I first came across Whysayit (YSAE) a few years ago when he regularly collaborated with Kleiner Shames. Although I have never met him, I have enjoyed his irregular anti-graffiti style over the years, and this one under the M32 is a banger.
Whysayit, Frome side, Bristol October 2022
The organic writing is simple, spelling out ‘YSAE’ in two tones of pink. Light pink for the letters and dark pink for the drop shadow. Combine these with a black border and white highlights, and you have straightforward, quality writing which lifts nicely off the wall. Sometimes less is more.
What an absolute beauty from Mote. Tucked away in a little corner of Cumberland Basin is this magnificent example of one of Mote’s monsters, and quite possibly one of his best to date.
Mote, Cumberland Basin, Bristol, October 2022
I really like Mote’s attention to detail and clean work. All of his fills are always solid and his fine lines clean. These monsters are on the opposite end of the spectrum to throw ups. Mote spends time on painting his characters with real diligence and accuracy. It is worth noting that some of the decorative dots around the bottom of the background incorporate the previous piece that Mote painted over. The finished pieces are imaginative and always bring a smile to my face. I love this piece.
As with so many regular writers in Bristol, Corupt continues to delight us with his STICK or CORUPT writing, and this one on the M32 is a stunner. With deep 3D drop shadows that assist with lifting the piece, the letters are presented in two halves of different colour schemes.
Corupt, M32 roundabout, Bristol, October 2022
Although the division of the two halves isn’t a straight line, the top and bottom have quite different colours, but similar patterns and details. This is a bold statement piece and carries with it the gravitas of a very talented graffiti writer.
It is always special to see pieces by Smak. He is an artist pretty much at the top of his game and completely in command of his outstanding work. You know that you are looking at something really classy from the effortless way is comes across from the wall to your eyes.
Smak, Cumberland Basin, Bristol, October 2022
Smak is rather keen on these colours, but actually looking back on the extensive gallery of his work, he actually pretty much uses every colour under the sun. Beautiful letters, beautifully painted, oozing class.
Over the weekend, I had an hour or two to kill while the dog was at the groomers, and took the opportunity to drop down under the M32 to a spot along the River Frome, where I can’t take the dog, because it could be a little dangerous
The Mole, Frome side, Bristol, October 2022
My reward included this wonderful little column piece from Inca the Mole. It is always a great pleasure to find the Mole’s pieces, and this one was quite hidden away. The mole is decorated with little peace symbols and some simple stars add a little interest to the background. A simple idea nicely executed.
It is incredible to think how far and fast Werm has come from when I first met him back in 2020, when he was writing under the name Eman. He has definitely switched from character pieces to focussing on his writing, so it was great to see this piece where he has combined both.
Werm, Dean Lane, Bristol, October 2022
The character is, I think, an alien from the Simpsons – I know I have seen it before… I have just Googled it, and I am correct, and it is called Kang or Kodos. The letters, spelling out Werm, are intricate and beautifully filled with superb horizontal fill transitions. This is Werm raising his game once again. Great stuff.
Another Logoe piece from his recent blitz of Bristol, this time at the entrance to the St Werburghs tunnel. I don’t know how long Logoe was in Bristol on his latest visit, but he managed to paint at least five or six pieces, and must have been churning them out at a staggering rate.
Logoe, St Werburghs, Bristol, October 2022
One of the clever things about Logoe’s work is his colour schemes, where his selections are carefully thought out. Here he gives us a palette of yellows, greens and turquoise which work beautifully together. There are still more pieces to come from this trip.
I go away for a few days and whaddayaknow, a whole bunch of walls have been refreshed, including the long wall at Cumberland Basin. There are several beauties that have gone up there, and this fine piece by Saor is right up there.
Saor, Cumberland Basin, Bristol, October 2022
The thing I most like about Saor’s work is that every piece he paints is immaculately turned out. The lines are sharp, the fills solid and the designs imaginative. As his work develops, there are definitely some similarities with the Bristol writer Epok, whose letter designs contain combinations of curves and geometry in harmonious balance. This is a lovely piece from Saor.
I don’t recall ever going to this car park and finding it without a car parked in front of this long wall. Having said that, it is not a car park that I often frequent, and maybe I have simply been unlucky on each visit.
Vanessa Scott, Upfest 22, Bristol, May 2022
The long mural is by Vanessa Scott, who painted a memorable piece for Upfest in 2021 as part of the 75 walls in 75 days event, and it was great to be able to welcome her back this year with this calming water lilies piece.
Vanessa Scott, Upfest 22, Bristol, May 2022
The abstract design is perfect for this wall and rather grey car park environment, bringing a spot of colour and uplifting beauty to the streets. Vanessa Scott comes from Manchester and is a prolific muralist, whose work we don’t get to see too often here in the south.
This wall is a powerful and significant wall, reasonably new to Upfest, that although is impressive, is really difficult to photograph. Because it is high up, the bright sky behind it tends to lead to underexposure of the artwork, so I have to do a little bit of post-production work just to make these pictures reasonable.
Snub 23, Upfest 22, Bristol, May 2022
The mural is by Snub23, a regular at Upfest, and one who pretty much always gets to paint one of the premium walls. Snub23’s work these days usually features comic book-style characters, caught in a narrative and almost as if they were ripped out of the pages and stuck up on the wall. What is the rest of the story behind this magnificent piece?
Snub 23, Upfest 22, Bristol, May 2022
Technically, this piece is beautifully painted, with fabulous detail in the character’s mask and in the material around his neck. The background is a perfect, patterned backdrop for the scene, providing an almost pixelated or white noise environment, which is very effective. This is a great Upfest piece from Snub23.