I expect that this piece, like most of his writing, was freestyled by Sled One. What I mean by that is that he most likely painted it straight off the top of his head, without a sketch in a black book, or anything like that. To be able to do that suggests not only confidence but also incredible talent.
Sled One, Dean Lane, Bristol, July 2024
Sled One has written SLED, with each letter being defined by a different colour/pattern regime, helping to pick them out. There are so many details and points of interest, but two that stand out are the barbed wire at the base of the ‘L’ and the downward facing arrow between the ‘E’ and ‘D’. All of these details combine to create a superb piece of wildstyle graffiti writing.
Another quick rifle through my archive turned up this beautiful chrome piece by Elvs in Dean Lane from March this year. There was a time not so long ago that Elvs was a regular visitor to Bristol from his native Wales, but his appearances have dwindled lately, and I guess he has other things on his plate that makes travel and painting more challenging.
Elvs, Dean Lane, Bristol, March 2024
I like to think that this wonderfully elaborate graffiti writing is archetypal Elvs, a complex and beautifully picked out design simply delivered. Everything here is on point, a fine chrome fill, superb fine line detail, great black 3D drop shadow, tidy light blue border, white starbursts, a bubble background set on a blue buffed wall and a little yellow halo to finish with. Certainly worth waiting for.
I think that one of the under-rated walls and indeed partially unseen by many is the swimming pool wall at Dean Lane skate park, that lies behind a fence and a hedge for much of its length. If you can be bothered, and historically I am guilty of not bothering, you can access the space between the wall and the hedge/wrought iron railings and see quite a few pieces, and the turnover here is reasonably high. At the right-hand end of the wall, the hedge stops and there is a stretch which can be seen and photographed easily from the ‘wrong’ side of the fence. This piece by Zaneone is in that visible stretch.
Zaenone, Dean Lane, Bristol, June 2024
Even without his customary book-end characters, Zaenone’s pieces have a certain symmetry to them. The letters spell ZAEN1, with a reversed E. He has chosen some nice red, orange and yellow colours, and there is depth provided by the 3D drop shadow, and the blue shading around the outside frames the graffiti writing nicely.
Fade, Andy Council and Acer One, Dean Lane, Bristol, June 2024
What I love about recording and writing about street/graffiti in Bristol is the enormous array of quality, experience and styles that I get to see – it is never boring, and I love to try and represent it all here. This is an extraordinary ‘high-end’ production from Fade, Andy Council and Acer One. I get the feeling from the balance of the piece that Fade may have been an opportunistic addition to this piece, but has integrated perfectly with the colour scheme and tone,
Fade, Dean Lane, Bristol, June 2024
Fade, using all his experience, manages to create such a tight finish to all of his work, and it feels like there is never any part of it that is untidy or out of place. His letters spell FADE, and are filled beautifully in black fading to brown. The writing is set on a stunning grey/brown cloud that runs through the whole collaboration.
Andy Council and Acer One, Dean Lane, Bristol, June 2024
The balanced symmetry of the Acer One and Andy Council element of the collaboration is what makes me think that Fade was an add-on. It comprises one of Acer One’s designs that he is currently favouring, which is accompanied by two of Andy Council’s famous Ammonites.
Acer One, Dean Lane, Bristol, June 2024
Acer One has come up with this incredibly clever and intricate concept, where two words are incorporated into one design – something he has done before, but is now more refined. Some of the words are easier than others to see. The upper chrome lettering spells ACERONE and the lower black letters spell COUNCIL. If you block off the upper or lower part, it is easier to read the names.
Andy Council, Dean Lane, Bristol, June 2024
I love it that Andy Council will often return to his ammonites in his mural work. They obviously hold an important part in his work because his signature incorporates one. These creatures are ‘composites’ made up of elements ‘stitched’ together in Andy Council’s unique and inimitable style. This is overall a brilliant production, and a precursor to a larger one including Dibz and Jody… watch this space.
There has been no let up from Dibz and Fade, and although their pieces don’t appear as regularly on Natural Adventures as they used to, it doesn’t mean they aren’t painting as frequently, it simply means they are having to compete for space with so much other art including Upfest 2024.
Fade, Dean Lane, Bristol, June 2024
This is a classic presentation by the two artists with Fade on the left, Dibz on the right and a co-created character in the middle. They have cleverly reversed the fill colour layers between the two pieces of graffiti writing, with Fade starting with green at the top transitioning through dark blues to a light blue, while Dibz starts with the light blue at the top.
Dibz, Dean Lane, Bristol, June 2024
The writing is, of course, of the absolute highest standard, painted by two artists who are at the top of their game. I don’t know who the green dog character is, and my Google searches haven’t turned up any clues, which is a pity, but he is nonetheless magnificent. Naturally, there is more to come from these two… watch this space.
It has been a while since I last saw a piece by Stiff, and while finding his work is always a great pleasure, I don’t think that this is one of his finest. The main problem I have with this piece is that I am not quite sure what it is, as the colours are rather dark and the elements not clearly defined.
Stiff, Dean Lane, Bristol, June 2024
Stiff usually paints weird and wonderful aliens and monsters, and I guess that this is another one to add to his menagerie. I feel it is important to post as much as I can from all artists, warts an all, because I like to reflect the full spectrum of art and graffiti writing in the city. Looking forward to Stiff’s next piece.
When I first met Jeviossoul, he was just starting up with his character portraits, but he promised me then that he would be hitting the city hard with his ‘slow lane’ pieces. True to his word, he has been productive, particularly on the fringe spots, but occasionally hitting some of the more popular walls like this one in Dean Lane.
Jevoissoul, Dean Lane, Bristol, June 2024
I like to think of Jevoissoul as a bit of a diamond in the rough, who has an interesting style that he is improving. It is not only his style that is getting better, but his technique is definitely on the up too. This piece might be his tidiest yet, and features his character with an orange cap, swallowing an acid tab, with the words ‘one love’ in accompaniment. Watch this space to see how he progresses.
Well, well, well, this outstanding dragon character piece came a little bit out of the blue. It is by Cheo, one of the godfathers of Bristol street art, whose frequency of painting has declined a little in recent years, but whose work is always to be celebrated.
Cheo, Dean Lane, Bristol, June 2024
In this game, if you snooze you lose, and I arrived a littler too late to photograph the piece before it had been dogged. The blue cock and balls (one of the most ancient forms of graffiti), probably sprayed by kids, slightly ruins the flow of the piece, but takes nothing away from the enormous talent of Cheo. Every little detail is perfectly worked, such as the folds in the clothing, the dragon’s face, and the crispness of the flame sprite. The signature bee rounds the scene off nicely. So good to see, albeit a little late.
Cheo, Dean Lane, Bristol, July 2024
I went back to Dean Lane a few days later and the blue tags had been removed, although another one appeared to the right of the piece.
Werm and Noise are no strangers to collaborating with one another and in May, painted this wonderful collaboration in Dean Lane. Both artists have a distinctive style, and although they use different colour palettes in this collaboration, they are joined together with some connecting background characters.
Werm, Dean Lane, Bristol, May 2024
The writing from Werm is busy and electrifying, with brilliant use of contrasting colours and some highly technical skills used to spell out WERM. There is a lot of depth in the piece, with layers sitting on layers. The bright star spots on some of the letters add a twinkle – classy work.
Noise, Dean Lane, Bristol, May 2024
Noise, has been smashing it lately with a host of new pieces during the spring, and does it again with this piece and his characteristic fat letters spelling out NOISE. The two-colour fill transitions nicely using some symbols and patterns where the two colours meet . Both pieces are bookended with little grey characters painted in a cartoon style, but I am not too sure who painted them. All in all a fine collaborative wall from the pair.
Unfortunately, I missed Soker when he was painting this unexpected piece in Dean Lane, because he had disappeared for a break, and I couldn’t hang around too long. This was extra unlucky (so near and yet so far) because he doesn’t paint all that often these days.
Soker, Dean Lane, Bristol, June 2024
As I would expect, the writing from Soker is outstanding, with some quite thin script-like letters spelling out his name. What transforms a good piece into a great piece is the attention to small details, such as the yellow and orange tips to the letters. A beautiful drop shadow lifts the letters away from the luscious pink background, and the whole piece is an exemplar of great graffiti writing. Soker remains one of the very best in Bristol.
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