Tag: Dean Lane

1124. Dean Lane skate park (88)

Although Laic217 seems to be slightly less busy on the streets than he was say, six months ago, he is still producing regular pieces, which is great for me as it is no secret that I love his work.

Laic217, Dean Lane, Bristol, October 2017
Laic217, Dean Lane, Bristol, October 2017

This piece contains the familiar format of a skeleton in a tracksuit sprayiong out the letters LAIC. The two components of the piece blend realy well and I love the color selections across the whole piece.

Laic217, Dean Lane, Bristol, October 2017
Laic217, Dean Lane, Bristol, October 2017

He has sprayed this in a particularly narrow passage which explains why there aren’t any decent front on pictures of this piece. As always, a real pleasure to share his work with you.

1118. Dean Lane skate park (87)

Sometimes when I am out looking for new graffiti/street art, something just catches my attention out of the corner of my eye. This interesting piece was in a corner of a street at the top of Dean Lane skate park, and an area I rarely photograph because it is where wannabe graffiti artists go to practice their skills.

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

I have no idea who the artist who sprayed this stencil is, but it is a good piece of work cut from a mocked up photograph (original image:CBS) of James Corden’s car pool karaoke (the rolling stones famously turned down the invitation to take part).

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

This large board disappeared within days of me seeing it and was replaced with a new board, so something weird was going on there.

Unknown artist, Dean Lane, Bristol, October 2017
Unknown artist, Dean Lane, Bristol, October 2017

Although this is a single layer stencil, the subject matter is brilliant and the quality is good. If anyone out there knows who it is by, please just let me know.

1117. Dean Lane skate park (86)

This is an unusual piece to see down at Dean Lane, which is the home of Bristol graff, and yet here is a piece by a young illustrator, Clare Hoops. Clare is a freelance illustrator and print maker living in Bristol, having studied at and recently graduated from University College Falmouth, where I believe Louis Masai also studied.

Clare Hoops, Dean Lane, Bristol, October 2017
Clare Hoops, Dean Lane, Bristol, October 2017

Looking through her collection of designs from her website, I notice that I have seen one of her other street works at the Tobacco Factory before, and will have to try and dig it out to share. This is an interesting piece that certainly looks like it has the illustrator’s touch. What is the story here – ‘the stars fill my dream’.

1100. Dean Lane skate park (85)

A familiar piece in a familiar place from a familiar artist. This is a beautiful abstract piece by Shab, sprayed in one of his favourite spots in Dean Lane skate park. I do like it when artists kind of ‘claim’ a spot, although it is not so good when they guard it jealously.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

Always pleasing on the eye, Shab’s work holds a kind of mystery for the viewer, and a fascination too. Of course, the eye usually plays a part in his work, and adds some realism to this abstract world. Such subtle colours in the eye, set against the black and white surround.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

I have always liked and probably always like the work of this highly respected Bristol master.

1099. Dean Lane skate park (84)

I have grown so accustomed to seeing NEVERGIVEUP’s work dominating The Bearpit, that it was a pleasant surprise recently to see one of his monsters turn up in Dean Lane. In the short space of time that he has been living in Bristol, he has really let his presence be known. He is prolific and unappologetic…when he sees a wall he paints it.

NEVERGIVEUP, Dean Lane, Bristol, October 2017
NEVERGIVEUP, Dean Lane, Bristol, October 2017

I haven’t yet seen his work at the M32 or in Stokes Croft yet, but I guess it is just a matter of time. Another fine monster from this young Polish master.

NEVERGIVEUP, Dean Lane, Bristol, October 2017
NEVERGIVEUP, Dean Lane, Bristol, October 2017

1092. Dean Lane skate park (83)

OK, so I’ve got a bit of an Elvs thing going on at the moment, but that is alright isn’t it? I mean it is my blog after all, and if I rather like something I feel it is the right thing to do to share it. Elvs really is a fabulous wildstyle writer, and I’m sure that even if you don’t like graffiti art, you can appreciate the great technical qualities of great writing.

Elvs, Dean Lane, Bristol, October 2016
Elvs, Dean Lane, Bristol, October 2016
I don’t know what the oriental characters across the top say, if indeed they say anything at all, but Elvs tagged this picture on Instagram with a geotag of Japan, so I guess it is Japanese. As with his other pieces, the top of the E and S share the same design. More great stuff from Elvs.

1087. Dean Lane skate park (82)

This piece is a wonderful example of Sled One wildstyle writing at it’s very best, I only wish I could say the same about my photography. There is a lot of glare, which obscures the piece a bit.

Sled One, Dean Lane, Bristol, September 2017
Sled One, Dean Lane, Bristol, September 2017

Sled One has an amazing ability to create fabulous elaborate letter shapes which are hugely complex in the shading and filling. Trying to follow all the folds and overlays is a tricky business. There is a nice little nod to Soker at the bottom of the piece too.

Sled One, Dean Lane, Bristol, September 2017
Sled One, Dean Lane, Bristol, September 2017

1069. Dean Lane skatepark (81)

A great hold the microphone piece by one of Bristols great writers, Soker. This piece is a little unusual, because Soker usually writes ‘SOKEM’ and I think this is the first picture I have where he has written smething else.

Soker, Dean Lane, Bristol, September 2017
Soker, Dean Lane, Bristol, September 2017

The colours are ones he has used before and he works the gradient between the colours skilfully with a kind of bubble effect, which is repeated in the deep purple background to the piece. I am not too sure what the piece refers to, there may have been an event or something, or maybe it was just for fun.

1056. Dean Lane skate park (80)

This is a lovely sharp piece of wildstyle writing from visiting artist Mario Messina (MM.Pat). I believe that this Sicilian artist is a tattoo apprentice, who must have been passing through Bristol sometime this summer.

Mario Messina, Dean Lane, Bristol, September 2017
Mario Messina, Dean Lane, Bristol, September 2017

The letters are beautifully picked out in chrome over a colourful cloudy background. This particular spot is behind a set of high railings, and anything that is sprayed here tends to stay a while because it is a bit of a fag to scale the railings with all your gear. I passed by today, and it is still there. A lovely piece.

1034. Dean Lane skate park (78)

I think I originally archived this one before I had become familiar with the work of either of these artists. The picture, from January 2016, was taken on one of my earlier and infrequent (at that time) sorties south of the river.

Sled One and Smak, Dean Lane, Bristol, January 2016
Sled One and Smak, Dean Lane, Bristol, January 2016

I like this collaboration between Sled One and Smak, but it is a partnership that I don’t recall seeing too often. The unusual colour palette is shared by both the artists and works well across the whole wall. Obviously I like the Sled One writing, he can do little wrong in my eyes.

Smak, Dean Lane, Bristol, January 2016
Smak, Dean Lane, Bristol, January 2016

The Smak piece is interesting in that I suspect it is the first of his pieces that I consciously photographed, even though I was not familiar with the artist. I also noticed that I didn’t do a very good job, cropping the edges off either side. I am becoming more familiar with Smak’s work and like what I see. For some unknown reason I was a late adopter with his work.