When I think about Hire’s art, I pretty much always visualise it in Dean Lane, and although he has painted other spots in Bristol, it is his favoured spot. This long piece of graffiti writing spells out ODIAH. I am not sure why Hire sometimes writes the word, and I have checked in Google translate that it isn’t a Polish word – something to ask him next time I see him.
Hire, Dean Lane, Bristol, February 2024
Hire has prepped the wall nicely in this writing/character combination piece, creating something that is neat, clean and tidy. I suspect that writing on brick walls is a little easier as the uniformity of the letters can be measured on the brick courses, making things easy on the eye. I have no idea what the panda is all about, but it looks a little menacing, with its eye patch (clever) and broken bottle. It is always good to find Hire’s work, always.
It is not often that you find a Fade/Pekoe collaboration, but I have been photographing street art and graffiti writing for long enough to know that you should always expect the unexpected. I wonder whether this was a planned thing or whether they found themselves at the same place at the same time and decided to paint together. I guess I’ll only ever know if I ask them.
Pekoe, Dean Lane, Bristol, February 2024
Pekoe has smashed it again with this wonderful portrait piece, and there is something about the presentation of her work these days that makes me think she is in a good place emotionally and that it is surfacing in her paintings. The subject has wonderful full lips, dark eyes, hoop earrings and an absence of tears. The decorative shapes help to break the piece up a little and add to it significantly.
Fade, Dean Lane, Bristol, February 2024
You simply can’t hold Fade back at the moment – not that you’d want to – and his enthusiasm for painting walls is not only expressed in the quantity of the pieces he paints, but also in the incredibly sharp quality of his work. The letters here are very crisp, the transitions of the fills are exceptional and the 3D drop shadow nicely uniform. Fade comes across as a bit of a perfectionist, which is probably why he enjoys painting with Dibz so much. This is a very nice collaborative wall.
It is rare to find a Fade piece these days that is not immediately associated with a piece by Dibz and at times his work can be eclipsed by the overall collaborations they create, so it is great to see a fabulous standalone piece of graffiti writing from Fade, and this is a beauty.
Fade, Dean Lane, Bristol, February 2024
Painted in greyscale on a black background, the impact of the letters has to be really strong, and it is. Spelling out FADE in letters that pop out from the wall, especially along the bottom edge. A nice touch is the little black ‘ink’ trail all around the outside of the piece. All in all, a fabulous and rather special piece of graffiti writing.
I am enjoying the regularity with which Biers is turning out his pieces at the moment, with at least one or two each month. The broad format is the same, with his WD40 letters, and a character poking through the ‘0’.
Biers, Dean Lane, Bristol, February 2024
The character has baffled me a little, and my Google search has yielded nothing, so he will have to remain a mystery. Perhaps the skull next to the character would offer an extra clue, but it is not enough for me. The letters are really clean and tidy, a feature of Biers’ recent work, and the colour palette is lovely, although slightly lost on the pinky background. Perhaps something with a little more contrast might have worked better, but what do I know?
This lovely piece by Nips was slightly hidden from view, behind the hedge and fence on the swimming pool wall in Dean Lane. I think that I have been pretty late to the party when it comes to posting pieces by Nips, but I now have the artist fully in my sights and I’m sure there will be plenty of appearances from now on.
Nips, Dean Lane, Bristol, February 2024
The letters, spelling NIPS, painted in a great and eye-catching combination of black and mint green are set on a complementary pink drop shadow. The star of the piece though, for me, is the crazy dog character making up the dot on the letter ‘i’. It is details and additions like this that elevate a good piece to a great one. More to come from Nips before too long.
Zake is something of a phenomenon. His output rate and the quality of his work are quite exceptional, and he is always coming up with original ideas based around his central character style. Even though I big him up frequently on Natural Adventures, I think his modesty lends itself to him being a bit of an unsung hero. Well, I am singing!
Zake, Dean Lane, Bristol, February 2024
This face is perhaps a little smoother than some of his recent intricate works, but still presents his mastery of light and shade to create depth. It is sometimes difficult with his work to remember that it is painted on a flat wall, such is the 3D effect he creates. They just keep on coming, with no sign of letting up. Great work from the PWA man.
With the exception of commissions or permitted walls, street art and graffiti art in Bristol is largely an illegal activity that can at times be edgy in either content or placement or indeed both. The former Salvation Army building, on which this writing by Raid has been sprayed, has recently been converted into flats/accommodation and abuts the skate park. Historically, this has been an area with a high level of graffiti and tagging, but the redevelopers cleaned up their walls, presumably to tidy up the building to make it more attractive to buyers/tenants. There is nothing more tempting for graffiti writers, in particular, than a nice freshly cleaned wall in an area of high graffiti activity, and it looks like Raid gave in to the temptation.
Raid, Dean Lane, Bristol, February 2024
From my perspective, not only is this a really nice piece from Raid, but it looks great against the clean brick wall… and there we have it, the edge, the mischief, the anti-establishment stance and so on that graffiti and street art have come to represent. We will all have our views on this, and that is what keeps the culture vibrant and the discussions fresh. For my part, I love street art and graffiti art (naturally) and prefer it to be in the right places. Sometimes you just have to admire the outliers too, and I admire this piece from Raid.
Dibz, Dean Lane skate park, Bristol, February 2024
Something a little different from Dibz on the curved wall in Dean Lane skate park, illustrating the point that Dibz is anything but a one-trick-pony (some trick at that). The writing feels a little bit retro, and the incorporation of a series of black and white pixels adds to that effect.
Dibz, Dean Lane skate park, Bristol, February 2024
Interestingly, the pixel squares are a little uneven and most unlike Dibz’ precision work – I wonder if there is a tiny chink in his perfect armour… The piece includes the word Metal Headz, which I assume means something to Dibz, but sadly nothing to me. Some fun and variety from the maestro.
Sepr and Boaster, Dean Lane, Bristol, January 2024
Aah! what joy finding this outstanding piece by Sepr and Boaster the day before going away for a week on holiday. Finding this piece, in part, helped me to overcome any withdrawal symptoms or FOMO while I was skiing in the French Alps. If I had missed the piece, I would have been a little regretful. but thankfully that didn’t happen.
Sepr, Dean Lane, Bristol, January 2024
It is possible to see when artists are having fun and obviously bouncing with shared ideas and inspiration. A pair of toucans drinking Carlsberg Special Brew… who’d have thought it? The toucan on the left was painted by Sepr with all his trademark stylised cartoon painting skills on show. I cannot explain how much I like this piece, and have missed his work, which seems to be occasional these days. The toucan is holding a plastic bag containing four beer cans and he is holding another in his other hand. The piece is accompanied with the words “Two can Jackie Chan the toucan with a bag o’cans!” pretty much describes the piece. Jackie Chan is offering a can to his friend to the right.
Boaster, Dean Lane, Bristol, January 2024
I recently posted a piece by Boaster which I photographed in Nottingham, so it is really satisfying to see another one so soon and this time in my home town of Bristol. Boaster’s toucan is drinking a bottle of Brahma beer (a brand I am not familiar with) and uttering the words “sim voce”, which I think means ‘yeah’ sort of thing in Portuguese. Am I to infer that the toucan is Brazilian? it would make sense. The two toucans are different in style, one very sharp, the other a little fluffier, but they work perfectly together. This is easily the best collaboration of the year so far, in my opinion.
I am so incredibly short of time today, suffering from having to plough through a mountain of work that has accumulated during the week that I was away. I sometimes wonder if it is worth going on holiday at all, because the feel-good factor wears off so quickly. This is a stunner from Fade.
Fade, Dean Lane, Bristol, January 2024
It is quite difficult to understand just how Fade manages to turn out so many high quality pieces, each and every one completely original and perfectly turned out – he has certainly found his niche. This piece looks like a fiery furnace of coke or coal blasting out heat to create the hot letters. Great design, superb fills… excellent piece from Fade.
Natural adventures 