6051. Dean Lane skate park (718)

Mr Crawls, Dean Lane, Bristol, May 2024
Mr Crawls, Dean Lane, Bristol, May 2024

There was a time, not so long ago, when Mr Crawls could be identified easily because all of his pieces featured quirky birds. That is most definitely not the case now, and his association with Mote appears to have encouraged him to branch out into painting all sorts of weird and quirky monster characters.

Mr Crawls, Dean Lane, Bristol, May 2024
Mr Crawls, Dean Lane, Bristol, May 2024

This quick one on the swimming pool building wall, behind the hedge, is a case in point. The green monster, looking a little bit like a hard-hat, is blessed with enormous eyes and an array of razor-sharp teeth. The eyes have no pupils, giving it a bit of edge. Pupils in eyes always soften a character and conversely their absence creates a hollow, even sinister appearance. This is a nice solo piece from the imaginative Mr Crawls

6049. Peel Street Green (31)

Desi and Mr Two Gram, Peel Street Green, Bristol, May 2024
Desi and Mr Two Gram, Peel Street Green, Bristol, May 2024

Peel Street Green is a really great spot for showcasing your work, and Desi and Mr Two Gram have absolutely smashed it with this colourful and cheerful themed collaborative wall. I particularly like the inclusion of characters, which is something neither of these artists does all that often, but they should, because these are brilliant.

Desi, Peel Street Green, Bristol, May 2024
Desi, Peel Street Green, Bristol, May 2024

Desi has returned to writing DESI, after a spell of writing VEIL, and appears to write with such confidence and flair these days. Her work has really come on in leaps and bounds, and her finishing has improved no end. The character, with pink overtones, in keeping with the writing, looks, stylistically, like a character from the Dexter’s Laboratory cartoon series. A great combo piece.

Mr Two Gram, Peel Street Green, Bristol, May 2024
Mr Two Gram, Peel Street Green, Bristol, May 2024

Mr Two Gram and I had a long conversation a little while ago, under the M32, during which I asked him whether he ever painted characters, and he replied that it was something he was considering… well I am glad that he did, because this combination of writing and cartoon character is superb. Mr Two Gram’s letters are so distinctive and always neatly turned out, and the colour scheme works well here too. As with Desi’s piece, the hair and eyes match the writing, ensuring the character is relevant to the piece. Great work and a wonderful collaborative extravaganza.

6047. Hepburn Road (23)

Zake, Hepburn Road, Bristol, May 2024
Zake, Hepburn Road, Bristol, May 2024

This curious portrait piece from Zake is part of a PWA collaboration, but because of parked cars in Hepburn Road (formerly known as crack alley), I was unable to capture the whole collaboration. That kind of thing happens sometimes.

Zake, Hepburn Road, Bristol, May 2024
Zake, Hepburn Road, Bristol, May 2024

As I have said in previous posts, Zake seems to be pushing his boundaries all the time with his portraits, and although they all retain his clever use of light and shade to create depth, the characters and their expressions are constantly evolving. This rather dapper and shady fellow looks perfect for this dark narrow alleyway.

 

 

6038. St Werburghs tunnel (426)

Stivs, St Werburghs, Bristol, May 2024
Stivs, St Werburghs, Bristol, May 2024

So here we have, in this piece from Stivs, the coming together of outstanding writing style with subversion. Every time I look at this piece, which is kind of two pieces joined together, I begin to wonder whether Stivs has issues… he certainly seems to be letting it all out in his work at the moment, and there is an almost obsessive trait appearing on this wall.

Stivs, St Werburghs, Bristol, May 2024
Stivs, St Werburghs, Bristol, May 2024

As well as his customary calligraffiti, beautifully produced here, Stivs reminds us that he is a very talented character artist as well. The demonic character is depicted in shades of purple, and contains a lot of detailing. Of course, the elephant in the room is the outrageously sweary backdrops. I would suggest that we could name this as Stivs’ ‘blue period’.

6035. Lawrence Hill roundabout (19)

Slakarts, Lawrence Hill, Bristol, April 2024
Slakarts, Lawrence Hill, Bristol, April 2024

In amongst the dross in the tunnels of the Lawrence Hill roundabout, there are some real gems, but you need to hunt them down. This beauty by Slakarts stands out from the crowd, conspicuous on account of its superior quality in terms of both design and execution.

Slakarts, Lawrence Hill, Bristol, April 2024
Slakarts, Lawrence Hill, Bristol, April 2024

Although the character piece is on the small side, Slakarts has worked it into the location perfectly, following the contour of the handrail, rather than fighting against it. The winning combination of pink and blue colours is easy on the eye, but it is the crispness and clean lines that really grab me. I guess the piece is ll the more enjoyable for being in this location, where I wouldn’t ordinarily expect to find a Slakarts piece. Worth the trip alone.

6034. St Werburghs tunnel (425)

Laic217, St Werburghs, Bristol, April 2024
Laic217, St Werburghs, Bristol, April 2024

Ha ha! This outrageous portrait piece by Laic217 at the entrance to the tunnel just makes me laugh. It has all the hallmarks of his work, that takes the grotesque to a new level, softened by some superb paint craft (by which I mean tone and depth) and a brilliant background.

Laic217, St Werburghs, Bristol, April 2024
Laic217, St Werburghs, Bristol, April 2024

I wouldn’t ordinarily associate Laic217 with St Werburghs tunnel, but it is great to see him painting here. The distorted face features an enormous toothy mouth and protruding chin, but the character seems happy enough with it. Street artists often add an edge to portraits by omitting to include pupils in the eyes, which gives a bit of a sinister appearance, unsettling for the viewer. The material of the character’s clothes is as you’d expect perfectly painted, and the backdrop of blue smiley faces on a pick background, is suitably trippy. This is a great piece from Laic217.

6028. Stokes Croft

Kid Krishna, Stokes Croft, Bristol, May 2024
Kid Krishna, Stokes Croft, Bristol, May 2024

It took me rather a long while to photograph this magnificent writing/character combination piece by Kid Krishna, but parking near this spot is a real issue, so I waited until I walked in to work (a reasonably rare occurrence since Covid) before snapping it up. Fortunately it has been respected and remained untagged since it was painted.

Kid Krishna, Stokes Croft, Bristol, May 2024
Kid Krishna, Stokes Croft, Bristol, May 2024

The Tribute piece almost looks like it has been created by two different artists, and it brings out the artistically ‘bipolar’ aspects of Kid Krishna’s skill sets. The character, which looks like a beetle-mole mash up is detailed, sharp and clean, whereas the writing looks much more fluid and spontaneous. This is a really classy combination piece from an artist who is red-hot at the moment.

Awkward

A gallery of fabulous character faces from Bristol artist Awkward.

Instagram: @awkward_uk

All photographs by Scooj

Awkward, Dean Lane, Bristol, May 2024
Awkward, Dean Lane, Bristol, May 2024
Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024
Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024
Fade and Awkward, Dean Lane, Bristol, April 2024
Fade and Awkward, Dean Lane, Bristol, April 2024
Noise and Awkward, Dean Lane, Bristol, April 2024
Noise and Awkward, Dean Lane, Bristol, April 2024
Awkward, Dean Lane, Bristol, April 2024
Awkward, Dean Lane, Bristol, April 2024
Awkward, Dean Lane, Bristol, April 2024
Awkward, Dean Lane, Bristol, April 2024
Awkward, Dean Lane, Bristol, November 2023
Awkward, Dean Lane, Bristol, November 2023
Dibz, Awkward and Fade, Dean Lane, Bristol, October 2023
Dibz, Awkward and Fade, Dean Lane, Bristol, October 2023
Awkward, Dean Lane, Bristol, July 2023
Awkward, Dean Lane, Bristol, July 2023
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward, Dean Lane, Bristol, March 2022
Awkward and Benjimagnetic, Dean Lane, Bristol, December 2020
Awkward and Benjimagnetic, Dean Lane, Bristol, December 2020
Awkward and Acer One, Dean Lane, Bristol, December 2020
Awkward and Acer One, Dean Lane, Bristol, December 2020
Awkward and Benjimagnetic, St Werburghs, Bristol, February 2020
Awkward and Benjimagnetic, St Werburghs, Bristol, February 2020

 

6019. Greenbank (118)

DFC1848, Greenbank, Bristol, April 2024
DFC1848, Greenbank, Bristol, April 2024

It is always good to find DFC1848 pieces in Bristol, and he left behind two or three pieces on his last visit, of which this is one. This character is the one that DFC1848 first used to really establish himself as a street artist, and although he has improved immeasurably in both technique and creativity, it is nice to see this old friend again.

DFC1848, Greenbank, Bristol, April 2024
DFC1848, Greenbank, Bristol, April 2024

The letters DFC from his name can be found in this tag-character The ‘D’ is in the ear, the ‘F’ is on the character’s cheek and the ‘C’ I think is represented by the mouth or possibly the eye. I must try and seek out and photograph the other pieces he painted on this visit.

6005. Frome Side (33)

Mudra, Frome Side, Bristol, April 2024
Mudra, Frome Side, Bristol, April 2024

It feels like only a matter of months but is actually more than three and a half years since I first encountered Mudra’s work, and over that time it has improved immeasurably from the small character-based pieces to complex pieces of writing/character combinations.

Mudra, Frome Side, Bristol, April 2024
Mudra, Frome Side, Bristol, April 2024

This piece underneath the M32 reminds me a little of Minto’s work, with its combinations. The colours red and green work well together and rather contradict the fashion industry maxim that ‘red and green should never be seen’. The letters are quite fancy and the face in the centre of the piece a little odd. Overall though, this is a nice piece that shows how the artist is constantly stretching himself.