Today I am off to a valley in the Atlas Mountains, and wrote this last night after a very long day doing a lot of walking. So today’s posts will be quick ones like yesterday and might not be very coherent. This is the third piece in a superb collaboration between Sled One, Smak and Misc, whose stunning heron clutching an eel in its bill is wonderful.
Misc, Coach and Horses, Bristol, December 2024
I don’t know Misc, but believe he painted a couple of pieces on this particular trip to Bristol. The stylised natural history piece is amazing and really captures the struggle between the fish and the bird. I would like to see much more work like this, as it is right up my street.
This is a stunning piece of graffiti writing by Smak, incorporating a landscape view, framed in a wide rectangle. It is similar to a piece that he painted on the M32 roundabout a little while ago. I have a feeling that this piece was from around the same time, but I have only recently got round to photographing and posting it.
Smak, Coach and Horses, Bristol, December 2024
The letters ‘SMAK’ are concealed, and I have to say I am assuming they are there rather than knowing that they are there. Within the overall design, there are fragments of a tropical paradise and plenty of palm tree references throughout. This is a truly classy piece from a very classy artist.
Sled One, Coach and Horses, Bristol, December 2024
I tend to be very slow off the mark photographing new pieces on this wall of the Coach and Horses pub, but feel that I can take my time to visit, when I happen to be passing because the wall has a very slow turnover and is rarely tagged. I managed to find myself over in the area, after visiting the recycling centre and took the opportunity to check out the fabulous pieces making up the collaboration. This first piece is by Sled One.
Sled One, Coach and Horses, Bristol, December 2024
Sled One has always had a rather surreal take on his characters and scenes, but what makes them so special is his incredible talent with the spray can. One is simply left with the lingering question… how does he do that? The piece, called ‘Shit TV’, features a fly, sitting on a turd, watching TV with a pair of 3D secs on and eating popcorn and drinking a milkshake. It doesn’t get much weirder or obscure than this, but Sled One thinks of these things and brings them to life in a remarkable way. Brilliant work from a brilliant artist.
Soap, Zake, Face 1st and Chill, Coach and Horses, Bristol, April 2024
This production collaboration from the PWA crew was photographed in April this year, and nearly got left behind, had I not carried out one of my occasional archive ‘sweep ups’. Soap, Zake, Face 1st and Chill have combined to create this zany and energetic piece.
Soap, Coach and Horses, Bristol, April 2024
Starting off with Soap, who has been a little quiet of late, and this writing/character combination. I have spent way too long trying to find out who the character and cat are and what cartoon series they belong to (possibly Adventure Time?). Some beautiful blue letters here spelling SOAP set on a green and pleasant background that Chill has enhanced with his silhouetted plants along the ground.
Zake, Coach and Horses, Bristol, April 2024
Next up is a very curious character piece by Zake, which unusually has the whole character and not just the head. The character’s body is brilliantly drafted, with some lovely detail around the knuckles, stitching on the trousers and shoes, but then you get to the head… What has happened here. Expressive it might be, but I find it slightly grotesque, but that is the joy of cartoon characters, you can make them do unreal things.
Face 1st, Coach and Horses, Bristol, April 2024
Face 1st gives us a classic laughing girl piece with the letters FACE staked up in her hair. The letters follow the recent interest that Face 1st has shown in creating 3D blocks, and works very well in this piece. It is so good to observe Face 1st pushing his boundaries and expanding his repertoire.
Chill, Coach and Horses, Bristol, April 2024
Chill, I feel, is an underrated and underrepresented artist on the Bristol scene. I rarely see his pieces shared on social media, and I feel he doesn’t get the recognition he deserves. His characters are always on point, full of fine detail and comic expressions, and he combines his urban ‘geezers’ so well with his beautiful and fragile nature silhouettes that accompany this entire production and others. This is a fine collaboration from the PWA boys.
Smak, Sled One and Oust, Coach and Horses, Bristol, March 2024
The wall on the Coach and Horses is one of the best ‘outdoor galleries’ in Bristol and often hosts some really classy work that tends to remain untagged for reasonably long periods. It probably doesn’t have the same turnover as some of the more accessible or popular walls, which means we can enjoy the artwork for longer. This collaboration is by Smak, Sled One and Oust.
Smak, Coach and Horses, Bristol, March 2024
Smak needs no introduction on Natural Adventures, being something of a staple over the years. This is a finely crafted and executed piece of writing that spells out SMAK. The colour palette is is perfect, and offset by the appearance of a black and white stripe design on some parts. The writing is wonderfully intricate without being over-fussy – clean crisp and classy.
Sled One, Coach and Horses, Bristol, March 2024
We don’t get to see enough of Sled One’s genius on our walls these days, so everything we do get to see, we ought to be grateful for. In this central panel, Sled One has painted a cat toasting a mouse on a stick over a fire, surrounded by barbed wire. There is a story here, but not one I can tell you. There is a mixture of styles, which is a bit unsettling. The cat is approaching photorealistic, but the mouse is most definitely cartoon, which confuses my brain somewhat. Brilliant artwork.
Oust, Coach and Horses, Bristol, March 2024
The right hand side of the collaboration is some unusual writing from Oust. The letters are more like constructions, with hints at industry and engineering. I haven’t come across Oust’s work before, so am a little unsure if his style is always like this or that this is a one-off. I guess Oust was visiting, and took the opportunity to paint with friends/acquaintances. There are some great colours and ideas in the piece which is full of contained energy. Fabulous collaboration.
Another artist and another protest piece about the war in Gaza. This time, some direct talking from the wonderful Merny. A warplane, fully marked up with his trademark letter/number pointers, is accompanied with the words “Stop killing people you tucking fwats”. Hear hear!
Merny, Coach and Horses, Bristol, March 2024
Merny’s work is deceptive in so much as it looks naive in style, but there is a deep sophistication that underpins his artwork, which always tells a story, often with a light dusting of humour. The piece is attention-grabbing, and along with all the other anti-war work in the city is representative of a groundswell of opinion that wants piece in Gaza specifically, and in the Middle East more generally.
Merny, Coach and Horses, Bristol, March 2024
It looks like Merny took the opportunity, while he was in the area, to paste a couple of posters on a nearby wall, which again have a simple sophistication about them and a wordplay caption “Problems? Just smooth things over”. The picture is of a mechanical sander – a great bit of bonus material from Merny.
Although I regularly post pieces by Face 1st, it is probably only about half of everything I photograph. He has been a consistently prolific artist in Bristol since I started writing about this stuff back in 2015 and has brought me personally a lot of joy with his constantly evolving themes and ideas, based on a face.
Face 1st, Coach and Horses, Bristol, May 2023
This is a wonderful example of Face 1st’s work, a really tidy piece with sumptuous colours that work son well together. Some of Face 1st’s throw ups can be a little untidy, but this is crisp and sharp and beautifully finished. The smiling girl with earrings has the word FACE for hair, with not a little gloop going on. This is classic Face 1st, classily painted and presented.
3Dom, Soker, Sepr and Epok, Coach and Horses, Bristol, February 2021
How, oh how, did I manage to overlook this piece for posting? I surprise myself when trawling through my archives and I find stuff like this, and it is also quite a pleasurable experience, because it gives me the perfect excuse to talk about some outstanding artwork. This long wall is a collaboration masterclass from 3Dom, Soker, Sepr and Epok which dates back to February 2021 (actually that is when I took the pictures, I think the artwork had been there for some time already).
3Dom, Coach and Horses, Bristol, February 2021
First up is this amazing character piece from 3Dom, featuring an unicyclist juggling bombs, with his arms weighed down with lead wights, and avoiding landmines. I imagine that this is a metaphor for the tightrope we are navigating as individuals, as a nation and as humanity itself. At least this is how I read it. As we would expect, it is beautifully painted.
Soker, Coach and Horses, Bristol, February 2021
The second piece is some incredibly tight graffiti writing from Soker, one of the very best writers around. It is especially gratifying to dig this piece out from the archives, because he is going through a rather quiet period at the moment.
Sepr, Coach and Horses, Bristol, February 2021
Next up is the magnificent Sepr with a whole story unfolding. Aliens in a spaceship are trying to drag a cow into the sky, but finding the going difficult. The aliens are contacting their base with the words, “Easton… we have a problem” – a local corruption of the famous quote. Brilliant and witty.
Epok, Coach and Horses, Bristol, February 2021
Finally, we have something of a rarity, an amazing piece of writing from Epok. I can’t think when I last saw a new piece from Epok, but this must have been one of his last in Bristol. I hope that the break in his productivity will at some point come to an end and that he will once again bless us with his unique geometric designs. What a collaboration, and what a wait.
3Dom and Sepr, Coach and Horses, Bristol, February 2023
I really haven’t seen enough from these two of late. I guess that both of them are pretty busy with real life, and that happens, but it means that the class they both bring to the streets of Bristol is missed. This collaboration from 3Dom and Sepr also included the beautiful FOIS writing from Kleiner Shames (already posted).
3Dom, Coach and Horses, Bristol, February 2023
On the left is a superb example of 3Dom’s superb writing style, including an eye character that looks to have dropped from the sky. There is a fluidity and confidence that oozes from 3Dom’s work, and just by looking at it, you can tell that it has been crafted by a master at the top of his game.
Sepr, Coach and Horses, Bristol, February 2023
Sepr brings with his some of the best character work in the city/country. His unique style is instantly recognisable and more often than not humorous. In this piece, a skeleton is out walking his skeleton dog, who has run off, pulling his forearm away with him. Great fun. A measure of the quality of this piece is the care and attention given to the bead lead, which in close-up is meticulously painted. What a great collaborative wall, well worth a look.
Kleiner Shames, Coach and Horses, Bristol, February 2023
Kleiner Shames has managed to find a moment to return to Bristol and leave this fabulous FOIS piece on the wall of the Coach and Horses. Seeing this simply serves to remind me just what we are missing since the artist made his move to London a few years ago.
Kleiner Shames, Coach and Horses, Bristol, February 2023
This large piece is part of a collaborative wall painted recently with 3Dom and Sepr (to follow soon). Kleiner Shames is probably the classiest writer about. His incredible eye for design, form, colour and shape is unparalleled, and he pretty much always nails it every time. The observant among you may have noticed the Dott Rotten ‘spoilt’ piece nestling, untouched, above the FOIS. This is a very fine piece on a special wall.