infrastructure of water treatment plants, rather favouring healthy annual handouts to investors and shareholders.

The problem existed before the privatisation of water companies, but has been exacerbated by privatisation and a growing population and demand on the existing infrastructure, that simply isn’t up to scratch. Much easier to lean on a polluting permitted activity than to spend money fixing the problem.

Privatisation of water has, in my view, been a disaster, making a few investors, chief executives and foreign companies very wealthy indeed, but leaving the necessary investment and impact on the environment way behind. The public have had enough and are demanding that something is done about the situation. National commentary and pieces of art, like this one from John D’oh reflect this public mood.

John D'oh, Brunel Way, Bristol, October 2023
John D’oh, Brunel Way, Bristol, October 2023

In its minimalist way, this stencil by John D’oh distils the issue and makes it simple. ‘Shit doesn’t just happen (we have known about this problem for decades and done nothing about it), clean our rivers’. I have worked in the water/environmental sector my entire life, and John D’oh has nailed it. Clever placement too with the River Avon in the background. This is an understated and poignant protest piece. Bravo John D’oh.

5638. Brunel Way (246)

Abbie Laura Smith, Brunel Way, Bristol, October 2023
Abbie Laura Smith, Brunel Way, Bristol, October 2023

Paste ups are a much underused street art form in Bristol, which is a real pity, they just don’t seem to gain any traction here at all, so I am really pleased to see that we have a new wheatpaster in our midst. I have found a handful of paste ups by Abbie Laura Smith lately, and her black and white social commentary pieces. Her work contains tidy artwork and punchy messages. To see what she has to say in this one, you need to get a closer look.

Abbie Laura Smith, Brunel Way, Bristol, October 2023
Abbie Laura Smith, Brunel Way, Bristol, October 2023

The portrait of a young woman, conceals the words (profanity warning) “Fuck you, I won’t do what you tell me” in the features of her face and in her hair. There is anger and attitude in the words, and sadness in the image. This is what public street art is all about, and I love it. I am constantly on the look out for more from Abbie Laura Smith.

5630. Brunel Way (244)

Fade and Dibz, Brunel Way, Bristol, October 2023
Fade and Dibz, Brunel Way, Bristol, October 2023

I am in a conference all day today, so I wrote this one last night, not that it makes any difference to anything at all. As reported several times before on Natural Adventures, Dibz and Fade have been unstoppable this year, painting some incredible pieces week in, week out. This beauty was on the long wall under Brunel Way.

Fade, Brunel Way, Bristol, October 2023
Fade, Brunel Way, Bristol, October 2023

As with many of their recent collaborations, it can be difficult to know where the individual work ends and the combined work begins, but broadly speaking the writing on the left is by Fade, and under his tight writing he has the words ‘From up above’.

Fade and Dibz, Brunel Way, Bristol, October 2023
Fade and Dibz, Brunel Way, Bristol, October 2023

The central character looks like something out of a Marvel or DC comic, but I am not sure that I can spend hours trying to find out who, although a quick Google search has led me to the door of Dark Phoenix from X-Men. Beautifully painted… these guys really are good. The banner spells out Tru Headz Kru (THK), which I assume is the two collaborating artists.

Dibz, Brunel Way, Bristol, October 2023
Dibz, Brunel Way, Bristol, October 2023

To the right, Dibz gives us another of his flawless pieces of graffiti writing, looking stunning in shades of green with a purple drop shadow. I can see several possible words in the letters, but most likely is DIBZ, although I can also see DARK, which would cross-reference nicely with the character. Still more to post from these two!

5603. Brunel Way (243)

Mr Draws, Brunel Way, Bristol, October 2023
Mr Draws, Brunel Way, Bristol, October 2023

Mr Draws has been working really hard to push the boundaries of his work and producing more of these art pieces alongside his familiar writing. This Pumpkin piece was painted recently to celebrate Halloween, and captures the atmosphere of the festival perfectly. Mr Draws does like to celebrate festival dates, such as Halloween and Christmas.

Mr Draws, Brunel Way, Bristol, October 2023
Mr Draws, Brunel Way, Bristol, October 2023

This newish technique or presentation style by Mr Draws creates an atmospheric background as a ‘canvas’ for his subject, in this case the pumpkin. It is effective and fits Mr Draws’ rather unconventional style perfectly. I am led to believe that we can expect many more pieces like this by Mr Draws in the future.

5597. Brunel Way (242)

Daz Cat, Brunel Way, Bristol, July 2023
Daz Cat, Brunel Way, Bristol, July 2023

Daz Cat painted this wonderful piece during a paint jam some while ago, which was themed along the lines of a dystopian future. I ought really to have written up the whole collaboration in one post, but felt that each element was worthy of its own write-up.

Daz Cat, Brunel Way, Bristol, July 2023
Daz Cat, Brunel Way, Bristol, July 2023

I am not quite sure what the creature in the piece is meant to be, but I think that is in part the point. A goat? A cat? Whatever it is, it is well armed with some kind of futuristic ray gun. The background scene is suitably gloomy, and the ground appears to be composed of toes, eyes and teeth. All a bit weird. Something a little different from Daz Cat.

5575. Brunel Way (241)

Dibz and Fade, Brunel Way, October 2023
Dibz and Fade, Brunel Way, October 2023

Collaborations between Dibz and Fade are fast becoming the most frequent on Natural Adventures, and they seem to be turning out at least one piece a week, which certainly keeps me on my toes. I try to post them all, simply because of their outstanding quality. Perhaps they will slow the pace a little over the winter months and I can turn my attention to other less well represented artists.

Dibz and Fade, Brunel Way, October 2023
Dibz and Fade, Brunel Way, October 2023

This piece, quite small by their standards, features Scrooge Mc Duck, holding not a bag of money, but instead a spray can. The writing says FADE, but it is difficult to disentangle who painted what in this collaboration, but I am pretty certain Dibz painted the character and Fade the writing. Another very nicely executed piece from this productive pair.

5570. Brunel Way (240)

Jevoissoul, Brunel Way, Bristol, October 2023
Jevoissoul, Brunel Way, Bristol, October 2023

I said that I would bring you more pieces by Jevoissoul, and I am true to my word. Jevoissoul is a new artist trying his hand at painting walls and making a good fist of it from what I have seen so far, and he is in a bit of a hurry, having painted several small pieces in the Brunel Way/Dean Lane area. His name is interesting, and I guess is a corruption of Je vois soul – I see soul.

Jevoissoul, Brunel Way, Bristol, October 2023
Jevoissoul, Brunel Way, Bristol, October 2023

In this character portrait piece our hero is wearing a cap with the postcode BS3 on it and smoking a roll-up. The word SLOW accompanies the piece, and is seen on many of his other pieces too. Everything about Jevoissoul’s work and character suggests a pretty chilled and laid back person, or at least that is how I read it. I expect we’ll be seeing a lot more from the artist in the coming months, I have a feeling he is only just getting started.