5640. Cumberland Basin

Sait Bare, Cumberland Basin, Bristol, October 2023
Sait Bare, Cumberland Basin, Bristol, October 2023

Another debut on Natural Adventures – there seem to have been dozens of these this year – this time from Sait Bare, and it is quite some introduction. There is an awful lot going on in this busy piece of heavily disguised writing, but have a closer look, and you can start to unpick the piece.

Sait Bare, Cumberland Basin, Bristol, October 2023
Sait Bare, Cumberland Basin, Bristol, October 2023

The letters spell SAIT, although they are disrupted by two contrasting horizontally placed colour palettes. One scheme is made up of purples blues and reds and the other with chrome and blues with DayGlo green cosmic borders that looks like it has crashed down from above. The overall effect is stunning, if not a little confused. Possibly not one for those not well acquainted with graffiti writing. I’ll be looking out for more from Sait Bare.

5637. Cumberland Basin

Haka, Cumberland Basin, Bristol, October 2023
Haka, Cumberland Basin, Bristol, October 2023

I have managed to confuse myself with my pipeline of pieces in preparation for posting. This was meant to be a graffiti writing piece by Smak at Sparke Evans Park, but something has gone wrong with my system, so it is in fact this wonderful writing /character piece by Haka in Cumberland Basin.

Haka, Cumberland Basin, Bristol, October 2023
Haka, Cumberland Basin, Bristol, October 2023

In this piece, we see Haka returning to Julia Donaldson and Axel Scheffler for inspiration with this brilliantly recreated witch from their book ‘Room on the Broom’. The writing demonstrates an interesting feature of paint quality. The red fills, there are two have different strengths. The upper red is strong and requires only one coat. The lower red is thinner and unless several coats are applied, the patterns already on the wall will come through. This happens a lot with yellow colours too. There is usually a little guide on the spray can that tells you the strength of the paint. This would explain why some paint cans run out much quicker than others. One solution is to buff the wall first, but Haka rarely does that. Really nice work from Haka.

5632. Cumberland Basin

T-Rex, Cumberland Basin, Bristol, October 2023
T-Rex, Cumberland Basin, Bristol, October 2023

It is always a huge and genuine pleasure to see work by T-Rex, and to know that she manages to find time to paint occasionally, which is probably very good for her own contentment, and definitely makes me and other admirers of her work happy.

T-Rex, Cumberland Basin, Bristol, October 2023
T-Rex, Cumberland Basin, Bristol, October 2023

This piece which appeared about a month after her last one in this spot follows the same format of the letters TREX and the end of the ‘X’ incorporating a dinosaur character. The piece as a whole is very nicely finished, and the colours and fills full of vibrancy and energy. Fun, joy and humour come across very strongly in this piece, and are characteristic of much of T-Rex’s wonderful work.

5628. Cumberland Basin

Lokey, Cumberland Basin, Bristol, October 2023
Lokey, Cumberland Basin, Bristol, October 2023

There are some artists who pause for a long time between pieces, and it reaches the stage where they become out of sight… out of mind. I had quite forgotten about Lokey and his outstanding anamorphic writing, so it was an extra special surprise to find this piece. The day was a good one with the thoroughly enjoyable company of Paul H who was able to get out for a few snaps.

Lokey, Cumberland Basin, Bristol, October 2023
Lokey, Cumberland Basin, Bristol, October 2023

Purple and orange always make great bedfellows in street art, and Lokey has woven the colours in the most incredible way to create the 3D depth that appears to lift the letters several inches off the wall. Such clever and skilled work. I would love to see more of Lokey’s work, but I suspect his pieces will continue to be a bit of a rarity.

5607. Cumberland Basin

Sled One, Cumberland Bain, Bristol, October 2023
Sled One, Cumberland Bain, Bristol, October 2023

I have known about and photographed this piece by Sled One for quite a long while, but have had to wait until now to get anything worth posting. The problem is that it is painted on a wall in a yard that is used to store building materials including large wooden cable bobbins that were placed in front of it obscuring the view of the artwork. On my most recent visit, I was able to move the bobbins a little bit out of the way, and get the best pictures I am likely to get.

Sled One, Cumberland Bain, Bristol, October 2023
Sled One, Cumberland Bain, Bristol, October 2023

The piece reminds me a little bit of The Luck Dragon in the film NeverEnding Story. It is a typically creative and imaginative character piece by Sled One, but painted in a place I wouldn’t ordinarily expect to find a Sled One piece to be. Beautifully painted and finished, the piece is one of Bristol’s hidden gems.

5598. Cumberland Basin

Lost_in_illustration, Cumberland Basin, Bristol, July 2023
Lost_in_illustration, Cumberland Basin, Bristol, July 2023

I believe that this piece was painted during a Bristol Mural Collective paint jam, and like so many pieces that are painted on these occasions is totally worthy of inclusion in Natural Adventures. It is always great to see artists who are more used to studio work painting walls, although I know that Genevieve Clapp (Lost_in_illustration) has painted walls in Bristol before. There is a freshness and originality that adds to the vast spectrum of subjects and styles we see in Bristol.

Lost_in_illustration, Cumberland Basin, Bristol, July 2023
Lost_in_illustration, Cumberland Basin, Bristol, July 2023

This mysterious piece with a kind of atmospheric/cosmic background features a hooded woman, painted in contrasting shades of blue, clutching a glowing sphere in true fantasy fashion. It is a lovely and rather different kind of piece, which sits comfortably alongside any other works on this wall. I hope to see more from Genevieve Clapp before too long.

5582. Cumberland Basin

Maes, Cumberland Basin, Bristol, October 2023
Maes, Cumberland Basin, Bristol, October 2023

Maes is a writer who I have featured a couple of times on Natural Adventures, and whose work peppers my archive. He is rather underrepresented in this blog, and I will need to find a way to feature his work more often. He is on the early stages of a steep learning curve, and is out there a lot, seeking to try new things out and improve. I fully expect to be writing about his improvement in a year’s time and, given his productivity, a gallery of his work.

Maes, Cumberland Basin, Bristol, October 2023
Maes, Cumberland Basin, Bristol, October 2023

Maes’ work is getting tidier and his fills more imaginative, although his can control is perhaps still developing, and that will come with practice and confidence. The letter design is interesting and colour selection eye-catching. He is working on his details and has created an interesting piece. Could we be witnessing a diamond in the rough? Time will tell.

5577. Cumberland Basin

Werm, Cumberland Basin, Bristol, October 2023
Werm, Cumberland Basin, Bristol, October 2023

This is the third piece of graffiti writing that I have posted today. I do make efforts to try and mix up writing with street art and character pieces in my posts, because I completely get it that graffiti writing isn’t everyone’s cup of tea and is definitely an acquired taste. However, there are a lot of writers out there and sometimes there is just a lot to publish.

Werm, Cumberland Basin, Bristol, October 2023
Werm, Cumberland Basin, Bristol, October 2023

Werm is quite slow to change his basic designs, preferring to lock on to a particular idea and bash out dozens of quite similar pieces, before moving on to a slightly different design concept, and I think that this piece is a bit of a new transition. The yellow and purple colours are a good combination, and are actually ‘opposite’ colours, and the green glowing background accompanies them well. The letters spell WERM and are much bigger than of late, without quite so much expansion and fuss. It will be interesting to see where this transition takes us.

5558. Cumberland Basin

Kid Krishna, Cumberland Basin, Bristol, September 2023
Kid Krishna, Cumberland Basin, Bristol, September 2023

Earlier on this year, perhaps the most productive and creative street artist in Bristol for a while was arguably Kid Krishna. He was smashing it all over the place with his writing/character mash-ups and then, all of a sudden, nothing until about three weeks ago. I know that he had some other projects on the go and perhaps he was working on those.

Kid Krishna, Cumberland Basin, Bristol, September 2023
Kid Krishna, Cumberland Basin, Bristol, September 2023

This piece, on his return, is much softer and rounded than what I am used to seeing, but still characteristically a Kid Krishna piece. The letters spell CRIE, not that you’d be able to guess just by looking at it. I would describe this piece as more ‘mainstream’ than some of his work, but he has since painted something a little bit more ‘scratchy’ in St Werburghs. I hope that we will be seeing more of his street work over the remainder of the year.

5555. Cumberland Basin

Morag, Cumberland Basin, Bristol, September 2023
Morag, Cumberland Basin, Bristol, September 2023

When I first saw this piece I wasn’t immediately sure who it was by, and the penny didn’t drop for several days, mainly because the central elements used by Morag are there, but the fruit somehow completely threw me off the scent.

Morag, Cumberland Basin, Bristol, September 2023
Morag, Cumberland Basin, Bristol, September 2023

Most of the Morag pieces I have seen to date have been individual faces, usually painted on columns. This piece is telling a bit of a story, and from a fruit perspective, perhaps a rather sinister story, the suggestion being that the large bully orange is extracting juice from a grape much to the consternation of the apple. The face drawing using a single line technique is the trademark style that gives the artist away. It has been a while so it was great to find this piece a few weeks back.