It is always, always a great pleasure to welcome Wispa to Bristol, and finding her pieces (almost always an unannounced surprise) is such sweet joy. This recent piece was painted to celebrate Pekoe’s birthday, hence the shout out top left.
Wispa’s work is always immaculately turned out, and the clever fills in this piece read across from letter to letter. Simply a wonderful piece.
Since the stormy and wet winter weather started up in earnest about a month ago, fewer artists have been out and about, doing what they do best, a pause which frees me up to post a few pieces from Upfest earlier in the year. This one from SEPC is an absolute beauty, and one of the first I saw at this year’s festival.
SEPC is an artist from Manizales in Colombia whose colourful work embodies the connection of people in an urban environment, and his profile on the Upfest website is well worth a read. This was one of two or three pieces that the artist painted while he was in town. I love his humble approach, with plastic bags and boxes full of paint and kit for painting.
In his own words, SEPC combines photorealism with use of colour and incorporates various contextual elements. In other words, there is a lot going on in this work alongside the main portrait pieces, and all of it superbly painted. SEPC’s work was one of the real highlights of this year’s festival.
The lateness of my posts today is down to a day of incredibly uncomfortable travel. I am heading to London on a train (to watch the mighty Arsenal play Everton FC) that is brim full. My booked seat is null and void, because all bookings have been cancelled, so I had to try and find a spare seat. Unfortunately the carriage I eventually found a seat in is quite noisy, the gentleman next to me has a stinking cold and the young lovers in front of me are very excited about their trip to America for Christmas to ‘meet the parents’, which is lovely, but I’m not sure I need to know every detail. I try to occupy my time by writing this blog post, but it is far from easy.
This container on the raised section of the Dean Lane skate park has quite a high turnover, but I would say that about three quarters of what appears here is ordinary, so it was great to find this superb combination piece by Smak. Smak has written his letters in a pleasing bronze/brass and purple combination, but it is the encircling snake that catches the eye. The snake is a kind of crossover between realistic and cartoon, looking a little bit like Kaa from the Jungle Book. I hope I survive the journey without going mad or contracting some revolting sickness just in time for Christmas. To cap it all, the train has just ground to a halt. Grrr.
I met Awkward for the first time at the Ikea Wall of Fame Metalheadz paint jam organised by Goldie. As is usually the case, Awkward was nothing like the image I had of him in my mind, based on his artwork. It was so good to have a chat with him and understand a little about his motivations around art and music, where his music is his main thing.
This cheeky piece (why is it that most of his character pieces seem to be on the cheeky side?) features a pink faced character with enormous eyes and a speech bubble with the words ‘Universal magnetic’. This may be a reference to his friend Benjimagnetic. To the left of the face, Awkward has left his customary signature split into two halves, AWK…WARD.
I love Ceus’ work. His writing has a flow about it that is welcoming to the eye, and there is often a hint of wings in his work, a regularly occurring theme. If I am brutally honest, I don’t very much like primary colours in street art… for some reason the red, blue and yellow thing leaves me cold.
I usually praise Ceus’ colour palettes, and I love some of the softer, subtle colours he often uses, but the adoption of these primary colours dominates the form so much and makes the whole thing feel rather clunky. Maybe it is just me and the embedded memories of childhood building blocks… who knows? Aside from the colours, this is a classy, as always, piece for graffiti writing from Ceus.
Zake bases his work around a cartoon face. A few years ago, the face would usually be just the face, but these days, the face has become the central element to something bigger, perhaps more of a narrative around the face, with things going on. A glance at this updated gallery of his work gives you some idea of his development and growth as a street artist.
This is a curious piece, and all I can think of when I look at it is ‘sperm cell’, a thought very difficult to unthink. I suppose it could be a tadpole, or at a stretch some kind of eel. Whatever it is, it is mildly unsettling and weird. The piece was painted as part of a three-way collaborative wall by Hire, Zake and Ceus, where each piece was utterly distinct from the others in style, colour and content. So the only real element of collaboration was the background and the friendship of painting together.
Super-quick posts this morning, as Christmas shopping beckons and a very busy day ahead. I am quite looking forward to going to some actual ‘physical’ shops, as I am getting a little sick of on-line shopping. Today’s post is a piece by Jevoissoul, who is living up to his promise of having a busy year painting the streets of Bristol.
Jevoissoul’s characters have a very distinctive look, crossing over between a sketch and cartoon style. This cheeky chappy, with his baseball cap coming adrift (a nice touch) is nicely painted and finished, and marks the continuous improvement shown by the artist. The placement was at the edge of a production piece, but respectfully managed to avoid overwriting any part of it.
This is an absolutely gorgeous piece by Hire and although it is rather different from his usual style, it is unmistakably his work. There is something really attractive about the tone of the piece, perhaps generated by the colour selection and the fir trees. The serenity of the piece is rudely interrupted by an alien craft sending out a light beam into the forest.
The letters spell out HIRE, with the ‘I’ being cleverly represented by the spaceship. The bottom half od the writing is chunky and smooth, but the upper half is much more like Hire’s traditional pointy lettering style. I really, really love this piece and the story it tells.
Noise has been one of the most regular Bristol writers in 2024, turning out numerous distinctive fat-letter pieces all over town. This is a particularly nice one on the curved wall in Dean Lane. If you like his work, then a quick look at this recently published gallery of his graffiti writing might be worthwhile.
The letters spelling out NOISE, although in darker colours with a dark background, are bursting with energy. The two tones of green work surprisingly well with the dark purple/black backdrop. Although I am sure it is unintentional, the ‘i’ resembles a nose, and weirdly if you take the ‘i’ out of noise, you get nose. Having seen the nose, you can’t unsee it. Nice one from Noise.
A little while ago, this fine collaboration between Dibz and Ceus appeared on the long wall at Dean Lane. I believe the mulsh for buffing the background was supplied by Ceus, which makes me think that this might not have been a planned collaboration, but rather a serendipitous one.
On the left, Dibz has painted some nice clean and uncomplicated letters in chrome, spelling out his name. Some little black details at the foot of each of the letters adds a little bit of interest. The blue tint surrounding the letters has a cool glow which works really well.
Ceus, Dean Lane, Bristol, November 2024
It has been great to see that Ceus is painting a little more frequently these days and this piece is characteristically colourful. Although the letters are filled in part with a warm orange colour, the piece overall has an icy cold look and feel. As ever beautifully painted letters. This is a nice collaborative wall.
Natural adventures 