You can expect a whole lot more of these wonderful monster pieces from Mote, because I have a lot in my archive, and he paints regularly enough to keep me busy. This is a great example of his work, and also typifies his preference for columns. Although the monster might seem a little naive, it is actually beautifully painted and Mote takes his time to keep his lines sharp and his fills really solid.
Mote, M32 Spot, Bristol, March 2022
I take great inspiration from artists like Mote, Enn Kay and Maybe Paints who are all pretty new to painting the streets and have come on really quickly, presenting some outstanding work. If I get a moment, I hope to do my first public piece this summer, following their brave example, very possibly on one of the columns under the M32.
I have a feeling that you will be seeing a lot more of Bogat and his painting pal Asre on Natural Adventures over the coming weeks and months, as they have both been rather busy of late. This column piece by Bogat, might have been the first piece of his that I consciously knew was by him. Before this, I’m not sure He was on my radar.
Bogat, M32 Spot, Bristol, March 2022
Although this is perhaps not the best piece by Bogat, it is certainly striking and unmistakably his work. The writing in the brain is something I have seen before from another artist, but I don’t recall which one. The piece definitely stands out, and is a magnet for graffiti photographers like me, and Bogat’s work which is often tall and thin, definitely lends itself to columns.
What a wonderful piece to come across a week or so ago. This was one of several new pieces tucked away in the D.I.Y. skate park under Brunel Way, following a paint jam by the Bristol Womxn Mural Collective. These paint jams always throw up some unusual and unique pieces, bringing studio art out onto the streets.
Erviti, Brunel Way, Bristol, February 2022
This column cat, by Erviti, is set on a dark blue background and stands out as something rather special. Apart from Daz Cat’s offerings, you don’t see too many street art cats about the place, so this is a real pleasure.
Erviti, Brunel Way, Bristol, February 2022
One of the things about studio artists painting murals is that they often use rather more conventional paints and materials, rather than spray paints and so the artwork is often more detailed and stands up to close inspection. Erviti has absolutely nailed this cat portrait, and what a fine contribution to the urban landscape it is.
This is absolutely amazing. This column piece is by yet another new artist on the Bristol scene, Morag, and it absolutely ticks all my boxes. Beautifully executed, with a unique style and endearing expression. There are so many things it reminds me of… Barbara Hepworth’s sculptures and Thomas the tank engine faces, for example.
Morag, Brunel Way, Bristol, February 2022
This particular piece is the second one I have found in Bristol so far and I will be posting the other one very soon. I am not usually so fond of circular column pieces because they are so difficult to photograph, but this one can be forgiven because it is just so good and original. I am really looking to seeing from Morag this year – we need great creative stuff like this.
It feels like Maybe has slowed down just a tad with his frequency of work, but the quality has certainly improved since his early pieces first started appearing on the columns under Brunel Way.
Maybe, Brunel Way, Bristol, January 2021
This is a fine piece of two faces, one smoking a cigarette and the other a face in the smoke. The composition is thoughtful and tells a story, and the soft colours typical of the work of the artist. I recently published a gallery of Maybe’s work, so if you like this piece, the gallery is certainly worth a squint. One of the finds of 2021.
3F fino has been smashing it lately, along with his LRS friends, and barely a spot in Bristol is without one of his pieces decorating it. This particular figure is on a column under the M32. Round column pieces are quite tricky to paint, I am told, but this one is on a square column, and apart from the limited width, is nicely done, albeit probably a quick one.
3F fino, M32 Spot, Bristol, January 2022
In this piece, 3F fino has created one of his masked characters, wearing a hat with the word Fino emblazoned on it. The character’s body contains the letters LRS, a nod to the crew that is quite large and growing in Bristol.
Painted a little while ago on a column shared with Andy Council is this magnificent crocodile piece from Rowdy. My first photographs of the piece weren’t very good so I have had to delay this post a while until I managed to get something a little better. The light conditions under Brunel Way are always a challenge.
Rowdy, Brunel Way, Bristol, January 2022
The bright and contrasting colours of this piece make it stand out, and it certainly grabs your attention, but I am not too sure what the significance of the medieval-style heraldry is all about. The crocodile gives away the artist, and it is always great to see a new Rowdy piece, as they don’t appear all that regularly. This is a fun column piece.
Anamorphic art comes in many forms and some of the high-end stuff is utterly mind-bending, but even on a more basic scale it is still clever and intriguing. This fabulous column piece by Face 1st explores the technique.
Face 1st, M32 Spot, Bristol, January 2022
I have seen many, many pieces by Face 1st, but never anything like this, and I must say I rather like it. The girl really does look like she is inside the column behind some kind of clear glass or plastic window. It is when you see pieces like this that you really get to see the versatility of an artist. Great stuff.
An artist whose work I really rate, but never seem to have many photographs of is Conrico, or Conrico Steez as he signs himself. I think that part of this discrepancy is that he paints many of his pieces in places that I don’t tend to go all that often. Anyhow I managed to snap this rather fun column piece under Brunel Way recently.
Conrico, Brunel Way, Bristol, December 2021
If I am honest, circular column pieces are a pain in the backside because of the difficulty in capturing the whole thing in one shot. I often think that it would be good if phones could do panoramas the opposite way round… if that makes sense, then columns would be a piece of cake. The character face has that Conrico life about it, derived from the style he uses which is like drawing with spray paint. Good to see.
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