1669. Upfest 2018 (20)

I was looking for the Andrew Burns Colwill piece (to follow soon) which I knew was a little off the beaten track for Upfest 2018 and spotted this brilliant little stencil by John D’oh on the wall of The Black Cat pub on the corner of West Street and Westbourne Grove.

John D'oh, Upfest, Bristol, August 2018
John D’oh, Upfest, Bristol, August 2018

When I see small ‘hidden’ gems like this, I wonder how many Upfest visitors might have missed it in their quest for the ‘marquee’ artists – I don’t suppose it matters really, but as a street art hunter, I like to work hard for my trophies, it is what I do. This is a really accomplished little stencil and one that really chimes for me – a great little find – Thank you John D’oh.

1655. Armada Place (12)

This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.

Sepr, Armada Place, Bristol, August 2018
Sepr, Armada Place, Bristol, August 2018

I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.

Daniel Leggs, Armada Place, Bristol, August 2018
Daniel Leggs, Armada Place, Bristol, August 2018

Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.

1628. M32 Spot (25)

I seem to have posted a lot of work by Daz Cat recently, perhaps he is going through one of those productive phases that street artists seem to go through – perhaps a bit of time on his hands just now.

Daz Cat, M32 Spot, Bristol, July 2018
Daz Cat, M32 Spot, Bristol, July 2018

A cat in a shirt, who’d have thought? I like Das Catz’s work a lot, it always has a bit of edge, and the characters, mostly cats and dogs, often have a little menace about them. In this piece, there is something compelling about the buttons on the shirt, my eyes are drawn to them. The piece simply wouldn’t balance properly without them.

1589. River Avon

Another unmistakable feline portrait by Daz Cat, this one is on the path on the south side of the River Avon near Cumberland Basin. I don’t think that this is his best work, but even a quick one like this requires a lot of skill. I can say this with some authority, having hadf my first two hours with a spraycan earlier on today (as I write this post (about three days ago)).


Daz Cat, River Avon, Bristol, June 2018
Daz Cat, River Avon, Bristol, June 2018

I can’t quite figure out what the thing growing out of his face just above the mouth is, but it looks like a mouse tail to me. This is a great wall in a fine location, but not one that gets a lot of attention (I think). I’ll have to drop by soon for another look.

1552. The Bearpit (150)

One of the nice things about ‘coming out’ about discovering a new artist is that you can trawl through all your old images and start to post some of their older work, and so it is with Daz Cat whose pieces I have only been posting for the last two or three months.

Daz Cat, The Bearpit, Bristol, November 2017
Daz Cat, The Bearpit, Bristol, November 2017

This great cat face in one of The Bearpit tunnels is from November last year and is a really good example of the work of this artist. I always feel that his work is quite simple, but take a closer look and there is a lot of detail and finessing in there. This is a great example of themed work and a distinctive style.

Ninja unarmed

 

Ignominious

day for the cat, her claws trimmed;

Ruben celebrates.

 

by Scooj

1448. The Bearpit (137)

I have featured a lot of new artists on this blog recently, and this is the latest of them. Daz Cat is a Bristol-based illustrator and graffiti artist who I think is reasonably recent of the street art scene, although I would happily be corrected as there is not an awful lot of information in the Internet to go by.

Daz Cat, The Bearpit, Bristol, April 2018
Daz Cat, The Bearpit, Bristol, April 2018

His works tend to feature the heads of cats or dogs and often a little message – the one here ‘in fine style’ is used in other pieces too. He has had a recent burst of activity with some pieces, of which this is one, that were painted during the Spring Paint Jam in The Bearpit. More of his work, and perhaps more insight to follow soon.

1445. West Street (2)

I have only seen Pelmo’s work a couple of times, but I know that I really love his work. The soft tone and style of his cartoon characters carries with it a light-hearted humour, and his pieces tell complex stories. His work reminds me a little of Gary Larson’s Far Side cartoons, but there is a little more tenderness to Pelmo’s work.

Pelmo, West Street, Bristol, April 2018
Pelmo, West Street, Bristol, April 2018

I think that this wall was part of Upfest 2016, but I never made it here before as it is really quite a long way from the Upfest main area. This is a highly accomplished piece and in it is a deftness and confidence in the scene that Pelmo has created. It is so easy on the eye, it almost feels that it is just part of the street scenery. It is easy to drift into the world he has created.

Pelmo, West Street, Bristol, April 2018
Pelmo, West Street, Bristol, April 2018

I love his attention to detail, things like the hand rail that the character on the right is holding and the shadows cast by the bicycle and the street bins. Of course for the cat lovers there is a splendid moggie sprawled out on the wall. I also rather like the way that the rubble sacks in front of the piece almost feel like they are incorporated into the whole experience. I love this and really look forward to seeing his work at Upfest 2018.

1315. Leonard Lane (15)

Who doesn’t love Salvador Dali and especially a greyscale multi-layer stencil tucked away in a dark alleyway by John D’oh? OK, so a kind of rhetorical question designed to answer itself. This is a brilliant piece of work. A stencil artist, a surrealist and a cat…it doesn’t get much better.

John D'oh, Leonard Lane, Bristol, November 2017
John D’oh, Leonard Lane, Bristol, November 2017

In my view, John D’oh is a highly talented, prolific and perhaps slightly overlooked artist on the local scene. His pieces, small and large, simple and complex are almost taken for granted, but each is a little gem. It is so utterly worth stopping to look at and admire his work if you get a chance. I doff my cap in his general direction…wherever he is.

My family…

 

Morning rush over

cat, dog and chameleon

all fed and happy .

 

by Scooj