1925. M32 roundabout J3 (112)

Even when it seems like there is nothing much going on, mainly because of the damp weather, I find that I am rarely disappointed when I go to check a wall to see if there is anything new.

Silent Hobo, M32 roundabout, Bristol, December 2018
Silent Hobo, M32 roundabout, Bristol, December 2018

My reward for nipping down to the M32 roundabout a week or so back was this magnificent, and rare, collaboration by Silent Hobo and Logoe. I met this pair painting together about a year ago, and they clearly enjoy each other’s company.

Silent Hobo, M32 roundabout, Bristol, December 2018
Silent Hobo, M32 roundabout, Bristol, December 2018

Judging from the ‘Rad Dads’ slogan, I am guessing that this is a message about the status of the artists. I wonder if the depiction in the Silent Hobo half of this piece is a self-portrait (almost certainly) and whether he actually painted this piece with a child strapped to his chest.

Logoe, M32 roundabout, Bristol, December 2018
Logoe, M32 roundabout, Bristol, December 2018

Logoe’s writing is distinctive, from the little I have seen, having a sort of joined-up hand writing look to it. Overall I love this collaboration and the sentiments of pride in, and love for their children. Great stuff for the Christmas holidays.

1906. Upfest 2018 (102)

One of the things to look forward to each year at Upfest is the collaborations from Caro Pepe and AgeAge. There is a chemistry when these two come together, not only in their styles, but in their personalities. It is obvious that they really enjoy working together and this is reflected in the fusion of their work.

Caro Pepe and AgeAge, Upfest, Bristol, July 2018
Caro Pepe and AgeAge, Upfest, Bristol, July 2018

Caro Pepe paints the faces, usually female and usually with one eye obscured in some way. AgeAge creates the robotic machinery that intertwines with the character. This pairing painted this wall last year too, so it could be considered their wall I think. I’m hoping that they will be returning next year.

Age Age and Caro Pepe, Upfest, Bristol, July 2017
Age Age and Caro Pepe, Upfest, Bristol, July 2017

1753. Dean Lane skate park (171)

This collaboration is a real treat and raises the bar by quite some margin. It is by Subtle and Rezwonk and is quite the best collaboration I have seen on this wall this year, in fact possible anywhere in Bristol.

Rezwonk and Subtle, Dean Lane, Bristol, September 2018
Rezwonk and Subtle, Dean Lane, Bristol, September 2018

Rezwonk has provided an incredible background of little white symbols – actually I think they are made up of the letters R E Z W O N K, and in amongst them are some bright green ones randomly spaced. Each of the symbols has been dabbed, probably with a cloth, to give them some texture. This really does provide a perfect backdrop.

Rezwonk and Subtle, Dean Lane, Bristol, September 2018
Rezwonk and Subtle, Dean Lane, Bristol, September 2018

The writing from Subtle is nothing short of sublime, every single part of it touching on perfect, right down to the hex shading on the S and the T providing texture and interest, but it is the 3D effect that really sets this piece apart. It is hard to look at it and not be fooled into thinking it has been written on a board that stands proud of the wall by a couple of inches. Also some of the accents have picked up the same bright green used by Rezwonk, to provide some read-across between the two.

An utterly outstanding collaboration that takes collaborations to a new level.

1631. Dean Lane skate park (149)

I always look forward to Kleiner Shames’ visits to Bristol, because every time he leaves behind something to marvel at. This is a miraculous collaboration with Epok, and demonstrates what can be achieved by two street artists at the top of their game.

Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018

The first thing to notice is the fabulous colour selection, which is very much influenced by Kleiner Shames, as I have seen him use these colours several times before. The genius of the piece is in the letters. Epok always writes EPOK and Kleiner Shames writes FOIS. In this piece I can read both…how do they do that?

Kleiner Shames and Epok, Dean Lane, Bristol, July 2018
Kleiner Shames and Epok, Dean Lane, Bristol, July 2018

The highly designed style of the piece works to both of their strengths, but the execution is what makes this piece so good. Clean lines, incredible shapes and some really interesting shadows. It reminds me of so many fine artists of the twentieth century. I love this piece and it is without doubt my favourite writing work so far this year. Bravo boys.

1571. M32 roundabout J3 (88)

What a lovely collaboration between two artists that are highly regarded in Bristol, but whose work I don’t often get to see, Ulow and Hemper. The character on the left is by Ulow and is expertly painted. It is impossible not to marvel at the subtle shades he uses and the folds in the material – a sophisticated cartoon style character.

Hemper, M32 roundabout, Bristol, June 2018
Hemper, M32 roundabout, Bristol, June 2018

On the right is a wonderful piece of writing from the master Hemper. I wonder if he needed an extra foot of height on this wall. I have found it hard to find out too much about Hemper, but keep coming across his work from time to time. I have found the best way to find out more about the artists is through a serendipitous meeting while they are at work. This has not yet happened between me and Hemper, although it has with Ulow.

Ulow and Hemper, M32 roundabout, Bristol, June 2018
Ulow and Hemper, M32 roundabout, Bristol, June 2018

1404. Jardins de les Tres Xemeneies, Barcelona (1)

This is the first of my posts from an Easter trip to Barcelona with my daughter. Although it was not a street art hunting break, I managed to come across some great spots thanks entirely to the great advice and help from Lewis Duncan, author of the excellent ‘No Grey Walls‘ WordPress site, to whom I am indebted.

I do not pretend to know anything about the artists in this collaboration and Lewis writes much more authoritatively about this piece in his own recent post about it, so I will direct you there for more detailed information. Instead I will leave you with some pretty pictures to look at. If I knew this spot better, I would know to come at a different time of day, as the sun was behind the wall making photography a little challenging.

Christian Blanxer, Jardins de les Tres Xemeneies, Barcelona, March 2018
Christian Blanxer, Jardins de les Tres Xemeneies, Barcelona, March 2018

The left hand side of the collaboration is by Christian Blanxer.

Saturno, Jardins de les Tres Xemeneies, Barcelona, March 2018
Saturno, Jardins de les Tres Xemeneies, Barcelona, March 2018

The middle section is by Saturno

Erase, Jardins de les Tres Xemeneies, Barcelona, March 2018
Erase, Jardins de les Tres Xemeneies, Barcelona, March 2018

The right hand section by Erase.

The collaboration really is a treat, and one of the best pieces I saw in Barcelona – I’m just so glad that I timed my visit to perfection.

Christian Blanxer, Saturno and Erase, Jardins de les Tres Xemeneies, Barcelona, March 2018
Christian Blanxer, Saturno and Erase, Jardins de les Tres Xemeneies, Barcelona, March 2018

1241. Dean Lane skate park (100)

It is a rare thing for me to come across an Andy Council piece that is not a composite of buildings to create a beast of some kind. Equally rare is to see an Andy Council collaboration, but here is a piece that he sprayed just before Christmas with Hemper in the far corner of Dean Lane, and it is a real humdinger.

Andy Council and Hemp, Dean Lane, Bristol, December 2017
Andy Council and Hemp, Dean Lane, Bristol, December 2017

I don’t know much about Hemper other than that he is a well established and highly regarded writer in Bristol and I have only come across his work a couple of times. This collaboration feels like a bit of fun between two friends. Andy Council has made a character out of his ammonite signature, which has turned out really well. This was a nice piece to find, even though I got to it too late to see it untagged.

1206. Stokes Croft, the Carriageworks (29)

This is an extraordinary three piece collaboration by Face F1st and Soap from the PWA crew (Pirate Wall Art). I have featured Face F1st many, many times on this blog, and recently Soap has made a reappearance. Now the two have combined to create these three masterful pieces.

Face F1st and Soap, Stokes Croft, Bristol, December 2017
Face F1st and Soap, Stokes Croft, Bristol, December 2017

From left to right, the first has a Face F1st face resting atop a soap pair of mouths, which when viewed differently also make the eyes of a skull face. The top face in this piece is very large and the whole thing is clean and has little in the way of detailed work.

Face F1st and Soap, Stokes Croft, Bristol, December 2017
Face F1st and Soap, Stokes Croft, Bristol, December 2017

The middle piece is more colourful and offers more embelishments and detail. This time the Face F1st part sits beneath the Soap.

Face F1st and Soap, Stokes Croft, Bristol, December 2017
Face F1st and Soap, Stokes Croft, Bristol, December 2017

The third part of the collaboration is more similar to the middle piece, showing more in the way of detail and decoration. I particularly like the bubbles and patterns in the hair of the Face F1st piece. Another interesting feature is the way that Face F1st has sprayed three circles in the centre of the eyes, those large eyes, which seems to add complexity to the emotion of the face. A lovely collaboration.

863. Dean Lane skate park (62)

I am absolutely loving this  EAT crew partnership of Kid Crayon and SPZero76. As street artists go, their styles are quite different, KC tending to have softer lines and whose characters have a kind of lumpy quality to them…I’m not sure I have used the right term there, but I know what I mean. SPZero76 tends to use sharper lines and his characters are altogether more angular and prickly (another dodgy art term).

Kid Crayon and SPZero, Dean Lane, Bristol, June 2017
Kid Crayon and SPZero, Dean Lane, Bristol, June 2017

I mention their styles, because, of all the works they have done together that I have seen, this is the one where their art is starting to merge or rub-off on one another. The left hand side id by Kid Crayon and the right hand side by SPZero76.

Kid Crayon and SPZero, Dean Lane, Bristol, June 2017
Kid Crayon and SPZero, Dean Lane, Bristol, June 2017

I have absolutely no idea what is going on in this piece, but love the sort of Summer watery feel to it all. A purple giant, some little ‘ginger bread man’ type figures and a pretty lady bathing with a rubber duck. KC is clearly bonkers.

Kid Crayon and SPZero, Dean Lane, Bristol, June 2017
Kid Crayon and SPZero, Dean Lane, Bristol, June 2017

On the other side of things, SPZero76 gives us a couple of snorkelers a flamingo rubber ring and a pirate ship. The couple are in love. SPZero too is completely bonkers.

Kid Crayon and SPZero, Dean Lane, Bristol, June 2017
Kid Crayon and SPZero, Dean Lane, Bristol, June 2017

I absolutely love this collaboration and even more enjoy the way that these two just seem to love to paint all the time, about anything. This is one of my favourite pieces so far this year. Bravo.

734. Dean Lane skate park (42)

This collaboration was in Dean Lane for quite a while before eventually being painted over by Inkie. I have held back on writing about it, because I wasn’t at all familiar with its creators. Of course, good things come to those who wait, and I eventually tracked down the artists thanks to the miracles of the Interweb.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017

The collaboration is by Paris, Haka and Mustard Tiger, who must have been passing through, as they aren’t local Bristol artists. It is a curious piece and quite different from much of the stuff we see around here. Even the colours used are quite unusual.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017

The left third is by Paris, the middle section by Haka and the right hand side, a rather psychedelic piece, is by Mustard Tiger. I rather like each of the individual pieces in isolation, but I am not sure the collaboration works as a whole. It might just be a familiarity thing, but I don’t really see the thread between the pieces (colours, story, style)…I might be missing something. There is also a small tribute to CK One.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017