4796. Cumberland Basin

Bnie, Cumberland Basin, Bristol, October 2022
Bnie, Cumberland Basin, Bristol, October 2022

Unsigned pieces are always tricky because it is quite easy to attribute them to the wrong artist and end up with egg on your face. I am, however, pretty certain that this ‘Brat’ piece is by Bnie, and I say this, because the style of letters is consistent with hers and she has written brat at least once before, some time ago.

Bnie, Cumberland Basin, Bristol, October 2022
Bnie, Cumberland Basin, Bristol, October 2022

The piece was written as part of a wonderful paint jam, that included outstanding works from Sepr and Sled One. What can I say about this writing? Great letters, great colours, nicely worked fades, effective white highlights and a tight border. What more is there to like from classy writing?

Bnie, M32 roundabout, Bristtol, April 2021
Bnie, M32 roundabout, Bristol, April 2021

4793. Cumberland Basin

Mudra, Cumberland Basin, Bristol, October 2022
Mudra, Cumberland Basin, Bristol, October 2022

Mudra is an artist whose work simply goes from strength to strength. His writing in carefully selected colour palettes has a carefully designed feel to it. His letters tend to follow a format not dissimilar to SkyHigh’s in that each one is painted in its own distinct font, and the whole thing cobbled together seamlessly, which is a clever approach to graffiti writing.

Mudra, Cumberland Basin, Bristol, October 2022
Mudra, Cumberland Basin, Bristol, October 2022

The colours work extremely well and are particularly effective against the grey buffed wall, and the house, between the D and R, is an interesting feature. How far the artist has come is a relatively short space of time.

4790. Cumberland Basin

Mote, Cumberland Basin, Bristol, October 2022
Mote, Cumberland Basin, Bristol, October 2022

You will know by now that I have enjoyed the emergence and continued development of Mote over the last year or so. His monster characters have improved over that time and the finished product is becoming cleaner and tighter with each new piece.

Mote, Cumberland Basin, Bristol, October 2022
Mote, Cumberland Basin, Bristol, October 2022

This one is tucked away in the entrance of a closed down public toilet on the north side of Cumberland Basin. Mote certainly has a style all of his own that incorporates a monster with a solid fill, in this instance with a two-colour fade, and some crisp black lines creating the detail. Almost like giant doodles, Mote’s monsters are a welcome pick-me-up.

4786. Cumberland Basin

Hika and Pekoe, Cumberland Basin, Bristol, October 2022
Hika and Pekoe, Cumberland Basin, Bristol, October 2022

This is an unexpected collaboration between Hika and Pekoe… unexpected because I don’t really know much about Hika, although I do know all about RBF’s Pekoe. The two have combined nicely and there is much to like about the collaboration.

Hika and Pekoe, Cumberland Basin, Bristol, October 2022
Hika and Pekoe, Cumberland Basin, Bristol, October 2022

Hika’s letters might appear, on first inspection, to be a bit messy, but take a closer look and they are nice and clean with decent fills and a black 3D drop shadow. Some of the embellishments include red squiggles, and some rather nice yellow drips.

Pekoe, Cumberland Basin, Bristol, October 2022
Pekoe, Cumberland Basin, Bristol, October 2022

Regulars will know how much I admire Pekoe’s work, and this is a lovely portrait piece from her. Perhaps the most unusual thing about this one is the hairstyle. Pekoe’s portraits usually host big hair full of stars and shapes, but this one has a stylish short cut that works really well on the limited height of this space. Beautiful big eyes and a customary tear – great work from Pekoe. All in all, a really nice collaboration from this pair.

4784. Cumberland Basin

Kernow 0016 4-13 Oct 2022_edited
Kernow 0016 4-13 Oct 2022_edited

definitely appears to be enjoying his writing at the moment, and has produced several fine pieces of writing, including this recent one painted during a paint jam a couple of weeks ago.

Kosc, Cumberland Basin, Bristol, October 2022
Kosc, Cumberland Basin, Bristol, October 2022

The letters KOSC, take a familiar form with an industrial appearance and painted rivets. The shading and central lines in the letters create a 3D effect lifting the letters out of the blue flash background. Graffiti writing that is very easy on the eye.

4776. Cumberland Basin

Sled One, Cumberland Basin, Bristol, October 2022
Sled One, Cumberland Basin, Bristol, October 2022

This is Sled One’s contribution to a recent paint jam along the long wall at Cumberland Basin. It is yet another outstanding example of his incredible artwork and creativity.

Sled One, Cumberland Basin, Bristol, October 2022
Sled One, Cumberland Basin, Bristol, October 2022

The beautifully painted, mischievous squirrel looks to be lining up a shot with his acorn and catapult. The acorns in the background splash are a nice touch, to round off the piece nicely. It is these subtle touches that often serve to lift a piece from ‘good’ to ‘excellent’.

4773. Cumberland Basin

Sepr, Cumberland Basin, Bristol, October 2022
Sepr, Cumberland Basin, Bristol, October 2022

Character pieces don’t come much better than this remarkable dog, wrapped up in its lead. Sepr is the greatest. What makes this truly outstanding, figuratively and literally is the application of the shadow of the character. It is so sharp and crisp, and completely accurate, mirroring all aspects and details of the dog.

Sepr, Cumberland Basin, Bristol, October 2022
Sepr, Cumberland Basin, Bristol, October 2022

This would have to go down as one of my favourite pieces of the year, and that is saying something as it has been something of a special year. It may be small and ‘simple’ but it is technically and visually a masterpiece. Bravo Sepr!

4767. Cumberland Basin

Mote, Cumberland Basin, Bristol, October 2022
Mote, Cumberland Basin, Bristol, October 2022

What an absolute beauty from Mote. Tucked away in a little corner of Cumberland Basin is this magnificent example of one of Mote’s monsters, and quite possibly one of his best to date.

Mote, Cumberland Basin, Bristol, October 2022
Mote, Cumberland Basin, Bristol, October 2022

I really like Mote’s attention to detail and clean work. All of his fills are always solid and his fine lines clean. These monsters are on the opposite end of the spectrum to throw ups. Mote spends time on painting his characters with real diligence and accuracy. It is worth noting that some of the decorative dots around the bottom of the background incorporate the previous piece that Mote painted over. The finished pieces are imaginative and always bring a smile to my face. I love this piece.

4765. Cumberland Basin

Smak, Cumberland Basin, Bristol, October 2022
Smak, Cumberland Basin, Bristol, October 2022

It is always special to see pieces by Smak. He is an artist pretty much at the top of his game and completely in command of his outstanding work. You know that you are looking at something really classy from the effortless way is comes across from the wall to your eyes.

Smak, Cumberland Basin, Bristol, October 2022
Smak, Cumberland Basin, Bristol, October 2022

Smak is rather keen on these colours, but actually looking back on the extensive gallery of his work, he actually pretty much uses every colour under the sun. Beautiful letters, beautifully painted, oozing class.

4759. Cumberland Basin

Saor, Cumberland Basin, Bristol, October 2022
Saor, Cumberland Basin, Bristol, October 2022

I go away for a few days and whaddayaknow, a whole bunch of walls have been refreshed, including the long wall at Cumberland Basin. There are several beauties that have gone up there, and this fine piece by Saor is right up there.

Saor, Cumberland Basin, Bristol, October 2022
Saor, Cumberland Basin, Bristol, October 2022

The thing I most like about Saor’s work is that every piece he paints is immaculately turned out. The lines are sharp, the fills solid and the designs imaginative. As his work develops, there are definitely some similarities with the Bristol writer Epok, whose letter designs contain combinations of curves and geometry in harmonious balance. This is a lovely piece from Saor.