I think I am going to have to refer to Trafficity as something like ‘old faithful’, such is his consistency and form. This is one of at least three relatively recent pieces by the Polish artist on the swimming pool wall. I wonder if he paints here, because it is a little bit out of the way and less busy than other parts of the Deaner.
Trafficity, Dean Lane, Bristol, February 2025
His letters ZIOS, which for years I mistakenly thought were ZIOM, are split horizontally into three colour stripes, which is customary for his work. The writing is set on a yellow background, which looks as if it has been attached to the wall with rivets or nails, a simple but clever detail. As ever, lovely work from Traffiticy.
Although Dibz and Fade have had a reasonably quiet winter, they have still managed to get out frequently enough to collaborate on some very impressive walls. This wall is one of their favourites, and because of its shape requires them to paint closer together than some of the other longer walls they like to paint.
Dibz and Fade, Dean Lane, Bristol, March 2025
In this piece, they each get to showcase their style and technique, using different base colours. Stepping back you can see that Fade’s work, in yellow, has a slightly softer finish, with more curves, than the slightly less forgiving angles on the green writing by Dibz. I don’t know too much about the character in this piece, but I am guessing both artists contributed to it. Naturally there is lots more to come from these two.
Created by Billie, Dean Lane, Bristol, February 2025
It is not often you see a piece like this in Bristol, or indeed in much of the UK, as street artists tend to reflect the national prudishness and our discomfort with overt nudity in any form. These giant boobies, have been painted by Created by Billie, an artist, Billie Jo, who I believe is based in Wolverhampton, but as with all visiting artists is truly welcome in Bristol.
Created by Billie, Dean Lane, Bristol, February 2025
The hashtags that Created by Billie used on her Instagram post associated with this piece, might give you some indication of where it is coming from: #art #streetart #femaleempowerment #female #adhd #paintingmakesmehappy. I cannot think of better reasons for painting this piece.
Sensibly she painted it on the path alongside the swimming pool, which has a long hedge bordering it, and kept the piece from view, resulting in it lasting longer than it might have done if it had been more exposed. Personally, I like the piece, but am aware that there are some who might find it offensive, which is a pity. I look forward to more visits in the future.
Squire has only recently come on to my radar, and I think this is the third Squire piece I have posted in recent weeks, each of them quite different, and I think I’m going to enjoy finding their pieces. It feels like having something new to collect, if that makes sense.
Squire, Dean Lane, Bristol, March 2025
Painted onto a skate park ramp, these blue and black letters have a rather nice irregular, almost cartoony style. A nice white surround and red/yellow border finish the writing nicely, which, without highlights or starbursts, looks quite flat, but nonetheless interesting. I think I got to this piece while it was still quite fresh, because it hasn’t been too scuffed. Upwards and onwards with Squire.
If, like me, you are interested in numbers, today’s post contains a rising sequence of numbers – 6789. In our base ten counting system, this is the last time this true sequence will be possible, because 78910 doesn’t work, and also even if it did I’d have to be writing posts for the next 100 years or more. Actually, I am wrong, so ignore that. The next number that will work is 12345, which I might reach if I carry on for 10 more years. Enough with the numbers already.
I am always delighted when Bean returns to Bristol and lets us know that he is alive and well. I hope that when he is finished for the summer with his studies, he will get busy on our streets.
Bean, Dean Lane, Bristol, February 2025
I believe Bean to be one of the great talents emerging from the Bristol scene. His character pieces are growing in sophistication and here he has combined a joyful youth with the letters BEAN, which are reversed out on his T-shirt. There is a message ‘positivity and all that jazz’ which is either speaking to the viewer or to himself or, perhaps, both. I take energy and hope from this piece.
Cornico and Daz Cat, Dean Lane, Bristol, February 2025
The curved wall at Dean Lane has played host to so many fabulous pieces (and some not so fabulous). This collaboration from Conrico and Daz Cat is a wonderful piece, full of creativity and colour, with the two distinct styles coming together in great harmony.
Cornico and Daz Cat, Dean Lane, Bristol, February 2025
The left hand side of the wall belongs to Conrico, who has written his name in one of his familiar landscapes, with a distant monster that might be Godzilla emerging from the stylised choppy sea. To the right, Daz Cat has painted a sage-like old fish/axolotl type character watches on as if he might have the answer to an unknown question. Is that an orange platypus in his packet? Lots of stories in this brilliant collaboration.
Another H-bomb of colour and energy from Grimes, this time in Dean Lane. He really is quite incredible, the way that he generates so much movement through his pieces, which dazzle and amaze.
Grimes, Dean Lane, Bristol, February 2025
The colours in this piece are warm and fiery, with so many elements, each beautifully interlocking with its neighbours. If I were to liken this work to any other artist it would be Deamz, who left Bristol some years ago now, but who also created complex graffiti writing pieces. This is praise indeed for Grimes’ work. The finishing touch of a blue plasma border is nothing short of brilliant, offsetting the warm colours with a chilly edge.
Mr Crawls has had a good start to the year, but rather surprisingly, he hasn’t been painting with his friend Mote – I’m sure there are all sorts of good reasons why. I have loved watching the way Mr Crawls has been evolving his bird characters, and it feels like it is a journey that is still in its early stages.
Mr Crawls, Dean Lane, Bristol, February 2025
Here, Mr Crawls has painted one of his gulls (I am using the orange beak as an identifier, as there isn’t much more to go on), which is in a stylised cartoon form. Beautifully simple, but full of interest, with a fine bucket hat, asymmetric eyes and a couple of letters thrown into the bird’s neck. A wonderful character piece in the Deaner.
I caught up with Fade a couple of days ago, and he observed that I hadn’t posted much of his and Dibz’ work lately, He was right, but fortunately this collaboration was already in my pipeline, and is a timely reminder of their fantastic work. I would add that they have had a generally quiet start to the year, but are picking up the pace a bit now.
Fade, Dean Lane, Bristol, January 2025
Unlike most of their collaborations, the three elements are a little bit fragmented. The writing from Dibz and Fade is distinct and there is no general colour theme, and the tank is a little bit out of context. Fade has gone for some beautifully finished letters, in the corners of which are a bunch of explosions. The writing is set on a nighttime cloudy sky.
Fade and Dibz, Dean Lane, Bristol, January 2025
That brings me on to the tank, which I assume is a joint effort. I don’t quite know what the tank represents, but I guess you could take your pick – Gaza, Ukraine or even a metaphor for Trump’s wreckless and aggressive international policies. Maybe it is just a nice picture of a tank.
Dibz, Dean Lane, Bristol, January 2025
Dibz’ outstanding writing has a camouflage thing going on, but it is subtlely applied, and contrasts beautifully with the orange (but it looks like copper) 3D drop shadow. This wall has been a great place for Dibz and Fade to showcase their work, and recently, they have painted it again (keeping the tank intact) – to come soon.
I made a special trip down to Dean Lane to snap up some pieces by the PWA crew on the swimming pool wall, but was rather disappointed to see that they had been swiftly painted over, but as the saying goes, ‘you snooze, you lose’. There is no mercy and no rules when it comes to painting over other people’s work, but I do wish sometimes that bombers and writers in particular were a little bit more mindful about where they painted.
Teykem, Dean Lane, Bristol, February 2025
I have never come across Teykem before, and don’t have much in the way of background about his work. This piece has all the elements of graffiti writing, some nice letter shapes, and stripy drop shadow, but I would need to see more to know if this was a good example of Teykem’s work or not. It is, however, always good to introduce new artists to Natural Adventures.
Natural adventures 