I’m not too sure where Panskaribas disappeared to for the second half of 2019, but I have a feeling it might have been Shanghai. As one of the most productive street artists in Bristol his weekly interventions were sorely missed, but he is back now and returning to the walls with great gusto.
In this piece Panskaribas has bookended some writing with his characteristic ‘Picassoesque’ doodled faces. The writing I think spells out RESEAU which is a word he uses to sign his works with and also uses for a loose crew of collaborators I think. Great to have him back on the scene.
The M32 Spot is an interesting location. It is sited under an elevated section of the M32, the main artery into Bristol from the M4 motorway. There is a DIY skatepark which is used by skateboarders, predominantly when it is wet (a barrier to skating), but most of the time is fairly quiet. It is also a bit of a graffiti/street art hotspot.
In addition to the skatepark, there is a fenced-off area through which a concreted section of the River Frome is channelled via a culvert under the city and which eventually discharges into the New Cut. I have never quite worked out how to get over the fence to this section of concrete, unlike many graffiti/street artists who have plastered the walls with their work, so my pictures a limited to long-distance shots like this one through the fence railings.
It is a pity that this collaboration between Stupid Stupid Meathole and Panskaribas is so inaccessible, because it really deserves to be seen by more people than the very few who would bother to look here.
The piece features one of Stupid Stupid Meathole’s grotesque worms, this one with two heads, looking like it is being ridden by a couple of Panskaribas’s characters. The whole thing is badged as a Reseau collaboration, and it is possible that there is a third artist involved (the boxes) but I am not sure. I’ve yet to meet these artists, but it is only a matter of time I guess. What would we do without zoom lenses?
Happy 4 July to all those for whom it is a holiday. Here in the UK it is just another day, but it is Thursday, and that means doors.
I am being a little lazy this week using archive material to bring you the same door in Moon Street, one of my favourite street/graffiti art spots, but with different looks over the last few years – I might do this with a few more graffiti doors when I am pushed for new content.
With apologies to regulars who might have seen most of these images before.
That just about wraps it up for this week, maybe some more Dorchester doors next time. Please go take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
In recent days, The Bearpit has been shut off and there is no access. Bristol City Council stealthily went in to evict a group of rough sleepers who had made themselves at home in a bus (formerly a cafe) and some container units. In forcing the eviction they have completely closed down the space. This was an not an inevitable conclusion to the problems caused by homelessness, addiction, antisocial behaviour in The Bearpit but a terrible failure in ‘upstream’ thinking about how to tackle the issue.
As a result of this intervention, all the good things about this public space have been closed down, possibly permanently. In my view this has been really poorly managed by Bristol City Council, but I would concede that they are grossly underfunded and what we are witnessing is the result of years of austerity and public sector funding cuts, and this in one of the wealthiest countries in the world. Disgraceful.
I say all of this because this lovely piece by Panskaribas is likely to be one of the last I will be posting from The Bearpit for some time.
Panskaribas is probably the easiest artist to identify in Bristol on account of his kind of cubist-doodle style and this is a wonderful example of his work. The other outstanding thing about this artist is his incredible energy, he seems to be the most prolific artist in Bristol currently. RIP The Bearpit.
There is a rather fun thing going on in Bristol at the moment, and it is the rise of Reseau, a loose crew with Panskaribas at its heart. Reseau pulls together several artists who enjoy painting together, but each time the composition of the collaboration seems to shift around a little.
This collaboration is full of fun and positivity and on the left is a Stupid Stupid Meathole sandwich with a Panskaribas filling. The Panskaribas character holding a flower appears to be dancing and really ticks all my boxes, and the worms by Stupid Stupid Meathole have a rather cuddly and bemused appearance.
On the right is a sensational Soap character with a beautifully intricate patterning, so beautifully done. I am really enjoying the freshness that Reseau is bringing.
Painting collectively as Reseau, this is a magnificent and wonderfully colourful collaboration between Stupid Stupid Meathole, Panskaribas and Rory MacRaild, on a wall that has seen so much action over the years in Dean Lane but rarely three artists at one time.
On the left and right of the piece, Stupid Stupid Meathole gives us some writing which deviates a little from his customary all pink to include blue and green letters. On the right he has squeezed in some of his grotesque teeth… because he can.
Then in the top left and across to the right, Panskaribas delights us with his cartoonesque style. The character on the left appears to be using a record deck and I have noticed that music seems to feature a great deal in his work.
Finally, in the centre of the collaboration I am realy pleased to intoduce Rory MacRaild whose work I have not knowingly seen before. I think he has absolutely smashed it with this Picassoesque portrait. It really ticks all my bokes, it is interesting bright and colourful and beautifully executed.
The whole collaboration is like being in a gallery. It is a meeting of styles that kind of works, and It seems that SSM and Panskaribas enjoy working together as I have seen a few collaborative pieces by them now. Great piece that has lasted a little while. Respect.
Right, there is an interesting thing going on here with the work of Panskaribas, and I’m not entirely certain how it all works. I understand that when he signs the piece with his Reseau signature, it indicates that it is a collaboration, but this piece looks like his work only. I think that Reseau might be the crew he belongs to and that there are one or two others who paint with him from time to time, which would explain the mix of styles seen in some of his pieces. The members of this crew appear to draw inspiration from the Cubists and surrealists though.
This is a witty piece showing one of his cartoonesque characters viewed from behind. I love the ‘Picasso’ hands and the cheeky face looking over his shoulder. Really interesting art, and so unlike anything else on the streets of Bristol at the moment.