1741. Dean Lane skate park (167)

Wow, wow, wow. I am head over heels in love with this stunning work by Muckrock (Jules Muck). Shortly after I photographed this fabulous piece I dived into the Upfest shop and had a chat with Paul Monsters and Steve and Emma who run Upfest. I mentioned this exceptional work in Dean Lane skate park to them and although they didn’t know about this one, they had met her recently and offered her a wall to paint at the other end of North Street. She must have done this one as a bit of an extra while she was visiting.

Muckrock, Dean Lane, Bristol, September 2018
Muckrock, Dean Lane, Bristol, September 2018

I can honestly say it is my top five pieces for 2018 and has come as a complete surprise which makes it extra special. I believe Jules Muck began her graffiti ‘career’ in England and Europe, but lives and paints mostly in the United States, living in Venice Beach. You can find out all about her on her extensive website, well worth a gander

Muckrock, Dean Lane, Bristol, September 2018
Muckrock, Dean Lane, Bristol, September 2018

I love the green monotone and the mischief in the portrait is to die for. I can’t really say too much more about this piece without utterly embarrassing myself. So you, like me, will just have to sit and gaze at it…sigh…

1656. St Werburghs tunnel (36)

Only recently on my radar, and now I see her work everywhere. This is a great fun piece by Pekoe in St Werburghs tunnel (a spot that is hosting some really great art lately) which displays her trademark third eye and female portrait.

Pekoe, St Werburghs, Bristol, August 2018
Pekoe, St Werburghs, Bristol, August 2018

What make this particular piece so appealing in my eyes is the nicely crafted bubblegum and the way it obscures all that lies behind it with just a hint of transparency. I am enjoying my voyage of discovery with this artist.

1403. Upfest 2017 (160).

There is an interesting story to this collaboration ‘Girl and Death’ in so much as it was not a planned collaboration at all…it just kind of happened. How do I know this? I discovered it on the Instagram feed of one of the artists involved, Nino Werner:

After a night of crazy partying, we started this painting with no real direction first & just enjoyed the fun show that is Bristol Streetart Festival called @upfest . What first started as two separate pieces merged together in the process when we got to know the very talented fella (Luke) next to our dedicated painting spot, who was also painting in black and white, but also added gold. We like shiny things so we grabbed some golden paint and made the separate artworks merge together. The painting is either a reference to a sketch of famous Norwegian artist Edvard Munch (also called Girl and Death) or the fun party night and the hangover David had the next day when we painted it.

It is always great to get a bit of insight from the artists themselves.

Nino Werner, Javi, David Schumann, Upfest, Bristol, July 2017
Nino Werner, Javi, David Schermann, Upfest, Bristol, July 2017

The girl on the left of the collaboration is by Nino Werner, Javi and David Schermann, who I believe visited Upfest from Austria. And on the right of the piece is an intricate skull in black white and gold by Luke Gray.

Nino Werner, Javi, David Schumann and Luke Grey, Upfest, Bristol, July 2017
Nino Werner, Javi, David Schermann and Luke Gray, Upfest, Bristol, July 2017

Luke Gray has a fabulous website which is well worth a visit. His biography states that he is from the UK and is a nomadic surrealist symbolist painter. He was born colour blind and works in an almost exclusively black and white pallette, using patterns and textures rather than colours.

A fine accidental collaboration.

 

1050. Upfest 2017 (68)

One of the more sober and less ‘brash’ pieces at Ashton Gate was this beautiful work by Joan Aguiló. There is a fine story going on in this piece, which was laid out in two distinct halves, the right hand side of which is shown in the image below.

Joan Aguilo, Upfest, Bristol, July 2017
Joan Aguilo, Upfest, Bristol, July 2017

It looks like the story being told is one of travel, farewells, insecurity. It feels sad to me. The only thing that reads across the two halves are the flowers being cast by the lady on the left. Is it a story of childhood? Is it a story of immigration? – it is all a bit of a mystery really. It has a really serene feel to it and is quite different to many of the pieces that surounded it.

Joan Aguilo, Upfest, Bristol, July 2017
Joan Aguilo, Upfest, Bristol, July 2017

Joan Aguiló lives in Mallorca and uses public space to create his work predominantly in the city of Palma. This is a really interesting piece that might have been overlooked by some. Thoughtful.

974. Upfest 2017 (34)

I know practically nothing about Jimzina other than that loads of her(?) pasteups appeared on virtually every piece of street furniture at Upfest this year. This is the first of many posts of her work, due to her prolific few days in Bristol.

Jimzina, Upfest, Bristol, July 2017
Jimzina, Upfest, Bristol, July 2017
I can only think that Jimzina prepared dozens of wheatpastes prior to Upfest, and spent an evening or two having a lot of fun pasting them up.

Jimzina, Upfest, Bristol, July 2017
Jimzina, Upfest, Bristol, July 2017
Most of Jimzina’s work seems to be drawn onto menus and other similar posters and is instantly recognisable from other wheatpasters. As far as I can make out, all the subjects of the pieces are young women striking slightly naughty poses…eye catching certainly.

Jimzina, Upfest, Bristol, July 2017
Jimzina, Upfest, Bristol, July 2017
There will be more to follow, amnd in the mean time I’ll try to find out more about this mysterious artist.

 

 

933. Wilder Street (17)

I absolutely love doing this, for so many reasons, but it is particularly gratifying that on the same day I write a post about an Upfest artist new to me I find a street piece by the same artist. It is like having two Christmases at once.  This is what happened with this beautiful piece by Aintzane Crucet.

Aintzane Crucet, Wilder Street, Bristol, August 2017
Aintzane Crucet, Wilder Street, Bristol, August 2017

It can be found on the Where the Wall curated wall in Wilder Street and was sprayed in the immediate aftermath of Upfest. It would seem that Deamze helped out with the spot, as he has a piece just to the right (to follow).

Aintzane Crucet, Wilder Street, Bristol, August 2017
Aintzane Crucet, Wilder Street, Bristol, August 2017

I could seriously fall in love with this illustrator’s work. It is very different from much of the stuff we see in Bristol, and has a welcoming, soft appearance together with a complex story. A fox tail attached to what looks like a duck-billed platypus, a keyhole on the girl’s forehead and a teapot. What is going on? Happy days.

736. Dean Lane skate park (43)

I took this picture some time ago, and have never been able to find out who it was by. I felt, though that it was worth posting, because it is really quite unusual and not the kind of thing you normally see at Dean Lane.

Unknown artist, Dean Lane, Bristol, July 2016
Unknown artist, Dean Lane, Bristol, July 2016

I like the piece a great deal, it is very well executed and the colours spectacular. What is going on here for the girl with the green sneakers? Who is this by?

 

728. The Bearpit (60)

I think I saw my first piece by Dice 67 in almost this exact spot in the north tunnel of The Bearpit a couple of years back. His stencil work is really first class and his subject matter always intriguing.

Dice 67, The Bearpit, Bristol, March 2017
Dice 67, The Bearpit, Bristol, March 2017

I believe the girl featured in this piece is his daughter, who often appears in his works. I love his stencil work, the layers all come together so seamlessly. The attitude of this piece is fantastic. I hope he comes back to Upfest this year, he will be most welcome.

Dice 67, The Bearpit, Bristol, March 2017
Dice 67, The Bearpit, Bristol, March 2017

582. M32 Spot (1)

Tucked under the M32 is a well known Bristol wet-weather skate spot which has developed through great DIY work to create ramps, rails, steps etc. A busy place in the Winter. The area lends itself really well to graffiti artists as there is rather a lot of concrete in the form of walls and pillars. This is the first of many posts I will be writing about art in this area.

Silent Hobo, M32 Spot, Bristol, January 2017
Silent Hobo, M32 Spot, Bristol, January 2017
This is a lovely new piece by Silent Hobo. The proportions of the pillars work well for individual characters and this is a great example. I really love this, although Silent Hobo’s style is not to everyone’s liking. It is good news that he is out painting the streets again, as he appeared to have slowed down a little last year.

Silent Hobo, M32 Spot, Bristol, January 2017
Silent Hobo, M32 Spot, Bristol, January 2017
I don’t know where the ‘we are golden’ slogan comes from, but I like it. Positive stuff from one of Bristol’s established street artists.

 

 

445. Dean Lane skate park (21)

Since I’m on a run of posting about artists that I know little about I thought I’d include this understated work by Jee See on one of the ramps at Dean Lane skate park. There are other works by Jee See scattered around the city in the bearpit, in St Werberghs tunnel and in Montpelier, but he remains elusive on the Interweb.

Jee See, Dean Lane, Bristol, May 2016
Jee See, Dean Lane, Bristol, May 2016

Many of his pieces feature a girl’s face, sometimes in revolutionary garb, and there is something very compelling about the artwork. I can’t put my finger on it, but it feels edgy and interesting. More from this local artist to come.