Scrapyardspec has been back in town with a raft of new wacky faces, including this long piece just outside St Werburghs tunnel. Over the last week or two, I have been finding more and more of these goofy monsters, which has been rather fun, and you can expect to see more here soon.
Scrapyardspec, St Werburghs, Bristol, May 2025
This piece fits the size and shape of the wall perfectly, being squashed and elongated, affording space for three eyes, and a very long toothy smile. I love the way that Scrapyardspec manages to maintain an incredibly consistent style with all different shapes and sizes of characters. A creative idea/theme nicely executed.
During my ‘deep dive’ (corporate jargon alert) into the archives, I found a bunch of pieces from Panskaribas, all painted in June 2019, which never made it onto the pages of Natural Adventures, so I am setting things straight in this mini-gallery post.
Panskaribas, The Bear Pit, Bristol, June 2019
Panskaribas had a productive couple of years in Bristol, painting his cartoon doodles is all sorts of nooks and crannies in the popular and sometimes less popular spots. Seeing some of these makes me very nostalgic for The Bear Pit, which has been off limits for a few years now, rendering it a sterile dead-spot in the heart of town.
Panskaribas, M32 roundabout, Bristol, June 2019Panskaribas, The Bear Pit, Bristol, June 2019Panskaribas, The Bear Pit, Bristol, June 2019
While his style might not be everyone’s cup of tea, he certainly livened things up around the place and was a willing collaborator too. Sadly I never met the artist, who now goes by the moniker SEAU, (you might note RESEAU on some of his pieces) and his Instagram is @re.seau.
Roo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
So this is the second of the first three posts from the Cheltenham Paint Festival 2024. I have had to pull together three pieces in each post, simply so that I can fit them in with my regular posts of Bristol street art. Things have never been so busy, and at the end of each month I still have dozens of unposted pieces, because there is so much great art being produced out there. I can’t get close to posting it all.
Roo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
It was a pleasure to watch as Roo finished off this wonderful piece, and catch up with her in the Two Pigs where she was selling her merch. This is a great piece that tells a fun story of a frog and a ‘no swimming’ sign. I think it might just be one of my favourite Roo piece ever.
Apparan, Cheltenham Paint Festival 2024, East car park, Cheltenham, July 2024
In the car park is this outstanding portrait piece by Apparan, who is not a stranger to Natural Adventures, having posted an Upfest piece and one from Stratford in London in the past.
The portrait is beautifully accompanied with a flower and a beguiling background, which certainly brightens up an otherwise ordinary concrete car park wall.
Codo, Cheltenham Paint Festival 2024, North Place car park, Cheltenham, July 2024
Rounding off this small selection of three pieces from the CPF is this excellent piece by Codo, who I met at last year’s festival and who was very kind to me, giving me some caps and paint. His intricate doodle work is superb, and brings out the best in the central character which is a large version of the smaller background symbols and characters. Some very nice pieces from Cheltenham. Three more to come tomorrow.
Paul Monsters and Mister Samo, Old Park Road, Exeter, October 2023
One of the last things I would have expected to see in my two-hour wander around Exeter back in October was a collaboration between Mister Samo and Paul Monsters, and yet here it was… a glorious piece of colour, design and creativity.
Paul Monsters and Mister Samo, Old Park Road, Exeter, October 2023
I have a feeling that the piece might be called ‘you are loved’, and there is a great deal of warmth and positivity about the piece, and the styles of the two artists although quite different complement each other perfectly.
Paul Monsters and Mister Samo, Old Park Road, Exeter, October 2023
I suspect that the two artists know each other through the Upfest festival in Bristol, at which both have painted in previous years, and Paul Monsters works in the Upfest shop and is heavily involved in the logistics of the paint festival. As ever, Paul Monsters’ geometric designs create depth and hard edges, against which the character forms by Mister Samo stand out.
Paul Monsters and Mister Samo, Old Park Road, Exeter, October 2023
I love Mister Samo’s work, which is highly designed but at the same time simple and clean. The characters in Mister Samo’s work look like sophisticated doodles, and even though simple, convey a lot of emotion and charm. A real treat and fabulous collaboration from these two excellent artists.
Codo, Cheltenham Paint Festival 23, Cheltenham, July 2023
When I first started to write about graffiti and street art back in 2015, I had my own unconscious biases and preconceptions about the artists, and I must confess that I was a little afraid, believing that the edgy nature of the world I was entering was somehow representative of the people creating the art. How utterly wrong I was, and what a fool I was. I have met many, many artists and I can think of only one or two that were having a ‘bad hair day’, all the rest, without exception, have been wonderful people with interesting stories to tell, generous with their time and conversation.
Codo, Cheltenham Paint Festival 23, Cheltenham, July 2023
So, with this backdrop of incredible and talented people in mind, I met one of the very kindest and engaging people to date at the Cheltenham Paint Festival in one of the Honeybourne Line tunnels. I am talking about Codo (@codoartni). I caught up with Codo while he was finishing off his intricate/simple doodle piece, and he stopped, not only to chat with me, but went on to advise me on several aspects of can control, and gifted me some spray cans and a whole ton of banana caps. He made these gestures without any desire for gratitude, but filled with enthusiasm to help a wannabe artist. He made my day.
Codo, Cheltenham Paint Festival 23. Cheltenham, July 2023
I have not seen Codo’s work before, so it was great to see him at work on this piece. Originally he had sprayed a pink and blue background with doodles, but decided to overwrite it with black lined doodles and the resulting effect is rather good. In amongst the patterns and faces are shout-outs to other artists he was painting with and other cryptic messages. The central character, dominates the work and is a simple thick-lined version of the smaller doodles all around. This is Codo’s identity, his look and feel that underpins his work. Great stuff. I very much hope to meet him again, perhaps if he could get himself invited over to Upfest next year or something like that, that would be cool.
When I saw this piece appear on Mr Sleven’t Instagram feed, I decided to get up to Purdown at the first possible opportunity before it got tagged or damaged by the small herd of goats that live in the derelict anti-aircraft gun emplacement that protected Bristol during WWII.
Mr Sleven, Purdown, Bristol, May 2023
The cartoon doodle style piece is beautifully executed, and the white/grey piece stands out so well of the deep, rich red. There is a crispness and originality that I find really compelling, and if I am honest, I’d love to have something like this hanging on my wall (less the concrete, of course). A lovely piece and great to see after quite a long absence from Mr Sleven.
You will know by now that I have enjoyed the emergence and continued development of Mote over the last year or so. His monster characters have improved over that time and the finished product is becoming cleaner and tighter with each new piece.
Mote, Cumberland Basin, Bristol, October 2022
This one is tucked away in the entrance of a closed down public toilet on the north side of Cumberland Basin. Mote certainly has a style all of his own that incorporates a monster with a solid fill, in this instance with a two-colour fade, and some crisp black lines creating the detail. Almost like giant doodles, Mote’s monsters are a welcome pick-me-up.
What I really like about Mote’s approach to street art is that he is a very tidy artist. He likes to have a buffed wall to paint on, so that there are no distractions, and he keeps everything clean and tidy. Nice solid fills and crisp sharp lines. I am guessing he is a bit of a perfectionist.
Mote, Purdown, Bristol, September 2022
This charming monster piece up at Purdown is a wonderful doodle character, with some nice colour fills and details. The eyes and eyelids work well, and the shadow cast onto the wall lifts the piece out. Altogether this is a rather good piece, one of many.
A rather nice, clean and tidy piece from the very productive Mote. In fact, I only post a fraction of his work, not because I don’t appreciate it (I really do) but because I don’t make it out to all the spots that he paints.
Mote, Brunel Way, Bristol, August 2022
This one, under Brunel Way, is a corker, made all the more enjoyable by being painted on a buffed wall without distractions. Mote’s doodle-character style is constantly developing and growing, and his pieces are becoming more complex and larger. Although it is rather subtle, Mote has filled the character’s face with two shades of green, transitioning horizontally, and exchanging spots/dots. A very nice piece.
Together with Zake (see previous post), Panskaribas is emerging as one of my favourite new(ish) arrivals on the Bristol scene. Both artists are becoming more bold with their wall selections as their confidence grows and it is a great thing to witness. I would continue to describe Panskaribas’s work as cubist doodles in spray-paint with a dash of surrealism thrown in.
Panskaribas, Moon Street, Bristol, March 2019
One can see all sorts of references to various modern art movements in his work, but his skill has been ion blending these and coming up with something quite unique and really unusual in street art. An acquired taste perhaps, but so worth spending time to look at what is going on in these paintings – do I spot some Matisse in here?
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