19When it comes to Deamze pieces, we have come to expect some complex and elaborate wildstyle work. It is not always the case though, and this is an example of a simpler style of piece that he produces from time to time.
More like a throw up (a rapidly produced and usually spontaneous work), this clean and simple piece demonstrates the full range of talent springing from the incredibly prolific Deamze. Bristol’s greatest writer?
Just to make a point I guess, I thought I’d post another Deamze burner in exactly the same place as the one in the previous post. As mentioned, these pieces are all very similar in structure and style, but each time the colour selection seems to be faultless.
There are more of these in my backlog of Bristol street art, but I will give you a break for the time being.
The master of wildstyle writing in Bristol is also known for his rather less elaborate burners, particularly in the Stokes Croft area. They all follow a similar structure and clearly show the ASK (After School Klub) tag. Another tag that these are often given is ‘oxygenthieves’ to which I must admit to knowing very little, although I think it has something to do with Soker, Epok and Old Hempsy – I would guess a crew, since they are all established Bristol writers.
I love these striking burners. They have such clear, crisp lines and colour contrasts that seem to work very well together. Stokes Croft wouldn’t be Stokes Croft without a DEAM loitering out there somewhere.
This has been a mystery for far too long, but yesterday I cracked it. This fantastic piece, and genuinely one of my absolute favourites, is a collaboration by Tom Deams (Deamze) – more about him in his rather excellent website – and Georgina Anton, a Bristol-based artist with early roots in graffiti. Her biography can be found here.
There is something so clean and soothing about this burner. The proportions are fantastic, the lettering wonderful, the word ‘utopia’ just seems to work and the design filling the letters is beautiful. It was unsigned, and so it has been very hard to identify. It was only yesterday that I caught a glimpse of the piece in Deamze’s portfolio that I was able to find out more. The piece has long since gone, but at least I can now sleep easy at night.
I’m just so excited about Devon Road and the wealth of street art that it offers, that I am having to contain myself and even out my posts a bit. This is a lovely piece by Deamze of Ren and Stimpy – a cartoon show I rarely watched. Somehow it works really well on this alley wall, and even the door in the middle of the piece fails to disrupt it.
I am more used to seeing the wildstyle writing that I associate with Deamze, but occasionally he does these character pieces, and has an extraordinary talent for them.
I wish I lived on a street with lots of walls.
The final one of a quickfire burst of Deamze wildstyle works. This is yet another one on the M32 roundabout. Doing this reminds me that I really ought to get back down there to see what’s new.
This time we are treated to pinks and reds in this intricate work. Unfortunately it is very tricky to photograph, because it is in quite a narrow passage which makes it difficult to get the whole piece in frame. The sideways shot just about does it.
OK, I’ll leave Deamze alone for a while now and concentrate on some other works.
So here we have another fine example of wildstyle writing at its very best. Deamze is really a master of his craft and prolific too. It can be really difficult to keep up with his new work.
This work sits alongside a work by Soker that I featured a little while back. I think that they were concentrating on the yellow and blacks, and I assume that they sprayed the wall on the same day. Another great work by Deamze.
An old, and now long gone wildstyle piece from Deamze in my favourite backwater, Jubilee Street. This is a beautiful work, which is offset really well with the robot character at the right hand end.
There are so many Deamze works in Bristol, the next couple of posts will also feature some of his great stuff.
This picture was taken in October 2015, and the wall has since been refreshed by Deamze, and featured here a few weeks ago. It has taken me a while to work out who this fine triptych was by; I think I have it now.
The face in the centre is by Voyder, a sensationally good street artist in Bristol, and it really draws the viewer in. It looks like the left hand side wildstyle is by Soker, although I cannot be certain.
The right hand side is by Deamze I think. The three elements together have a lovely symmetry, but for me the face wearing ski goggles? wins the day for me. I’m glad I captured it before it disappeared.
Just writing my name
This wall is probably the most over-painted practice wall in Bristol.For any pieces to last here, they have to be pretty good. This brilliant and colourful work by Deamze remained intact and untagged for a long while, but like all good things it has now gone.
It is impossible not to like this and other works by Deamze – his lines are so sharp and his colours always work in complete harmony with the lettering and characters.
8/10
Natural adventures 