Graffiti – Page 17 – Natural adventures

7212. Dean Lane skate park (872)

Asre, Dean Lane, Bristol, September 2025

It would appear that the Asre comeback is complete. Although he is concentrating his efforts on his graffiti writing, Asre has also left us a couple of his character pieces to enjoy in recent weeks.

What I hadn’t realised from his last stint in Bristol, was that he is rather a talented writer. It is interesting that he keeps his writing and his character separate, and I’m not aware of any combination pieces from him. It might be that his large character faces simply don’t lend themselves very well to accompanying letters and are better left as standalone pieces. This writing, in pinks, purples and blues, is very neat and tidy, demonstrating great can control. The reversed-out stars and spots are nicely done. Lots more to come from Asre.

7211. Dean Lane skate park (871)

Klashwhensober, Dean Lane, Bristol, September 2025

Klashwhensober has been missing in action for months, for very good reasons I am sure, and he has returned with a gentle flurry of pieces appearing all around the town, as if he was never absent.

This is a really nicely crafted piece of graffiti writing, and has a clarity and sense of purpose not always present in Klashwhensober’s work. The letters spell out Sober and contain an interesting selection of colours that shouldn’t really work well together but somehow do. Great to see him back.

7210. Brunel Way (336)

Creamylines, Brunel Way, Bristol, September 2025

I like artists whose style is so unique, and their theme unwavering, that I derive a warm, comforting feeling when I see their work. Creamylines is the epitome of this. You know that you are going to get a landscape or scene with a rising or setting sun in the style of a stained-glass window, scattered with little treats and surprises along the way.

Creamylines has presented this landscape in a portrait format to fit onto the concrete column. The colour palette has stuck to blues, yellows, greens and purples and has quite a different appearance to some of his other pieces that include reds and oranges… more sombre, perhaps. Lots of hidden faces in this one and plenty of birds. There is a little clue to his approach to his art is at the bottom: ‘drawing everythings’.

7209. Frome Side (56)

Mesk, Frome Side, Bristol, September 2025

I don’t know if I am imagining things, but Mesk appears to have upped his game significantly in recent months, with each piece being classier than the last. Maybe he has always been this amazing and I just haven’t latched on to it, but I have now, and this one in Frome Side is a belter.

His letters are bounded with a strong yellow border which contains coloured fills running in horizontal strips in warm tones running from light to dark to light, creating an almost kaleidoscopic effect. Adding to the overall blast of visual excitement, Mesk has painted a vibrant blue stripy drop shadow, that creates a ‘blockiness’ to the whole piece. Very nice work indeed.

7208. Lucky Lane (11)

Daz Cat, Lucky Lane, Bristol, September 2025

Although I came across this garage shutter piece by Daz Cat when I went to photograph pieces from the Bristol Mural Collective paint jam in Lucky Lane, I have a feeling that it may have been painted some time earlier, but I am not really sure. Well, there you have it… I just checked his Instagram account, and it was indeed painted at the paint jam.

The unusual piece features a blue-faced cat-girl clutching a gold medal, having come first in the rat race. I expect that the smartly dressed appearance is a reference to that, and the rats relate to a more literal interpretation of the phrase. A fun piece from Daz Cat on a tricky surface.

7207. Cumberland Basin

Sled One, Cumberland Basin, Bristol, September 2025

It is, I think, entirely coincidental that Sled One painted this lucky cat (maneki-neko), around the same time that two of them appeared during a paint jam in Lucky Lane. This piece encapsulates Sled One’s skill at creating depth in his pieces through the subtle application of shading and light throughout the piece.

The gold disc contains Sled One’s signature, but there are tell-tale signs of his paw print here, in particular, for example, the floating eyebrows. There is mischief and movement in this cat, and Sled One doesn’t simply create a character, he animates it with emotions and attitudes. Outstanding work.

7206. Frome Side (55)

Totosoapcity, Frome Side, Bristol, September 2025

Totosoapcity is one of those graffiti writers whose letter shapes remain broadly constant and whose magic happens with his colour selections and patterns. The letters ARSA or ARZA have a symmetry about them, which really establishes Totosoapcity’s ‘brand’ or presence.

The letters are given depth with the 3D drop shadow in red and white stripes, and further uplifted by the four ‘starbursts’ whose contribution should never be underestimated. The colour scheme has a bit of a confection feel to it, maybe trifle or rhubarb and custard chews. An all-round nice piece from Totosoapcity.

7205. Lucky Lane (10)

Amy McHugh, Lucky Lane, Bristol, September 2025

Amy McHugh first came onto my radar at the last Bristol Mural Collective paint jam on the Greenbank hoardings with a peace for Palestine mural. This time she has gone bigger with a nature theme and some comforting words for ‘Rob’.

The words are written in a lovely illustrative font, and I guess were painted with a brush. They say: ‘I’m sorry it’s so tough – it’s ok not to feel ok – one thing for sure is change – I’m sending love today – for Rob and all who struggle’. Kind words accompanied by kind birds and animals. The naive style is enchanting and would work well as illustrations in a picture book.

7204. St Werburghs tunnel (527)

Zinso, St Werburghs, Bristol, September 2025

The return of Zinso to the streets of Bristol has been something of a revelation this summer, and his characters from a few years ago betrayed his talent as a graffiti writer. His style and use of bright colours has made a significant contribution to the scene this year and continues to do so.

This piece, in St Werburghs tunnel, is like sunshine in the sky with clouds. Whether that was a conscious colour palette decision or not I don’t know, but it works really well for me, especially in the gloom of the tunnel. The solid fills are nicely blended in horizontal stripes and there are some nice reversed-out patterns too, but generally it is not over-fussy. A blue shadow around the piece complements the letters and generally reflects the crisp and tidy feel to the whole piece. Nice work from Zinso.

7203. River Avon (95)

Jevoissoul (slow), River Avon, Bristol, September 2025

I haven’t posted much from Jevoissoul for a while, but this piece alongside the River Avon was perhaps just too good to miss. This book ended combination piece is really neat and tidy and speaks to the artist’s progress over the last year or two.

The letters SLOW are beautifully painted in strong solid colours, without decorative fills, but sometimes less can be more, and it definitely works here. Great colour combinations too. The characters are unmistakably by Jevoissoul, and he has really made these in his very own stylised cartoon design, with their distinctive comic mouths. It is a pity that he ran out of brown for the background. All in all, a great piece.

	scooj on Sentencing
	skat on Sentencing
	scooj on 7367. Greenbank (176)
	scooj on 7360. St Werburghs tunnel…
	scooj on 14 years

	scooj on Sentencing
	skat on Sentencing
	scooj on 7367. Greenbank (176)
	scooj on 7360. St Werburghs tunnel…
	scooj on 14 years

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