6335. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, August 2024
Abbie Laura Smith, Cumberland Basin, Bristol, August 2024

Hurrah! this is the second paste up in a new batch from Abbie Laura Smith dotted around the Cumberland Basin area. I would say that this one is by quite some considerable margin the largest that I have seen yet from Abbie Laura Smith.

Abbie Laura Smith, Cumberland Basin, Bristol, August 2024
Abbie Laura Smith, Cumberland Basin, Bristol, August 2024

The piece is different also in that it is a fuller portrait piece from the waist upwards, rather than the customary head portraits that ALS usually creates. The torso is covered in writing, which I haven’t had time to reconstruct fully, but I can see the phrase “Nope, you are lucky enough to tell the tale that those before you…” running down the arm. The piece as a whole feels more ambitious than previous works, and I sense that ALS is pushing a few boundaries, which is so good to see. More coming soon.

6332. Cumberland Basin

Ryder and Inkie, Cumberland Basin, Bristol, May 2024
Ryder and Inkie, Cumberland Basin, Bristol, May 2024

I am rather tired this morning. I got back late last night from Copenhagen, after a wonderful long weekend there with my 89 year old mother. We packed a lot in to the three full days, and I am still processing much of the trip. I have managed to keep my posts going on Natural Adventures through this period, but might need to slow down a little as I ease myself back into work after two weeks off.

This wonderful collaboration between Ryder and Inkie was actually painted way back in May and for some inexplicable reason never got posted at the time… it happens.

Ryder, Cumberland Basin, Bristol, May 2024
Ryder, Cumberland Basin, Bristol, May 2024

To the left, and slightly impacted by the shadow cast across the top, is some superb writing by Ryder, which is accompanied by Evil Edna, the television character from the cartoon series Willo the Wisp. There are some great fill colours, oozing confidence, without overcomplicating things. Great to see Ryder managing to paint a little.

Inkie, Cumberland Basin, Bristol, May 2024
Inkie, Cumberland Basin, Bristol, May 2024

Inkie is arguably the best know Bristol artist still regularly painting in the city, and this is a sumptuous example of his stylised lettering. The piece is pretty much perfect in every way and like Ryder’s piece is confident and uncomplicated. Both are writers at the top of their games, with nothing to prove, and it comes across in their work.

6331. Cumberland Basin

Mr Tanner, Cumberland Basin, Bristol, May 2024
Mr Tanner, Cumberland Basin, Bristol, May 2024

I was lucky enough to meet Mr Tanner a couple of weeks back under the Brunel Way flyover, and following our chat I was mindful that there was a piece of his lurking in my archive, and so prompted by the encounter, I decided to dig it out and post it. Here it is.

Mr Tanner, Cumberland Basin, Bristol, May 2024
Mr Tanner, Cumberland Basin, Bristol, May 2024

Mr Tanner writes TOPIA, and each of his pieces seems to be quite unique, with originality appearing to be his USP. This is a rather organic looking, but tight piece of graffiti writing painted back in May this year. Although he lives in London, Mr Tanner appears to be a reasonably regular visitor to Bristol. I dearly hope that the piece he was painting when I met him will still be there on my return from Copenhagen.

6325. Cumberland Basin

#DFTE, Cumberland Basin, Bristol, August 2024
#DFTE, Cumberland Basin, Bristol, August 2024

Wit can be a difficult thing to achieve with street art, but #DFTE combines placement with sentiment perfectly in this small ‘extra’ piece painted recently in Cumberland Basin, overlooking the world famous Clifton Suspension Bridge.

#DFTE, Cumberland Basin, Bristol, August 2024
#DFTE, Cumberland Basin, Bristol, August 2024

I have seen #DFTE use this phrase before, but I think that this simply has to be the perfect placement, and one which will be seen and I’m sure appreciated. I can’t think for the life of me what the sign originally said, but it can’t have been a fraction as interesting as this. Great fun from #DFTE.

6321. Cumberland Basin

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

By the time you read this, I should be some 35,000 feet or so in the air somewhere between Bristol and Copenhagen, so I wrote this post yesterday. I am spending a long weekend in Copenhagen with my mother who gifted me the trip as my 60th birthday present.

Acer One has been smashing it recently with a range of different ideas, including these cryptic boule writing designs that are designed to challenge the viewer to work out what is going on… visual puzzles I guess you could call them.

Acer One, Cumberland Basin, Bristol, August 2024
Acer One, Cumberland Basin, Bristol, August 2024

The gold letters along the top spell ‘Change is inevitable’ and the black letters running along the bottom of the piece spell out ‘Growth is optional’. So this piece is both a puzzle and philosophical. Great technical work from Acer One.

6320. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, August 2024
Abbie Laura Smith, Cumberland Basin, Bristol, August 2024

This is an absolutely wonderful new paste up from Abbie Laura Smith, the first of a new batch she recently pasted up all over the Cumberland Basin area. It is such a treat having a wheatpaster in the city, and every time she releases and new collection, I am filled with excitement, and the hunt is on. Of course I always seem to miss one or two, but each one found is like a trophy.

Abbie Laura Smith, Cumberland Basin, Bristol, August 2024
Abbie Laura Smith, Cumberland Basin, Bristol, August 2024

Abbie Laura Smith’s trademark work usually centres around an ink portrait of a woman, frequently with words or lyrics concealed within the work. The words ‘I wish I could buy back the woman you stole, out of control, out of control, you walk, walk, walk, walk, walk my winners’ are lyrics from a song ‘Y Control’ by Yeah Yeah Yeahs. I particularly like the incorporation of a dark blue colour around the eyes, which breaks up the two-tone look of the piece. The placement of the wheatpaste is on a utility box that Abbie Laura Smith has used before, with a remnant from her previous piece still visible. Wonderful stuff.

Abbie Laura Smith, Cumberland Basin, Bristol, December 2023
Abbie Laura Smith, Cumberland Basin, Bristol, December 2023

6315. Cumberland Basin

Zaenone, Cumberland Basin, Bristol, August 2024
Zaenone, Cumberland Basin, Bristol, August 2024

I believe that this beauty from Zaenone was another that was painted to celebrate Werm’s birthday on the long wall at Cumberland Basin. I guess the message ‘happy birthday Werm’ is a bit of a giveaway.

Zaenone, Cumberland Basin, Bristol, August 2024
Zaenone, Cumberland Basin, Bristol, August 2024

This is a bright and joyful piece by Zaenone, allocating a different colour to each of the letters ZAEN1. Lots of sparkles and highlights vpgive this piece a bit of energy, but it is the spotted border surrounding the whole thing that makes it feel a bit special, like a light bead around the whole thing. Very nice piece by Zaenone.

6314. Cumberland Basin

Conrico, Cumberland Basin, Bristol, August 2024
Conrico, Cumberland Basin, Bristol, August 2024

It has been a real pleasure to see that Conrico has been on fire this summer, both in terms of his output and the quality of his work. This piece was painted as part of a paint jam celebrating Werm’s Birthday. In his Instagram post Conrico used the hashtags #cowboy and #highplainsdrifter, which I think tells you something about the piece.

Conrico, Cumberland Basin, Bristol, August 2024
Conrico, Cumberland Basin, Bristol, August 2024

His graffiti writing/character combinations have been rather good lately, and this one is a great addition to his portfolio. Lots of swirls and atmosphere has been created with his paintbrush style of spraying. The cowboy is also beautifully painted.

Conrico, Cumberland Basin, Bristol, August 2024
Conrico, Cumberland Basin, Bristol, August 2024

There is an organic feel to Conrico’s work that is quite different from some of the more stylised and manicured characters that we see a lot of in the city. A very nice piece indeed.

6310. Cumberland Basin

Esme Lower and Bloem
Esme Lower and Bloem

Some viewers/visitors may wonder what the numbering convention at the top of each street/graffiti art post on this blog is all about, and might legitimately question whether it is helpful or not. In my mind, it is quite simple. The first number is the sequential listing of the blog post, so, this is the six thousand three hundred and tenth post I have written about street/graffiti art on Natural Adventures. The following name is the spot or road where the piece can be found, and the number in brackets (unconventionally there isn’t one for Cumberland Bain (a quirk)) at the end relates to the number of posts from that spot or location. It might have been simpler to instead have the name of the artist included as well, but when I started doing this back in 2015, I didn’t know who most of the artists were and so a place-based approach seemed more sensible.

This is an absolutely gorgeous and rather unexpected collaboration from Esme Lower and Bloem.

Esme Lower and Bloem
Esme Lower and Bloem

The collaboration appears to be entitled ‘Strength in numbers’ which might be a reference to the ‘counterprotest marches’ against the far-right riots that were happening around Britain at the time this piece was painted.

It is what I would call a ‘true’ collaboration where the piece is a mash-up by both artists, and although some parts are identifiable as being by one artist or the other, the whole thing is an integrated mixture. The hands and chain are definitely by Bloem and the eyes and teeth by Esme Lower, the rest could be by either one of them. It is great to see these two artists stretching themselves, and it would be wonderful to see more co-creations like this one in the future.

6303. Cumberland Basin

Mote and Mr Crawls, Cumberland Basin, Bristol,July 2024
Mote and Mr Crawls, Cumberland Basin, Bristol,July 2024

This fine Mote and Mr Crawls collaboration is at the northern end of Ashton Avenue Bridge, and greets with good humour all who cross it. The pair appear to have gone with a full-on monster theme for this collaboration, combining their styles well.

Mote and Mr Crawls, Cumberland Basin, Bristol,July 2024
Mote and Mr Crawls, Cumberland Basin, Bristol,July 2024

Once again we see their preferred chrome background, which is a quick and easy way to identify the artists. On the left, Mote’s monster, in pink, has a little bit of Frankenstein’s monster about him, perhaps sub-consciously. On the right, Mr Crawls has gone for the melting face look, a device used by other artists such as Laic217. It works really well with this character piece. All in all, a tidy and fun collaboration.