6874. Cumberland Basin

Unknown artist, Cumberland Basin, Bristol, April 2025
Unknown artist, Cumberland Basin, Bristol, April 2025


Regular readers will know that I don’t like to post work by artists unknown to me, and I will often hold photographs of pieces back until I know who they are by. In some instances, particularly when I don’t think I will ever find out, I relent and post the piece anyway. This beautiful horse is one such example.

Unknown artist, Cumberland Basin, Bristol, April 2025
Unknown artist, Cumberland Basin, Bristol, April 2025

I don’t often see horses painted in Bristol, there is not much crossover between equestrians and street artists. This is a nicely painted two-tone piece in which the horse appears to be almost ghost-like, or in the form of a ‘patronus’ (for Harry Potter fans). The words ‘Lotty is horsey’ might give some clues about the originator, but I am left none the wiser. The piece was too good and unusual not to post.

6157. Cumberland Basin

Mr Tanner, Cumberland Basin, Bristol, May 2024
Mr Tanner, Cumberland Basin, Bristol, May 2024

I have mentioned before on Natural Adventures, how much visiting artists contribute to the spectrum of street and graffiti art that we see in the city, constantly adding to the diversity and culture of the scene. All visiting artists are welcome, and none more so than Mr Tanner, whose one-off unique pieces have brought some imagination and and sparkle to this wall in Cumberland Basin on several occasions.

Mr Tanner, Cumberland Basin, Bristol, May 2024
Mr Tanner, Cumberland Basin, Bristol, May 2024

I am not too sure where Mr Tanner is based, but he does appear to visit Bristol occasionally. The horse in this piece is a reverse silhouette on a black background, within which its skeleton appears, almost X-ray-like. There are two vertical lines of writing that accompany the piece, on the left, something in Japanese, and on the right the letters TOPIA constructed out of bones. Altogether this is an unusual and striking piece.

4249. Greenbank (24)

It would seem that Rozalita is on something of a mission at the moment, and her work rate is on an exponential growth. But it is not only her work rate that is impressive, but the subject matter of her pieces that is changing dramatically, and this is all fantastic to see.

Rozlita, Greenbank, Bristol, February 2022
Rozlita, Greenbank, Bristol, February 2022

There is so much to like about Rozalita’s work, not only her compositions, but her paintwork itself which looks more like it has been applied with a brush than spray paint. Each component of this piece is wonderful, the portrait and horses in a blue monochrome style and the extraordinary pink orchid flowers framing the piece. Such a great surprise and yet another fine piece coming off the Rozalita conveyor belt lately.

2740. St Werburghs tunnel (141)

It is not too often that you get to see a piece by Gage Graphics that is not a commission or a festival work, so this recent stunner in St Werburghs tunnel is something of a rarity. Featuring writing and a character, it is a real beauty and was a nice surprise when I came across it last week.

Gage Graphics, St Werburghs, Bristol, February 2020
Gage Graphics, St Werburghs, Bristol, February 2020

The writing says serif (I wonder if it is in anyway related to the typeface) and is expertly painted, with some nice arrows incorporated too. I suspect that Biers (who has other names) would definitely approve of the horse/donkey braying ‘ooohhhyyyeeeaaahhh’. A real treat.

Gage Graphics, St Werburghs, Bristol, February 2020
Gage Graphics, St Werburghs, Bristol, February 2020

2675. Cheltenham 2019 (24)

Consistently creative, hugely talented and generally just brilliant, Chinagirl Tile keeps on turning out the most incredible ceramic installation pieces time and time again. This clever combination piece for the Cheltenham Paint Festival 2019 features a ceramic tile girl spray painting a child-like horse with blue spots. I was lucky enough to catch up with Chinagirl Tile when she was putting this piece together – it was all a little tense as she was running low on the bonding material for glueing the tiles to the wall. While we chatted I managed to sneak a picture of her plan for the piece, and I have to say it all turned out pretty much as she had imagined it.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

I think that Chinagirl Tile is unique amongst street artists in that I don’t know of any others who make such elaborate and artistic original tiles of this type. There are many installation artists, but none who do anything like this.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

The girl is made up of about fifteen or more separate tiles, each perfectly crafted, glazed and fired and pieced together seamlessly. It is a painstaking process but one that yeilds such fabulous results. And… you’ve got to love that monkey on her shoulder.

Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019
Chinagirl Tile, Paint Festival 2019, Cheltenham, September 2019

At festivals, Chinagirl Tile consistently remains one of my favourite artists and any town anywhere in the world would be uplifted by one of her beautiful tile installations. The best part is that they tend to remain intact for several years, for people to enjoy.

2437. Upfest 2018 (159)

This is a magnificent piece by Deeds, so full of movement. Really stylish and classy. Although I am familiar with the name of the artist, he has been spray painting with stencils since the 1980s, I am not very familiar with his work.

Deeds, Upfest, Bristol, July 2018
Deeds, Upfest, Bristol, July 2018

In this piece The stencil of the horse appears to have been done in staggered sections to give it that feeling of movement, and the bright blue strips just seem to emphasise it. In the WIP shot above, you can see that he worked on the piece from the top down on the already prepped red background. A classy piece.

2245. Upfest 2018 (147)

It seems I am drawn to the amazing work of Bex Glover, having recently shared two new pieces by her in Bristol. This was her Upfest 2018 piece and is neatly tucked away in the Hen and Chicken pub back yard and can still be viewed (having had a reprieve due to the absence of a festival this year).

Bex Glover, Upfest, Bristol, May 2018
Bex Glover, Upfest, Bristol, May 2018

Bex Glover’s elegant style is instantly recognisable and thoroughly accessible. Usually a natural/wildlife theme drawn out with simple clean lines and a colour palette that is so very easy on the eye and consistent between pieces. I am a big fan of her work and this is another example of her enormous talent.

1320. Chalk Farm (4)

This sensational piece, which was part of the Ferdinand estate initiative organised by Global Street art and Camden Council, is by Bristol’s very own Andy Council. So good to see an artist’s work in London that I am very familiar with.

Andy Council, Chalk Farm Estate, London, November 2017
Andy Council, Chalk Farm Estate, London, November 2017

This has all the hallmarks of a great AC piece: An animal (in this case a horse with a flowing mane), a fantastic colour palette and the whole being composed of architectural elements and local landmarks.

Andy Council, Chalk Farm Estate, London, November 2017
Andy Council, Chalk Farm Estate, London, November 2017

I remember seeing this on social media when he first sprayed it and thinking that I would probably never see it. When I found it, I certainly hadn’t been looking for it. If I had done my homework properly I would have known where to look. Somehow though I prefer to wander around places using my instinct to track down potentioal street art spots. It is like a sixth sense.

884. Upfest 2016 (151)

Rumbl is another street artist from the rather large Dutch contingent that attended Upfest 2016. I must confess that when I first saw this piece I didn’t much like it. Now that I have looked a little more carefully and researched some of his other work, I think I get it now, and actually rather like it.

Rumbl, Upfest, Bristol, July 2016
Rumbl, Upfest, Bristol, July 2016

This is a perfect Upfest wall and he has made a good job of it. He has a love of American illustration of the 1960s and you can see that clearly in this work. The stylised horse and cowboy boots…sort of Woody meets Lucky Luke meets John Wayne. I do now rather like this – pity it took me so long to post it.

 

 

542. Rivington Street, Shoreditch (3)

I am still working through a gigantic backlog of images from a wonderful late Summer spree in Shoreditch. This is a really great piece by Fanakapan in the amazing Rivington Street – a street with loads of superb walls.

Fanakapan, Rivington Street, Shoreditch, August 2016
Fanakapan, Rivington Street, Shoreditch, August 2016

Fanakapan never ceases to impress with his mastery of chrome and helium balloon reflection works. It is a technique he has refined and he now owns it. Boom. If I were being brutally honest though, I would say that this is not his best work, it seems to lack some of the freedom of other pieces he has done. Maybe the space is a bit awkward. It is very good nonetheless.