There is something rather unique and weirdly charming about Awkward’s character pieces. There really is nothing like it out there in Bristol or anywhere else I have been. Not only are the characters unique in style, but his use of strong primary colours grabs the attention and draws the eye.
Awkward, Dean Lane, Bristol, May 2024
In this piece two characters are exchanging thoughts, one with a speech bubble saying ‘Awkward’. underneath the conversing heads is the simple message ‘stop war’, which places the piece very much in the context of the present, with the terrible wars in Gaza and Ukraine ongoing. Although his interventions are infrequent, Awkward’s characters are always welcome.
This is another striking piece from Katie Fishlock which I had meant to post back in March, but it simply didn’t happen. Fortunately my regular trawls through my archives allow me to unearth special pieces like this one.
Fishlock, Dean Lane, Bristol, March 2024
Fishlock’s punchy pieces tend to be quite modest in size, but usually make up for it in both attitude and message. These big red lips contain the words ‘self-sabotage is misguided self-love’, which I think I get. Katie Fishlock’s art punches above its weight because of its arresting combination of design and message, and I am a fan.
There was a time, not so long ago, when Mr Crawls could be identified easily because all of his pieces featured quirky birds. That is most definitely not the case now, and his association with Mote appears to have encouraged him to branch out into painting all sorts of weird and quirky monster characters.
Mr Crawls, Dean Lane, Bristol, May 2024
This quick one on the swimming pool building wall, behind the hedge, is a case in point. The green monster, looking a little bit like a hard-hat, is blessed with enormous eyes and an array of razor-sharp teeth. The eyes have no pupils, giving it a bit of edge. Pupils in eyes always soften a character and conversely their absence creates a hollow, even sinister appearance. This is a nice solo piece from the imaginative Mr Crawls
I think that it is fairly common knowledge that ACAB is a subversive acronym derived from the phrase ‘all cops are bastards’. I am guessing that it was coined in North America, because we don’t generally use the word cop in the UK, preferring the terms Police, bobby, old Bill, ‘pigs’ or even ‘copper’ but rarely cop. ACAB is used liberally in street/graffiti art, and this piece on the curved wall by Mr Draws, has a humorous take on the letters.
Mr Draws, Dean Lane, Bristol, May 2024
Firstly, I would say that this is a really attractive piece by Mr Draws, who continues to gently push his boundaries all the time whilst retaining his style and identity. The design is great, the letters are nice and tidy and the fill colours work surprisingly well. Mr Draws has softened the tone of the acronym so that it reads ‘all cats are beautiful’, and has added in a cat character for good measure. Perhaps one could term this piece ‘fluffy subversion’.
The little passage alongside the swimming pool wall in Dean Lane is often full of surprises, and I was thrilled to find this lovely floral piece by Peggy, especially as she has been reasonably quiet over the winter.
Peggy, Dean Lane, Bristol, May 2024
Peggy, who I guess has been busy with her tattooing, managed to find some time to create this display of leaves and, of course, a flower including an eye in the centre. Lots of symbolism tied up with the eye, but I am not too sure what it might mean. Peggy has chosen a nice palette of colours and finished the piece neatly. Perhaps this is a sign of more activity over the summer – fingers crossed.
Werm is producing, in my view, some of his best writing work at the moment, having pulled back a little from his highly technical and complex pieces. There is something a little more accessible about his graffiti writing now, that hasn’t always been the case.
Werm, Dean Lane, Bristol, April 2024
The colours in this piece spelling out WERM are certainly eye-catching and benefit from the buffed black wall, which enhances the impact of the writing. I suspect, consciously or otherwise, that the selection of purple and yellow for the letters might be related to the colour wheel, where they are complementary colours – they do work well together. I wonder if we’ll get to see Werm incorporating characters in his work, he would be more than capable of doing it and has done so once or twice in the past. I’ll ask him next time I see him.
Fade, Dibz, Noise and and Awkward, Dean Lane, Bristol, April 2024
I am not sure that I have seen this wall painted as much as it has been over the last year or so, not just painted, but painted with so many high-quality pieces. This recent collaborative piece is by Fade, Dibz, Awkward and Noise.
Fade and Awkward, Dean Lane, Bristol, April 2024
The left-hand end of the wall is collaborative combination from Fade and Awkward. Starting with the latter, I think that this is the most extensive bit of work I have seen from him, with so much more than his usual mega-tag face. Here Awkward has included a complete character as well as some woodland beasties and flowers, with loads of little details. The character is wearing a Cheech Wizard hat and surreptitiously holding a spray can. Fade has painted some beautifully finished letters, acting as a central platform for Awkward’s decorations.
Dibz and Awkward, Dean Lane, Bristol, April 2024
The middle section is by Dibz with a combination of outstanding writing and a couple of characters… a Vaughn Bode Lizard and another masked character whose name I don’t know, both faithfully reproduced. There have been a whole ton of Vaughn Bode inspired pieces lately, and I guess it is a theme from World Wall Stylers or something like that.
Noise and Awkward, Dean Lane, Bristol, April 2024
Rounding off the wall and sticking with the colour theme, Noise, who seems to be enjoying a spate of collaborations, has produced another of his NOISE pieces composed of dense letters with stunning fills and transitions. Awkward makes another appearance with a character peeping over the ‘S’ along with a couple more woodland bugs. Altogether a wonderful piece from the foursome.
These pictures are my second attempt at capturing this fine bird piece by Mr Crawls, the first effort resulted in photographs that had the piece in brighter light but scattered with shadows. Sometimes overcast days are much better for certain spots, such as Greenbank and Sparke Evans Park, as well as anywhere with overhanging trees or herbage.
Mr Crawls, Dean Lane, Bristol, April 2024
Mr Crawls has been having a great few months, especially since joining up with Mote, a partnership that appears to have stretched both artists with some terrific outcomes. In this bird piece, Mr Crawls has used his favoured chrome background as a backdrop for his raptor(?) character sporting a rather nice hat. Although Mr Crawls has been experimenting with all sorts of creative monsters, it is comforting when he returns to one of his classic birds.
The machine that is Dibz and Fade continues to produce outstanding collaborations, and this one in Dean Lane is a cracker. The Dark Knight is a popular icon for street artists, and Dibz and Fade have gone with the darker variant of the caped crusader, unlike the comedic, lighter cartoonish options they might have gone with
Dibz and Fade, Dean Lane, Bristol, April 2024
When I asked Fade how I should attribute the artwork in their pieces, he suggested that where the lines become blurred, just label them Dibz and Fade. The writing is attributable, with Fade on the left and Dibz on the right, but the rest of the work is collaborative. A well-thought-out piece, tidily presented – what else would you expect?
I mentioned yesterday that you’d be seeing more of Noise today, and true to my promise, here is another fabulous piece from the artist. Noise has a very distinctive style, but I find it quite difficult to describe. His letters tend to be quite thick and nicely proportioned, and which work equally well in upper or lower case. His fills are dynamic, with plenty of interest.
Noise, Dean Lane, Bristol, March 2024
Although this piece from Noise was completed, the wall opposite was being painted by other artists, and some of their kit was strewn around this wall, which I think adds a little to the overall ambience of Dean Lane. The fills in this piece are outstanding, and it is lifted (rather unsubtly) by the red drop shadow on a black background. Still more to come from Noise in what has been a busy month or so.
