Although we don’t see too much of Hire these days, what we do see is of the highest quality. I am really enjoying Hire’s relatively recent reinvention pieces like this one in which he writes the word ODIAH
This beautifully presented piece incorporates some of the jagged elements of Hire’s customary style but softens them into a rather more conventional writing style. The colours are nicely selected and the grading of fill from light to dark is masterful. A really nice piece.
Oooh, I haven’t seen anything from Hire for quite a long time, so to come across this in Dean Lane was a very pleasant surprise indeed. Of all the artists in Bristol that have changed their format or styles, I think Hire wins the prize for reinventing himself. There are traces of his older work, which the trained eye might see, but overall the new style, and different letters, seem like a new artist has hit the town.
His letters spell out ODIAH, rather than HIRE, and I don’t know if it means ‘oh dear’ or spells something in his Polish language – a quick look at Google Translate tells me not.
The piece itself is out of this world. Crisp, clean letters in black on a dark blue background, with a cream border, and some supreme letter shapes. This is a welcome return from Hire.